Yamaha SU200 Owner's Manual - Page 17

Using the Effects and Filter, EFFECT, SCRATCH

Page 17 highlights

ENGLISH Using the Effects and Filter The SU200 lets you to apply a variety of impressive effects to your samples. Now let's try using the EFFECT CONTROL knobs and the ribbon controller on the SU200's front panel. NOTE • Effects and scratch to not operate during playback of high-grade samples. EFFECT z Press a pad. Control the effect by turning the EFFECT CONTROL knobs. A-3 x Switch on the effect you wish to apply. c Turn the EFFECT CONTROL knobs to adjust the effect's parameters. Cuts the sound into discrete, Applies distinctive modulation intermittent slices. and metallic tonality. Breaks the sample into pieces and rearranges these to build a new phrase. LOOP REMIX DIST/ LO-FI SLICE D E L AY TECH MOD FILTER EFFECT TYPE LOOP REMIX SLICE TECHMOD DIST/LO-FI D E L AY FILTER TYPE TYPE LFO LO-FI DELAY LEVEL RESONANCE VARI GAT E TIME MOD SPEED DRIVE TIME CUTOFF D ATA REC TRGLVL Applies distortion and reduces the fidelity. Applies a delay according to the sample's tempo (BPM). Strong filtering with resonance. Allows you to change the tempo in real time. TIME → Page 37 VOLUME 1 EFFECT CONTROL 2 Example: Press the [FILTER] button once to set the filter on. You can then use EFFECT CONTROL knob 1 to control the filter's resonance, and knob 2 to control the filter's cutoff frequency. You can switch the filter off by pressing the [FILTER] button a second time. NOTE • The lower right of the display indicates the pad that was most recently pressed. The effect you choose will apply to the sample in this pad. SCRATCH Use the ribbon controller to produce a scratch sound. You can use the ribbon controller to scratch out a selected sample. This gives you a sound similar to what a DJ gets by manually turning a vinyl disc. z Play a pad. S C R AT C H c You can now scratch out the sample you selected (in this case, the sample for pad 3) by rubbing your finger along the ribbon controller. v You can switch off scratch operation by pressing the [SCRATCH] button once again. x Press the [SCRATCH] button. Assign a pad to the [SCRATCH] button. NOTE • When the [SCRATCH] button is off, the ribbon controller operates in the same way as EFFECT CONTROL knob 2. Quick Start 17

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62

Quick Start
17
ENGLISH
Using the Effects and Filter
The SU200 lets you to apply a variety of impressive effects to your samples. Now let's try using the
EFFECT CONTROL knobs and the ribbon controller on the SU200's front panel.
Effects and scratch to not operate during playback of high-grade samples.
The lower right of the display indicates the pad that was most recently pressed. The effect you
choose will apply to the sample in this pad.
• When the [SCRATCH] button is off, the ribbon controller operates in the same way as
EFFECT CONTROL knob 2.
EFFECT
Control the effect by turning the EFFECT CONTROL knobs.
SCRATCH
Use the ribbon controller to produce a scratch sound.
NOTE
TIME
REC TRGLVL
DATA
EFFECT
CONTROL
VOLUME
TYPE
TYPE
LFO
LO-FI
DELAY LEVEL
RESONANCE
VARI
GAT E
TIME
MOD SPEED
DRIVE
TIME
CUTOFF
1
2
EFFECT TYPE
LOOP REMIX
SLICE
TECHMOD
DIST/LO-FI
DELAY
FILTER
SLICE
DELAY
FILTER
DIST/
LO-FI
LOOP
REMIX
TECH
MOD
A-3
z
Press a pad.
x
Switch on the effect you wish to apply.
c
Turn the EFFECT CONTROL knobs to
adjust the effect's parameters.
Example:
Press the [FILTER] button
once to set the filter on.
You can then use
EFFECT CONTROL
knob 1 to control the fil-
ter’s resonance, and knob
2 to control the filter’s cut-
off frequency. You can
switch the filter off by
pressing the [FILTER] but-
ton a second time.
Cuts the sound into discrete,
intermittent slices.
Applies distinctive modulation
and metallic tonality.
Breaks the sample
into pieces and
rearranges these to
build a new phrase.
Applies distortion and
reduces the fidelity.
Applies a delay accord-
ing to the sample’s
tempo (BPM).
Strong filtering with
resonance.
Allows you to change the
tempo in real time.
Page 37
NOTE
SCRATCH
z
Play a pad.
c
You can now scratch out the
sample you selected (in this
case, the sample for pad 3) by
rubbing your finger along the
ribbon controller.
v
You can switch off scratch
operation by pressing the
[SCRATCH] button once
again.
x
Press the [SCRATCH] button.
Assign a pad to the [SCRATCH] button.
You can use the ribbon controller to scratch
out a selected sample. This gives you a sound
similar to what a DJ gets by manually turning
a vinyl disc.
NOTE