Yamaha D24 V2.0 Supplement - Page 3

3 Seamless Punch Out Monitoring At the punch-out point, the monitor circuits now switch from input to playback seamlessly. (Previously, monitoring was muted for an instant as the punch-out occurred.) The number of tracks with which seamless punch out monitoring can be used simultaneously is limited by the following factors: recording media (MO or hard disk), sampling rate (48 kHz or 44.1 kHz), and recording resolution (16-, 20-, or 24-bit), as shown in the following table. Media MO Sampling Rate 48 kHz 44.1 kHz Hard Disk 48 kHz 44.1 kHz Recording Resolution 24-bit 20-bit 16-bit 24-bit 20-bit 16-bit 24-bit 20-bit 16-bit 24-bit 20-bit 16-bit Max. No. of Tracks for Seamless Punch Out 8 9 11 9 10 12 12 15 16 15 16 16 The maximum number of tracks for seamless punch out consists of the number of tracks previously recorded (i.e., the number of tracks playing back) and the number of tracks selected for punch in/out recording. For example, the maximum number of tracks for seamless punch out using an MO disk at 48 kHz/24-bit is eight, so if four tracks have already been recorded, up to four tracks can be selected for seamless punch out. If the maximum number of tracks for seamless punch out is exceeded (i.e., a greater number tracks are selected for recording), punch out monitoring will not be seamless. Audio recorded to disk is always seamless. D24-Version 2.0 Supplement