Canon EOS-1Ds Mark III Professional Products 2010 Brochure - Page 28

©2009 Russel Carpenter. All Rights Reserved. Making a Movie with an EOS CINEMATOGRAPHY Full HD Movie Capture The EOS-1D Mark IV captures video with all the benefits of shooting with an EOS SLR. It allows for full use of Canon EF lenses, including wide angle, macro, tilt-shift lenses and more. By shooting video with a large sensor camera, it's simple to take advantage of the image quality and characteristics intrinsic to SLR photography. The photographer has access to the EOS-1D Mark IV's extended ISO sensitivities, and can control exposure and depth-of-field with ease. 61 Resolution and Frame Rates Full HD video captured at 1920 x 1080 resolution can be shot at 24, 25 or 30 frames per second, for up to 4GB per clip. Movies are saved as MOV files and can be viewed in Full HD with the EOS-1D Mark IV's HDMI output. Other recording sizes include HD at 1280 x 780 (50/60 fps) or SD/VGA at 640 x 480 (50/60 fps). Movie shooting area of Full HD quality (1920x1080)/HD quality (1280x720) Movie shooting area of SD quality (640x480) SLR Effects in Motion In the EOS-1D Mark IV's manual Video mode, users can control depth-of-field and sense of motion, creating gorgeous background blur. Exposure can be determined and set even in complex lighting situations, maintaining the same look and feel through an entire scene, not just the initial shot, and minimizing camera noise that can occur when the aper- ture changes due to exposure adjustment mid-clip. The EOS-1D Mark IV has a built-in microphone for simple mono recording and stereo sound can be recorded through an external microphone. Terminals: 1 1. PC terminal Playback and simple editing can even be 2 2. Remote control terminal 3. External micro- done in-camera, and phone IN terminal 4. HDMI mini OUT movies can be played 3 terminal 5. Audio/video OUT/ on televisions by 4 5 Digital terminal using an analog AV or HDMI cable. 61 T" he images shot in the EOS-1D Mark IV's movie mode really have to be seen to be believed. The pictures produced in extremely low light due to the stunningly sensitive CMOS sensor offer the cinematographer completely new ways of visualizing nighttime exterior scenes while shooting at high ISO settings. I especially appreciate that Canon has responded to filmmakers' requests for 24/25 frame rate as well as fully manual aperture adjustments. I personally see the Canon EOS-1D Mark IV as an invaluable tool in the professional filmmakers' arsenal." Russel Carpenter 56 56