Yamaha E1010 E1010 Owners Manual Image - Page 3
Brief, operating, instructions - delay
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Brief operating instructions 2 *YAMAHA If L Fig. 1 - Front Panel A. POWER INDICATOR This LED (Light Emitting Diode) is illuminated whenever the AC power is switched ON. B. POWER SWITCH This recessed latching pushbutton turns the E1010 AC Power ON and OFF. Transient supression circuitry avoids loud turn-on or turn-off "thumps." C. INPUT LEVEL DISPLAY The display monitors the signal level after the E1010 Input level control. The display has 9 LED's which indicate peak values from -18dB to I-3dB (0dB = -30dBm). D. INPUT LEVEL CONTROL This control adjusts the input sensitivity for optimum interface (i.e., for low noise and low distortion). Set the control so the display indicates "0dB" on program peaks, with average levels of about "-11dB." E. BASS & TREBLE TONE CONTROLS These controls are provided to alter the character- istics of the delay l ine -not just the treble/bass content, but the overall effect. The Bass and Treble controls modify only the delayed signal, not the direct sound. Each control provides a maximum 12dB of boost or cut, with turn over points at 70Hz (Bass) and 7kHz (Treble). F. DELAY SWITCHES & CONTROL Five pushbuttons select different ranges of delay time, in milliseconds: 3-10ms, 25-75ms, 50-150ms, 75-225ms, and 100-300ms. An adjacent Delay control enables the actual delay time to be continuously varied from the minimum to the maximum within each range. G. FEEDBACK This control adjusts the proportion of delayed sound from the E1010 output that is mixed back into the E1010 input. Increasing the amount of feedback lengthens the duration of an echo, and adds sustain to other effects as well. If Feedback is set high enough, regeneration can occur (oscillation or run-away echo). This can be cured by lowering the Feedback setting or by varying the Delay time up and down. H. MIXING The E1010's front and rear panel Output jacks can be varied from all delayed to all direct sound. Full counterclockwise rotation of the Mixing control yields all direct sound; as the control is rotated clockwise, more delayed sound is mixed in until the Output jacks carry all delayed sound. The rear-panel Direct Only output jack always has 100% direct sound and is not affected by the Mixing control. I. MODULATION FREQUENCY & DEPTH CONTROLS Within a given delay range, the actual delay time can be varied manually with the Delay control, or it can be varied automatically with these Modulation controls. The Depth knob sets the amount of deviation in delay time. The maximum deviation increases in longer delay ranges. The rapidity of the deviation in delay time (the speed of the effect) is set with the Frequency knob. Modulation is useful for vibrato, flanging, phasing, and similar effects. J. INPUT JACK This standard phone jack is unbalanced and has a nominal -30dB (24.6mV) sensitivity. (The impedance is very high, 800 kohms.) Another Input jack is provided on the rear panel, but this front-panel Input jack takes precedence; if sources are connected to both inputs, only the front input will be fed to the unit. K. OUTPUT JACK This standard phone jack is unbalanced and has a nominal -20dB (78mV) output level. It is intended for driving high impedance inputs. This jack is parallel wired with the rear-panel Output jack, so both may be used at the same time. This output will provide delayed and/or direct sound depending on the position of the E1010's Mixing control. L. FOOT SWITCH JACK This standard phone jack is provided for use with a guitar-type foot switch. The switch turns all delay effects ON and OFF (tone, delay time, feedback and modulation), but it does nothing to the direct sound. A foot switch is handy for initiating an echo effect at the end of a vocal or instrumental phrase, for abruptly ending an effect on a precise cue, etc.