Oki C7300 C7100/C7300/C7500 User's Guide: Windows - Page 310

c. Color Control = No Color Matching, d. Color Control = Print in Grayscale

Page 310 highlights

- Auto Best choice for printing general documents. - Perceptual Best choice for printing photographs. Compresses the source gamut into the printer's gamut while maintaining the overall appearance of an image. - Saturation Best choice for printing bright and saturated colors if you don't necessarily care how accurate the colors are. This makes it the recommended choice for graphs, charts, diagrams etc. Maps fully saturated colors in the source gamut to fully saturated colors in the printer's gamut. - Relative Colorimetric Good for proofing CMYK color images on a desktop printer. Much like Absolute Colorimetric, except that it scales the source white to the (usually) paper white; i.e. unlike Absolute Colorimetric, this attempts to take the paper white into account. - Absolute Colorimetric Best for printing solid colors and tints, such as Company logos etc. Matches colors common to both devices exactly, and clips the out of gamut colors to their nearest printed equivalent. Tries to print white as it appears on screen. The white of a monitor is often very different from paper white, so this may result in color casts, especially in the lighter areas of an image. c. Color Control = No Color Matching Use this option to switch off all printer color matching. d. Color Control = Print in Grayscale This option prints all documents as monochrome. C7100/C7300/C7500 Operation • 309

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C7100/C7300/C7500
Operation • 309
– Auto
Best choice for printing general documents.
– Perceptual
Best choice for printing photographs. Compresses the
source gamut into the printer's gamut while maintaining the
overall appearance of an image.
– Saturation
Best choice for printing bright and saturated colors if you
don't necessarily care how accurate the colors are. This
makes it the recommended choice for graphs, charts,
diagrams etc. Maps fully saturated colors in the source
gamut to fully saturated colors in the printer's gamut.
– Relative Colorimetric
Good for proofing CMYK color images on a desktop printer.
Much like Absolute Colorimetric, except that it scales the
source white to the (usually) paper white; i.e. unlike
Absolute Colorimetric, this attempts to take the paper white
into account.
– Absolute Colorimetric
Best for printing solid colors and tints, such as Company
logos etc. Matches colors common to both devices exactly,
and clips the out of gamut colors to their nearest printed
equivalent. Tries to print white as it appears on screen. The
white of a monitor is often very different from paper white,
so this may result in color casts, especially in the lighter
areas of an image.
c. Color Control = No Color Matching
Use this option to switch off all printer color matching.
d. Color Control = Print in Grayscale
This option prints all documents as monochrome.