Canon PowerShot G5 User Guide - Page 72

Shooting

Page 72 highlights

Stitch Assist Mode (continued) • Compose each frame so that it overlaps 30 to 50% of the adjoining image. Try to keep the vertical misalignment to within 10% of the image height. • Do not include moving items in the overlap. • Do not try to stitch images that include both distant and close subjects. Objects may appear warped or doubled up. • Make the brightness in each image consistent. The final image will appear unnatural if the difference in brightness is too great. • For good results, pan (swivel) the camera to take successive shots. • To shoot close-ups, slide the camera over the subject, keeping it parallel as you move. Shooting Images can be shot in the following 5 sequences in Stitch Assist mode. Horizontally, left to right Horizontally, right to left Vertically, bottom to top Vertically, top to bottom Clockwise starting at the top left 1 Open the LCD monitor and turn the mode dial to . The LCD monitor will turn on. 2 Select the shooting sequence using the B or A arrow on the omni selector and press the button. You can also press the shutter button directly to shoot without pressing the button. 3 Shoot the first image. The exposure and white balance settings are set and locked with the first image. 66

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66
Stitch Assist Mode (continued)
Shooting
Images can be shot in the following 5 sequences in Stitch Assist mode.
Horizontally, left to right
Horizontally, right to left
Vertically, bottom to top
Vertically, top to bottom
Clockwise starting at the top left
1
Open the LCD monitor and turn the mode dial
to
.
The LCD monitor will turn on.
2
Select the shooting sequence using the
B
or
A
arrow on the omni selector and
press the
button.
You can also press the shutter button directly to
shoot without pressing the
button.
3
Shoot the first image.
The exposure and white balance settings are set and locked with the first image.
Compose each frame so that it overlaps 30 to 50% of the adjoining image. Try to
keep the vertical misalignment to within 10% of the image height.
Do not include moving items in the overlap.
Do not try to stitch images that include both distant and close subjects. Objects
may appear warped or doubled up.
Make the brightness in each image consistent. The final image will appear
unnatural if the difference in brightness is too great.
For good results, pan (swivel) the camera to take successive shots.
To shoot close-ups, slide the camera over the subject, keeping it parallel as you
move.