Yamaha E1010 E1010 Owners Manual Image - Page 10

Distributed, Speaker, Systems, Effect, 41ror

Page 10 highlights

FLANGING a 2 o 4)' N.-7W TUNNEL ft v:Fr irvInava .7T • 0 4)Y M85 Lj iii)YAMMA L PHASE SHIFTING INPUT 9 OUTPUT Frequencies cancelled out at • • O Harmonics • „ 6' 6 Harmonics • o Lj • • DISTRIBUTED SPEAKER SYSTEMS& THE HASS EFFECT While the E1010 is designed primarily for creative signal processing, it can be used in conventional delay line applications. For example, when an extension speaker is placed remotely from a main stage speaker, the sound may be perceived as coming from the remote speaker and not the stage, depending on the relative distances between the l istener and the speakers. With the E1010 one can ensure that sound is perceived as coming from the main speakers. If the remote audience loudspeaker is 25 or more feet from the main stage speaker, a listener near the remote speaker will either not hear the main speaker or will hear it as the source of an echo. However, if the E1010 is used to delay the signal to the remote speaker* so that its sound actually arrives at the audience 5 to 20ms later than the sound from the main speaker, then the perceived localization of the sound will be from the stage; the remote speaker still reinforces the sound from the stage, but is not heard as a distinct sound source. Our localization of a sound "image" based on the sound source which arrives first at our ears is known as the Hass effect. (Refer to Figure 8 for a graph of delay times, speaker-listener distances, etc.). In using the Hass effect and delaying the sound to the remote speaker(s) with the E1010, the delay line can actually eliminate echoes rather than create them. *The E1010 must operate on line-level signals fed to the remote power amplifier, not on the amplifier output. 350 - 300 e 250 1 200 2w E LL 150 2 6 100 O 50 - 300ms max. delay (338 ft.) Dark line represents delay required for main and remote speaker output to coincide at remote location. -4- 5ms extra delay (333 ft.) (remote lag) Area to left of dark line is range wherein main speaker is heard as echo to remote 20ms extra delay (316 ft.) (remote lag) speaker (confused image localization) Shaded zone is range wherein hass precedence effect makes sound 41romr image move to main speaker. Area to right of shading is range wherein remote speaker is heard as echo to main speaker. Hi) Based on speed of sound at sea level, 25° C at 1130 feet/second (1 foot in .885ms). 50 100 150 200 250 300 Time Delay To Remote Speaker (MILLISECONDS) Fig. 8 - Delay Times required for hass effect correction of sound images at various main speaker/remote speaker/listener distances.

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9
INPUT
OUTPUT
FLANGING
a
2
4)Y
M85
o
4)
'
0
Lj
at
O
N.
-7W
Frequencies
cancelled
out
Harmonics
TUNNEL
ft
v:Fr
irvInava
.7
T
iii)YAMMA
L
6'
Harmonics
6
PHASE
SHIFTING
o
Lj
DISTRIBUTED
SPEAKER
SYSTEMS
&
THE
HASS
EFFECT
While the
E1010
is
designed
primarily
for
creative
signal
processing,
it
can
be
used
in
conventional
delay
line
applications.
For
example,
when
an
extension
speaker
is
placed
remotely
from
a
main
stage
speaker,
the
sound
may
be
perceived
as
coming
from
the
remote
speaker
and
not
the
stage,
depending
on
the
relative
distances
between the
l
istener
and
the
speakers.
With
the
E1010
one
can
ensure
that
sound
is
perceived
as
coming
from
the
main
speakers.
If
the
remote
audience
loudspeaker
is
25
or
more
feet
from
the main
stage
speaker,
a
listener
near
the
remote
speaker
will
either
not
hear
the
main
speaker
or
will
hear
it
as
the
source
of
an
echo.
However,
if
the
E1010
is
used
to
delay
the
signal
to
the
remote
speaker*
so
that its
sound
actually
arrives
at
the
audience
5
to
20ms
later
than the
sound
from
the
main
speaker,
then the
perceived
localization
of
the
sound
will
be
from
the
stage;
the
remote
speaker
still
reinforces the
sound
from
the
stage,
but
is
not
heard
as
a
distinct
sound
source.
Our
localization
of
a
sound
"image"
based
on
the
sound
source
which
arrives
first
at
our
ears
is
known
as
the
Hass
effect.
(Refer
to
Figure
8
for
a
graph
of
delay
times,
speaker
-listener
distances,
etc.).
In
using
the
Hass
effect
and
delaying
the
sound
to
the
remote
speaker(s)
with
the
E1010,
the
delay
line
can
actually eliminate
echoes
rather than
create
them.
350
300
e
250
1
200
2w
E
LL
2
150
6
100
O
50
300ms
max.
delay
(338
ft.)
Dark
line
represents
delay
required
for
main
and
remote
speaker
output
to
coincide
at
remote
location.
Area
to
left of
dark
line
is
range
wherein
main
speaker
is
heard
as
echo
to
remote
speaker
(confused
image
localization)
Hi)
m
41ror
-
4
5ms
extra delay
(333
ft.)
(remote
lag)
20ms
extra
delay
(316
ft.)
(remote
lag)
Shaded
zone
is
range
wherein
hass
precedence
effect
makes
sound
image
move
to
main
speaker.
Area
to
right
of
shading
is
range
wherein remote
speaker
is
heard
as
echo
to
main
speaker.
Based
on
speed
of
sound
at
sea
level,
25
°
C
at 1130
feet/second
(1
foot
in
.885ms).
50
100
150
200
250
300
Time
Delay
To
Remote
Speaker
(MILLISECONDS)
Fig.
8
Delay
Times
required
for
hass
effect correction
of
sound
images
at
various
main
speaker/remote
speaker/listener
distances.
*The
E1010
must
operate
on
line
-level
signals
fed
to
the
remote
power
amplifier,
not
on
the
amplifier output.