Yamaha E1010 E1010 Owners Manual Image - Page 3

Brief, operating, instructions - delay

Page 3 highlights

Brief operating instructions 2 *YAMAHA If L Fig. 1 - Front Panel A. POWER INDICATOR This LED (Light Emitting Diode) is illuminated whenever the AC power is switched ON. B. POWER SWITCH This recessed latching pushbutton turns the E1010 AC Power ON and OFF. Transient supression circuitry avoids loud turn-on or turn-off "thumps." C. INPUT LEVEL DISPLAY The display monitors the signal level after the E1010 Input level control. The display has 9 LED's which indicate peak values from -18dB to I-3dB (0dB = -30dBm). D. INPUT LEVEL CONTROL This control adjusts the input sensitivity for optimum interface (i.e., for low noise and low distortion). Set the control so the display indicates "0dB" on program peaks, with average levels of about "-11dB." E. BASS & TREBLE TONE CONTROLS These controls are provided to alter the character- istics of the delay l ine -not just the treble/bass content, but the overall effect. The Bass and Treble controls modify only the delayed signal, not the direct sound. Each control provides a maximum 12dB of boost or cut, with turn over points at 70Hz (Bass) and 7kHz (Treble). F. DELAY SWITCHES & CONTROL Five pushbuttons select different ranges of delay time, in milliseconds: 3-10ms, 25-75ms, 50-150ms, 75-225ms, and 100-300ms. An adjacent Delay control enables the actual delay time to be continuously varied from the minimum to the maximum within each range. G. FEEDBACK This control adjusts the proportion of delayed sound from the E1010 output that is mixed back into the E1010 input. Increasing the amount of feedback lengthens the duration of an echo, and adds sustain to other effects as well. If Feedback is set high enough, regeneration can occur (oscillation or run-away echo). This can be cured by lowering the Feedback setting or by varying the Delay time up and down. H. MIXING The E1010's front and rear panel Output jacks can be varied from all delayed to all direct sound. Full counterclockwise rotation of the Mixing control yields all direct sound; as the control is rotated clockwise, more delayed sound is mixed in until the Output jacks carry all delayed sound. The rear-panel Direct Only output jack always has 100% direct sound and is not affected by the Mixing control. I. MODULATION FREQUENCY & DEPTH CONTROLS Within a given delay range, the actual delay time can be varied manually with the Delay control, or it can be varied automatically with these Modulation controls. The Depth knob sets the amount of deviation in delay time. The maximum deviation increases in longer delay ranges. The rapidity of the deviation in delay time (the speed of the effect) is set with the Frequency knob. Modulation is useful for vibrato, flanging, phasing, and similar effects. J. INPUT JACK This standard phone jack is unbalanced and has a nominal -30dB (24.6mV) sensitivity. (The impedance is very high, 800 kohms.) Another Input jack is provided on the rear panel, but this front-panel Input jack takes precedence; if sources are connected to both inputs, only the front input will be fed to the unit. K. OUTPUT JACK This standard phone jack is unbalanced and has a nominal -20dB (78mV) output level. It is intended for driving high impedance inputs. This jack is parallel wired with the rear-panel Output jack, so both may be used at the same time. This output will provide delayed and/or direct sound depending on the position of the E1010's Mixing control. L. FOOT SWITCH JACK This standard phone jack is provided for use with a guitar-type foot switch. The switch turns all delay effects ON and OFF (tone, delay time, feedback and modulation), but it does nothing to the direct sound. A foot switch is handy for initiating an echo effect at the end of a vocal or instrumental phrase, for abruptly ending an effect on a precise cue, etc.

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Brief
operating
instructions
2
*YAMAHA
If
L
Fig.
1
Front
Panel
A.
POWER
INDICATOR
This
LED
(Light Emitting
Diode)
is
illuminated
whenever
the AC
power
is
switched
ON.
B.
POWER
SWITCH
This
recessed
latching
pushbutton
turns the
E1010
AC
Power
ON
and
OFF.
Transient
supression
circuitry
avoids
loud
turn
-on
or
turn-off
"thumps."
C.
INPUT
LEVEL
DISPLAY
The
display
monitors
the
signal
level
after
the
E1010
Input
level
control.
The
display
has
9 LED's
which indicate
peak
values
from
—18dB
to
I-3dB
(0dB
=
—30dBm).
D.
INPUT
LEVEL
CONTROL
This
control
adjusts
the
input
sensitivity
for
optimum
interface (i.e.,
for
low
noise
and
low
distortion).
Set
the
control
so
the
display indicates
"0dB"
on
program
peaks,
with
average
levels
of
about
"-11dB."
E.
BASS
&
TREBLE
TONE
CONTROLS
These
controls
are
provided
to
alter the
character-
istics
of
the
delay
l
ine
—not
just
the
treble/bass
content,
but
the
overall
effect.
The
Bass
and
Treble
controls
modify
only
the delayed
signal,
not
the
direct
sound.
Each
control
provides
a
maximum
12dB
of
boost or
cut,
with
turn
over
points at
70Hz
(Bass)
and
7kHz
(Treble).
F.
DELAY
SWITCHES
&
CONTROL
Five
pushbuttons
select
different
ranges
of
delay
time,
in
milliseconds:
3-10ms,
25-75ms,
50-150ms,
75-225ms,
and
100-300ms.
An
adjacent Delay
control
enables
the
actual delay
time
to
be
continuously
varied
from
the
minimum
to
the
maximum
within
each
range.
G.
FEEDBACK
This
control
adjusts
the
proportion
of
delayed
sound
from
the
E1010
output
that
is
mixed
back
into
the
E1010
input.
Increasing
the
amount
of
feedback
lengthens
the
duration
of
an
echo,
and
adds
sustain
to
other
effects
as
well.
If
Feedback
is
set
high
enough,
regeneration
can
occur
(oscillation
or
run
-away
echo).
This
can
be
cured
by
lowering
the
Feedback
setting
or
by
varying the
Delay
time
up
and
down.
H.
MIXING
The
E1010's
front
and
rear
panel
Output
jacks
can
be
varied
from
all
delayed
to
all
direct
sound.
Full
counterclockwise
rotation
of
the
Mixing
control
yields
all
direct
sound;
as
the
control
is
rotated
clock-
wise,
more
delayed
sound
is
mixed
in
until
the
Output
jacks
carry
all
delayed
sound.
The
rear-panel
Direct
Only
output
jack
always
has
100%
direct
sound and
is
not
affected
by
the
Mixing
control.
I.
MODULATION
FREQUENCY
&
DEPTH
CONTROLS
Within
a
given
delay
range,
the
actual
delay
time
can
be
varied manually
with
the
Delay
control,
or
it
can
be
varied
automatically
with
these
Modulation
controls.
The
Depth
knob
sets
the
amount
of
deviation
in
delay
time.
The
maximum
deviation
increases
in
longer
delay
ranges.
The
rapidity
of
the
deviation
in
delay
time
(the
speed
of
the
effect)
is
set
with
the
Frequency
knob.
Modulation
is
useful
for
vibrato,
flanging,
phasing,
and
similar effects.
J.
INPUT
JACK
This
standard
phone
jack
is
unbalanced
and
has
a
nominal
—30dB
(24.6mV)
sensitivity.
(The
impedance
is
very
high,
800
kohms.)
Another
Input
jack
is
pro-
vided
on
the
rear
panel,
but
this
front
-panel
Input
jack
takes
precedence;
if
sources
are
connected
to
both
inputs,
only
the
front
input will
be
fed
to
the
unit.
K.
OUTPUT
JACK
This
standard
phone
jack
is
unbalanced
and
has
a
nominal
—20dB
(78mV)
output
level.
It
is
intended
for
driving
high
impedance
inputs.
This
jack
is
parallel
wired
with
the
rear-panel
Output
jack,
so
both
may
be
used
at
the
same
time.
This
output will
provide
delayed
and/or
direct
sound depending
on
the
position
of
the
E1010's
Mixing
control.
L.
FOOT
SWITCH
JACK
This standard phone
jack
is
provided
for
use
with
a
guitar
-type
foot
switch.
The
switch
turns
al
l
delay
effects
ON
and
OFF
(tone,
delay
time,
feedback
and
modulation),
but
it
does
nothing
to
the
direct
sound.
A
foot
switch
is
handy
for initiating
an
echo
effect
at
the
end
of
a
vocal
or
instrumental
phrase,
for
abruptly
ending
an
effect
on
a
precise
cue,
etc.