Harman Kardon 50 Owners Manual - Page 3

Installation

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INSTALLATION VENTILATION Although your new receiver rarely develops high heat, It is recommended that you leave the back of the cabinet open. If this is not possible, provide several large holes or slots as low down and as high up in the cabinet back as possible. As an alternative, holes may be provided in the sides, bottom or top of the cabinet. Remember that really effective ventilation requires provision for cool air to enter at the bottom and hot air to leave at the top. A minimum clearance of two (2) inches should be allowed on each side and in the rear, between the chassis and the cabinet, and three (3) inches are required above it. Isolate any accessories which might interfere with ventilation. For example, do not drape plastic or rubber covered interconnecting cables over the equipment. POWER REQUIREMENTS Connect the AC line cord to any outlet furnishing 117 volts, 60 Hz AC current. The voltage may vary between 105 and 125 volts. An auxiliary AC power outlet is provided on the rear panel of your receiver. Any accessory equipment (tape recorder, phonograph record player, etc.) may be connected to this receptacle and will be controlled by the POWER switch on the front panel. In the event of fuse failure, replace ONLY with the same fuse type used. NEVER replace with a fuse of a higher rating. To do so will NOT protect your receiver and could result in severe damage to it which will not be covered under the warranty policy. SPEAKER PLACEMENT (See Fig. 1) The speakers will be referred to as LEFT and RIGHT, FRONT and BACK. Placement of the back speakers will vary with your room size, seating arrangement and acoustics, At times, it may be advantageous to place the back speakers in line with the listener, either aiming them at the listener, the rear of the room or against the side wall, It has been acknowledged that omnidirectional speakers (i.e. Harman/Kardon HK50) serve well as back speakers in a quad setup because they do not beam the sound at the listener. This gives the illusion of far greater airiness and comes closer to the sound at a live concert. We have illustrated several ways of arranging the back speakers. Some experimentation may be required before you obtain optimum sound dispersion and total surround sound. If you listen predominant€y to classical music it is recommended to reflect the back speakers off the walls, or aim them away from the listener. This will tend to soften the sound and create a more natural ambience. if you listen predominantly to contemporary music it may be advantageous to place the back speakers in the corners and beam them into the room. FUSING A fuse is a safety device used to protect the receiver against possible damage due to overload or short circuits. The 50+ receiver employs three protective fuses. All three are located on the rear panel near the AC convenience receptacle and line cord. The AC fuse labeled 2A-3AG is used to protect the power supply of the entire system. The other two fuses labeled 1.5-3AG, LEFT and RIGHT protect the output stages of the receiver. The output of your receiver has been designed to operate with a MAXIMUM of 1.5 amperes of current in each channel. Under certain conditions, €t is possible to draw more than 1.5 amperes through the output stage which would, in turn, blow the DC fuses, This could be caused by using multiple speaker systems where the total impedance falls below 4 ohms, Whenever you plan to operate more than two speakers simultaneously, make absolutely sure that their total load impedance WILL NOT fall below 4 ohms. CONNECTING THE SPEAKERS Use any type of wire to connect your speakers to your receiver. However, it should be pointed out that the heavier the wire, the lower the loss of power. Ordinary lamp cord, or zip cord as it is sometimes called, is excellent for this application since it can be dressed easily around the molding and it is usually heavy enough to extend great lengths without an appreciable loss in power. Do not drive tacks or staples through the center of the wire since this can result in a short circuit which could either cut the volume level down considerably or short out the sound completely. It is permissible to use approximately 50-60 feet of heavy guage speaker connecting wire for each speaker without loss of volume. CONNECT YOUR SPEAKERS WITH CARE. AVOID SHORTS. DO NOT CONNECT THE SPEAKERS WITH THE POWER ON. WORK CAREFULLY TRIMMING ALL LOOSE WIRES ON THE REAR OF THE SPEAKERS AND RECEIVER. THE RECEIVER HAS BEEN DESIGNED TO PREVENT DAMAGE FROM MOMENTARY ACCIDENTAL SHORTING, HOWEVER, REPETITIVE SHORTING CAN DAMAGE THE OUTPUT DEVICES. 2

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INSTALLATION
VENTILATION
Although
your
new
receiver
rarely
develops
high
heat,
It
is
recommended
that
you
leave
the
back
of
the
cabinet
open.
If
this
is
not
possible,
provide
several
large
holes
or
slots
as
low
down
and
as
high
up
in
the
cabinet
back
as
possible.
As
an
alternative,
holes
may
be
provided
in
the
sides,
bottom
or
top
of
the
cabinet.
Remember
that
really
effective
ventilation
requires
provision
for
cool
air
to
enter
at
the
bottom
and
hot
air
to
leave
at
the
top.
A
minimum
clear-
ance
of
two
(2)
inches
should
be
allowed
on
each
side
and
in
the
rear,
between
the
chassis
and
the
cabinet,
and
three
(3)
inches
are
required
above
it.
Isolate
any
accessories
which
might
interfere
with
ventilation.
For
example,
do
not
drape
plastic
or
rubber
covered
interconnecting
cables
over
the
equipment.
POWER
REQUIREMENTS
Connect
the
AC
line
cord
to
any
outlet
furnishing
117
volts,
60
Hz
AC
current.
The
voltage
may
vary
between
105
and
125
volts.
An
auxiliary
AC
power
outlet
is
provided
on
the
rear
panel
of
your
receiver.
Any
accessory
equipment
(tape
recorder,
phonograph
record
player,
etc.)
may
be
connected
to
this
receptacle
and
will
be
controlled
by
the
POWER
switch
on
the
front
panel.
FUSING
A
fuse
is
a
safety
device
used
to
protect
the
receiver
against
possible
damage
due
to
overload
or
short
circuits.
The
50+
receiver
employs
three
protective
fuses.
All
three
are
located
on
the
rear
panel
near
the
AC
con-
venience
receptacle
and
line
cord.
The
AC
fuse
labeled
2A-3AG
is
used
to
protect
the
power
supply
of
the
entire
system.
The
other
two
fuses
labeled
1.5-3AG,
LEFT
and
RIGHT
protect
the
output
stages
of
the
receiver.
The
output
of
your
receiver
has
been
designed
to
operate
with
a
MAXIMUM
of
1.5
amperes
of
current
in
each
channel.
Under
certain
conditions,
€t
is
possible
to
draw
more
than
1.5
amperes
through
the
output
stage
which
would,
in
turn,
blow
the
DC
fuses,
This
could
be
caused
by
using
multiple
speaker
systems
where
the
total
impedance
falls
below
4
ohms,
Whenever
you
plan
to
operate
more
than
two
speakers
simultaneously,
make
absolutely
sure
that
their
total
load
impedance
WILL
NOT
fall
below
4
ohms.
In
the
event
of
fuse
failure,
replace
ONLY
with
the
same
fuse
type
used.
NEVER
replace
with
a
fuse
of
a
higher
rating.
To
do
so
will
NOT
protect
your
receiver
and
could
result
in
severe
damage
to
it
which
will
not
be
covered
under
the
warranty
policy.
SPEAKER
PLACEMENT
(See
Fig.
1)
The
speakers
will
be
referred
to
as
LEFT
and
RIGHT,
FRONT
and
BACK.
Placement
of
the
back
speakers
will
vary
with
your
room
size,
seating
arrangement
and
acoustics,
At
times,
it
may
be
advantageous
to
place
the
back
speakers
in
line
with
the
listener,
either
aiming
them
at
the
listener,
the
rear
of
the
room
or
against
the
side
wall,
It
has
been
acknowledged
that
omnidirectional
speakers
(i.e.
Harman/Kardon
HK50)
serve
well
as
back
speakers
in
a
quad
setup
because
they
do
not
beam
the
sound
at
the
listener.
This
gives
the
illusion
of
far
greater
airiness
and
comes
closer
to
the
sound
at
a
live
concert.
We
have
illustrated
several
ways
of
arranging
the
back
speakers.
Some
experimentation
may
be
required
before
you
obtain
optimum
sound
dispersion
and
total
surround
sound.
If
you
listen
predominant€y
to
classical
music
it
is
recommended
to
reflect
the
back
speakers
off
the
walls,
or
aim
them
away
from
the
listener.
This
will
tend
to
soften
the
sound
and
create
a
more
natural
ambience.
if
you
listen
predominantly
to
contemporary
music
it
may
be
advantageous
to
place
the
back
speakers
in
the
corners
and
beam
them
into
the
room.
CONNECTING
THE
SPEAKERS
Use
any
type
of
wire
to
connect
your
speakers
to
your
receiver.
However,
it
should
be
pointed
out
that
the
heavier
the
wire,
the
lower
the
loss
of
power.
Ordinary
lamp
cord,
or
zip
cord
as
it
is
sometimes
called,
is
excellent
for
this
application
since
it
can
be
dressed
easily
around
the
molding
and
it
is
usually
heavy
enough
to
extend
great
lengths
without
an
appreciable
loss
in
power.
Do
not
drive
tacks
or
staples
through
the
center
of
the
wire
since
this
can
result
in
a
short
circuit
which
could
either
cut
the
volume
level
down
considerably
or
short
out
the
sound
completely.
It
is
permissible
to
use
approximately
50-60
feet
of
heavy
guage
speaker
connecting
wire
for
each
speaker
without
loss
of
volume.
CONNECT
YOUR
SPEAKERS
WITH
CARE.
AVOID
SHORTS.
DO
NOT
CONNECT
THE
SPEAKERS
WITH
THE
POWER
ON.
WORK
CAREFULLY
TRIMMING
ALL
LOOSE
WIRES
ON
THE
REAR
OF
THE
SPEAKERS
AND
RECEIVER.
THE
RECEIVER
HAS
BEEN
DESIGNED
TO
PREVENT
DAMAGE
FROM
MOMENTARY
ACCIDENTAL
SHORTING,
HOWEVER,
REPETITIVE
SHORTING
CAN
DAMAGE
THE
OUTPUT
DEVICES.
2