TASCAM DM-24 Installation and Use Effects Manual - Page 4

Internal Effects on the DM-24-Patching and setting up effects

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1 - Internal Effects on the DM-24-Patching and setting up effects WARNING Although it is theoretically possible to select both an aux send and an aux insert as input sources for an effect, a few seconds' thought will show that this will result in a feedback loop, resulting in possible damage to equipment (and ears!). You should therefore avoid making this type of setting. A popup message appears to show that the assignment has been made. Mono and stereo inputs The DM-24 internal effects are either single-channel or two-channel, as listed at the start of this section. At the top of the input/output patch section for each effect, there is a field called INTYPE (input type). In the case of single-channel effects, the only option available is Mono. In the case of dual-channel effects, there is a pair of radio buttons: Stereo and Mono. Select one of these as appropriate, depending on whether one mono source, or a stereo pair of sources (e.g. a pair of aux sends) will be used to feed the effect. Once again, we recommend that only pairs of inputs (e.g. stereo inserts, odd-even pair buss and aux inserts and odd/even pairs of aux sends) are selected as stereo inputs for the effects. The number of outputs available for an effect depends on a number of factors: the type of effect currently selected, the mono/stereo input type currently selected, and the destination of the effect (for instance, if effect 1 is patched in series with a single-channel effect used in effect 2, only one channel is output from effect 1). NOTE The same source cannot be selected twice to feed two different effect inputs (except for the aux sends). A popup message appears to warn of attempted duplicate assignments. Any send/return assignments made to the effects will override any assignments made to external send/return insert loops. The effect output destination cannot be selected here- the destination of the effect outputs is determined by the choice of the input source, and in the case of the aux sends by the settings made in the I/O screens. Example 1 (Loop/insert setting with 1=mono input and 2=stereo input In this example, the delay line is fed by a mono signal source (for example a microphone) and the output is spread between the left and right outputs. The stereo inputs to the plate reverb maintain the image of the stereo source (for example, if a pair of overhead mics has been set up to record a drum kit). 4 TASCAM DM-24 Effects

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1 – Internal Effects on the DM-24—Patching and setting up effects
4
TASCAM DM-24 Effects
WARNING
Although it is theoretically possible to select both an
aux send and an aux insert as input sources for an
effect, a few seconds’ thought will show that this will
result in a feedback loop, resulting in possible damage
to equipment (and ears!). You should therefore avoid
making this type of setting.
A popup message appears to show that the assign-
ment has been made.
NOTE
The same source cannot be selected twice to feed two
different effect inputs (except for the aux sends). A
popup message appears to warn of attempted dupli-
cate assignments.
Any send/return assignments made to the effects will
override any assignments made to external send/return
insert loops.
The effect output destination cannot be selected here—
the destination of the effect outputs is determined by
the choice of the input source, and in the case of the
aux sends by the settings made in the I/O screens.
Mono and stereo inputs
The DM-24 internal effects are either single-channel
or two-channel, as listed at the start of this section.
At the top of the input/output patch section for each
effect, there is a field called
INTYPE
(input type).
In the case of single-channel effects, the only option
available is
Mono
.
In the case of dual-channel effects, there is a pair of
radio buttons:
Stereo
and
Mono
. Select one of these as
appropriate, depending on whether one mono source,
or a stereo pair of sources (e.g. a pair of aux sends)
will be used to feed the effect.
Once again, we recommend that only pairs of inputs
(e.g. stereo inserts, odd-even pair buss and aux
inserts and odd/even pairs of aux sends) are selected
as stereo inputs for the effects.
The number of outputs available for an effect
depends on a number of factors: the type of effect
currently selected, the mono/stereo input type cur-
rently selected, and the destination of the effect (for
instance, if effect 1 is patched in series with a sin-
gle-channel effect used in effect 2, only one channel
is output from effect 1).
Example 1 (Loop/insert setting with
1=mono input and 2=stereo input
In this
example, the delay line is fed by a mono signal
source (for example a microphone) and the output is
spread between the left and right outputs.
The stereo inputs to the plate reverb maintain the
image of the stereo source (for example, if a pair of
overhead mics has been set up to record a drum kit).