Yamaha CLP-320 Owner's Manual - Page 18

Selecting & Playing Voices, Selecting Voices - any good

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ENGLISH Selecting & Playing Voices Selecting & Playing Voices Selecting Voices Procedure Press and release the [PIANO/VOICE] button to select the Grand Piano 1 voice. Press and release the [PIANO/VOICE] button, press the [+] or [-] button to select a different voice. If you wish to select a particular voice directly, press and hold down the [PIANO/ VOICE] button, then press one of the C1-A1 keys. Turn the [MASTER VOLUME] control to adjust the volume level while playing the keyboard. C1 D1 F1 G1 The lowest key C1 D1 E1 F1 G1 A1 To understand the characteristics of various voices, listen to demo songs for each voice (page 15). Voice: On this instrument, a voice means a "tone" or "tonal color." Selecting a voice automatically engages the best-suited reverb type and depth (page 20) for that particular voice. Key C1 C1 D1 D1 E1 F1 F1 G1 G1 A1 Voice Name Grand Piano 1 Grand Piano 2 E.Piano 1 E.Piano 2 Harpsichord 1 Harpsichord 2 Vibraphone Church Organ 1 Church Organ 2 Strings Description Recorded samples from a full concert grand piano. Perfect for classical compositions as well as any other style that requires acoustic piano. Spacious and clear piano with bright reverb. Good for popular music. An electronic piano sound created by FM synthesis. Good for popular music. The sound of an electric piano using hammer-struck metallic "tines." Soft tone when played lightly, and an aggressive tone when played hard. The definitive instrument for baroque music. Since the strings of a harpsichord are plucked, there is no touch response. Mixes the same voice an octave higher for a more brilliant tone. The sound of a vibraphone played with relatively soft mallets. This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good for sacred music from the Baroque period. This is the organ's full coupler sound, often associated with Bach's "Toccata and Fugue". Spacious and large-scale string ensemble. Try combining this voice with piano in DUAL mode. 16 18 CLP-320 Owner's Manual

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Selecting & Playing Voices
CLP-320
Owner’s Manual
18
ENGLISH
Selecting & Playing Voices
Selecting Voices
To understand the characteris-
tics of various voices, listen to
demo songs for each voice
(page 15).
Press and release the
[PIANO/VOICE]
button to select the Grand Piano 1 voice.
Press and release the
[PIANO/VOICE]
button, press the
[+]
or
[–]
button to select a dif-
ferent voice.
Selecting a voice automatically
engages the best-suited reverb
type and depth (page 20) for
that particular voice.
If you wish to select a particular voice directly, press and hold down the
[PIANO/
VOICE]
button, then press one of the C1–A1 keys.
Turn the
[MASTER VOLUME]
control to adjust the volume level while playing the key-
board.
Procedure
Voice:
On this instrument, a voice
means a “tone” or “tonal
color.”
Key
Voice Name
Description
C1
Grand Piano 1
Recorded samples from a full concert grand piano. Perfect for classical
compositions as well as any other style that requires acoustic piano.
C
±
1
Grand Piano 2
Spacious and clear piano with bright reverb. Good for popular music.
D1
E.Piano 1
An electronic piano sound created by FM synthesis. Good for popular music.
D
±
1
E.Piano 2
The sound of an electric piano using hammer-struck metallic “tines.” Soft
tone when played lightly, and an aggressive tone when played hard.
E1
Harpsichord 1
The definitive instrument for baroque music. Since the strings of a harpsi-
chord are plucked, there is no touch response.
F1
Harpsichord 2
Mixes the same voice an octave higher for a more brilliant tone.
F
±
1
Vibraphone
The sound of a vibraphone played with relatively soft mallets.
G1
Church Organ 1
This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good for
sacred music from the Baroque period.
G
±
1
Church Organ 2
This is the organ’s full coupler sound, often associated with Bach’s “Toc-
cata and Fugue”.
A1
Strings
Spacious and large-scale string ensemble. Try combining this voice with
piano in DUAL mode.
C1
D1
E1
F1
G1
A1
C 1
±
D 1
±
F 1
±
G 1
±
The lowest key
16