TASCAM DM-24 Installation and Use Effects Manual - Page 20

TC Works Reverb

Page 20 highlights

5 - TC Works Reverb The TC Works reverberation built into the DM-24 is a sophisticated reverb system, allowing you to simulate many different kinds of acoustic environment. Early reflections Most common (and a few less common) parameters can be edited, allowing fine control of the whole sound. Initial level INLEV) Maximum decay time Tail Reverb level (REVLEV) HIGH MID Pre-delay (PREDLY) Reverb feed (REVFEED) NOTE Due to technical limitations, if reverb is selected as one effect, the reverb or speaker modeler cannot be selected as the second effect. General parameters There are three general settings which are all set using the top row of PODs. Balance controls There are two balance controls on the second POD row (BALANCE). I/R This stands for "Initial Reflections" (sometimes called Early Reflections"). POD 1 controls the left/ LOW It is also not available in high sampling frequency mode. INTYPE stands for input type. There are four options here: Stereo, L mono, R mono and LR mono. The first three explain themselves, but the last refers to a mono signal comprised of the L and R output signals added together. INPUT the input level can be adjusted from Off, and then (in 5 dB steps) from -140 dB to -60 dB, (in 1 dB steps) from -60 dB to -20 dB and (in 0.1 dB steps) from -20 dB to 0 dB. OUTPUT The output level can be adjusted from Off, and then (in 5 dB steps) from -140 dB to -60 dB, (in 1 dB steps) from -60 dB to -20 dB and (in 0.1 dB steps) from -20 dB to 0 dB. MIX Adjust the wet/dry mix from 0% (dry) to 100% only reverb) in 101 1% steps. right balance of these reflections from 50 through 0 to 50. TAIL This stands for "reverb tail"-the final decay of the reverb sound. POD 2 controls the left/right balance of these sounds from 50 through 0 to 50. 20 TASCAM DM-24 Effects

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20
TASCAM DM-24 Effects
5 – TC Works Reverb
The TC Works reverberation built into the DM-24 is
a sophisticated reverb system, allowing you to simu-
late many different kinds of acoustic environment.
Most common (and a few less common) parameters
can be edited, allowing fine control of the whole
sound.
NOTE
Due to technical limitations, if reverb is selected as one
effect, the reverb or speaker modeler cannot be
selected as the second effect.
It is also not available in high sampling frequency
mode.
General parameters
There are three general settings which are all set
using the top row of PODs.
INTYPE
stands for input type. There are four
options here:
Stereo
,
L mono
,
R mono
and
LR mono
.
The first three explain themselves, but the last refers
to a mono signal comprised of the L and R output
signals added together.
INPUT
the input level can be adjusted from
Off
, and
then (in 5 dB steps) from –140 dB to –60 dB, (in
1 dB steps) from –60 dB to –20 dB and (in 0.1 dB
steps) from –20 dB to 0 dB.
OUTPUT
The output level can be adjusted from
Off
,
and then (in 5 dB steps) from –140 dB to –60 dB, (in
1 dB steps) from –60 dB to –20 dB and (in 0.1 dB
steps) from –20 dB to 0 dB.
MIX
Adjust the wet/dry mix from 0% (dry) to 100%
only reverb) in 101 1% steps.
Balance controls
There are two balance controls on the second POD
row (
BALANCE
).
I/R
This stands for “Initial Reflections” (sometimes
called Early Reflections”). POD 1 controls the left/
right balance of these reflections from
50
through
0
to
50
.
TAIL
This stands for “reverb tail”—the final decay
of the reverb sound. POD 2 controls the left/right bal-
ance of these sounds from
50
through
0
to
50
.
Maximum decay time
HIGH
MID
LOW
Tail
Early
reflections
Initial
level
INLEV)
Pre-delay
(PREDLY)
Reverb
feed
Reverb level
(REVLEV)
(REVFEED)