Yamaha MO6 Owner's Manual

Yamaha MO6 Manual

Yamaha MO6 manual content summary:

  • Yamaha MO6 | Owner's Manual - Page 1
    OWNER'S MANUAL MUSIC PRODUCTION SYNTHESIZER EN
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    only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be
  • Yamaha MO6 | Owner's Manual - Page 3
    approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/ or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure
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    them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel. Water warning • Do not expose the instrument to rain, use it near water or in damp or wet conditions
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    the instrument inspected by qualified Yamaha service personnel. • Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard. • Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons
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    to see that you have everything listed here. ❏ Power adaptor (PA-5D)* ❏ Owner's Manual (this document) ❏ Data List * May not be included in your area. Please check with your Yamaha dealer. The illustrations and LCD screens as shown in this owner's manual are for instructional purposes only, and may
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    even greater performance power. Page 78 Page 48 ● Once you've collected all the MIDI data and patterns you need for your song, use Pattern Chain to arrange . Page 31 ● Compatibility with Yamaha's powerful Voice Editor and Multi Part Editor software-featuring comprehensive, intuitive Page 112
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    and easy-to-understand way. Data List (separate booklet) This contains various important lists such as the Voice List, Preset Pattern Phrase List, Effect List, MIDI Data Format, and MIDI Implementation Chart. Throughout this manual, arrows are used in the instructions, indicating in shorthand the
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    48 Playing the keyboard • Selecting a Voice and playing the keyboard Pages 40 (Voice mode), 76 (Song/Pattern mode) • Selecting a Performance and playing the keyboard ...Page 44 • Using the instrument as a Master Keyboard ...Page 122 • Sounding the metronome SONG] or [PATTERN] → [UTILITY] → [F3
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    a Mixing Voice especially for a Song or Pattern ...Page 78 • Creating a Performance...Page 63 • Creating a Song Recording your keyboard performance to a Song track (Realtime Recording Page 88 Recording over (replacing) existing material in a Song track-Punch-in Recording [SONG] → [REC] → [F1] SETUP
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    an edited, but not-stored Voice, Performance, Song or Pattern (when another Voice has been selected) -Recall function...Page 37 • Song/Pattern Canceling the changes made in the recent session such as Recording and Job to restore the data to its previous status [SONG] or [PATTERN] → [JOB] → [F1] UNDO
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    the MIDI receive channel of the keyboard in the Voice mode/Performance mode [UTILITY] → [F5] MIDI → [SF1] CH → BasicRcvCh ...Page 209 Setting the MIDI receive channel for each part of a Song/Pattern [SONG] or [PATTERN] → Song/Pattern selection → [MIXING] → [EDIT] → Part selection→ [F1] VOICE → [SF2
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    Contents Introduction 6 Accessories 6 Main Features 7 How to use this manual 8 Application Index 9 The Controls & Connectors 14 Front Panel 14 Rear Panel 18 Setting up and Playing 20 Power supply 20 Playing the keyboard 22 Modes 24 Basic instructions 25 Resetting the User Memory to
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    7 FOOT SWITCH MIDI IN OUT THRU VOICE MODE PERFORM MASTER SONG PATTERN MIXING FAV DAW REMOTE FILE UTILITY DEMO key corresponds to the note name shown in the illustrations. Refer to this illustration when setting parameters having note name values, such as Note Limit. 14 Owner's Manual
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    º * ( 8@ ¶¢ CATEGORY SEARCH VOICE MODE PERFORM MASTER DRUM KITS PRE 1 PRE 2 PRE 3 PRE 4 USER 1 USER 2 GM - SECTION SF1 SF2 SF3 SF4 SF5 INFORMATION F1 F2 F3 F4 F5 F6 DEC NO EXIT INC YES ENTER SONG PATTERN MIXING FAVORITES A. PIANO KEYBOARD ORGAN A B C GUITAR PLUCKED
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    features a 61-key keyboard, while the MO8 has 88 keys. All are equipped with an initial touch feature. With initial touch, the instrument senses how strongly or softly you play the keys, and uses that playing strength to affect the sound in various ways, depending on the selected voice. 2 OCTAVE
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    Performance part Mute setting (1 - 4) Performance or Voice selection (if cursor is located at Voice name), according to Groups A - H Keyboard transmit channel setting (when memorizing the Voice mode or Performance Master Play mode mode to the current Master) or Song/Pattern track selection
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    for redirecting any received MIDI data (via MIDI IN) to connected devices, allowing convenient chaining of additional MIDI instruments. MIDI OUT is for transmitting all control, performance and playback data from the MO to another MIDI device, such as an external sequencer. 18 Owner's Manual
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    to a pair of stereo headphones. ) DIGITAL OUT connector Page 103 Use this connector to input or output digital signals over coaxial (RCA-pin) cable. The format is S/PDIF, normally used for CD and DAT players. The digital signal output is 44.1kHz/24-bit. Rear Panel Owner's Manual 19
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    -in speakers, you will need to monitor the sound of the instrument by using external equipment. Connect a set of headphones, powered speakers, or other playback equipment as required. Powered speaker (Left) Powered speaker (Right) Headphones OUTPUT L/MONO OUTPUT R PHONES MO 20 Owner's Manual
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    etc.). When powering down the setup, first turn down the volume of each audio device, then switch off each device in the reverse order (first audio devices, then MIDI). 1 2 3 POWER ON!! MIDI master MO (MIDI slave) Audio equipment (first mixer, then amplifier) Adjusting the sound and the display
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    of the display. This indicates that Performance 017 in User bank 1 is currently selected. A "Performance" is one of the types of programs of the MO. As described below, the instrument also features other types: Voices, Songs, and Patterns. n For details about Banks, see page 40. 22 Owner's Manual
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    playing the sounds: Voices, Performances, Songs, and Patterns. The basic difference among these programs is in their use-for playing the keyboard, or for creating music with multiple parts. For playing the keyboard Voice This program contains a basic instrument sound, such as a piano, guitar, bass
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    different MIDI keyboards. 4 Creating original songs Song mode [SONG] button The Song mode lets you create your own original songs by recording your performance using Voices created in the Voice mode or by combining preset rhythmic Patterns. 5 Creating rhythm patterns Pattern mode [PATTERN] button
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    for any computer sequence software and Multi Part Editor software (page 112) compatible with the Remote Control function. Remote-controlling the software Page 113 Global settings and data backup While the Voice, Performance, Song, and Pattern modes provide controls for using and editing the
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    Memory to the Initial Factory Settings The original factory setting of this synthesizer's User Memory can be restored as follows. WARNING When the factory settings are restored, all the Voice, Performance, Song, Pattern, and system setting in the Utility mode you created will be erased. Be sure
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    pattern data consisting of MIDI events used for looped playback A program which lets you register the settings in each mode-Voice, Performance, Song, and Pattern A collection of settings for storing and managing your created data Page 40 44 73 73 122 211 Modes Mode Structure This synthesizer
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    a Pattern Recording a Pattern Editing a Pattern MIDI events Converting and transforming Pattern data Setting tone generator parameters Setting tone generator parameters in detail Initializing a Pattern Mixing, etc. Storing a Pattern Mixing internal memory Editing/Creating a Voice dedicated for Song
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    the [UTILITY] button to enter the Utility mode. VOICE MODE PERFORM MASTER SONG PATTERN MIXING DAW REMOTE FILE UTILITY 3 Move the cursor to "Transpose" by using the Cursor button. 4 Change the Transpose value by using the [INC/YES], [DEC/NO] buttons and data dial. 5 Press the [STORE] button to
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    this instrument, you'll create a wide variety of data-such as custom Voice data (including Voices, Performances, etc.), and MIDI sequence data (Songs, Patterns, Arpeggios). Naturally, you'll want to store this data for safekeeping and future use, and for this reason the instrument is equipped with
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    devices such as a computer keyboard or mouse cannot be used. Both bus-powered (powered by the host device) or selfpowered (battery or external power supply) types can be used. The MO does not necessarily support all commercially available USB storage devices. Yamaha cannot guarantee operation of USB
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    the storage media, then transferring them to the instrument. In this way, you can use data created on the computer or another instrument with the MO. For example, you can load Standard MIDI files to the instrument as Song/ Pattern data, or import files created on the MOTIF ES. Copying the files of the
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    of its programs, i.e., a Voice, Performance, Song, Pattern, or Master. These programs can be selected in each Play mode via the same procedure. ■ Using the [INC/YES], [DEC/NO] buttons and the data dial The [INC/YES] and number DEC/NO Increases number INC / YES Increases number Owner's Manual 33
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    pressing the Group and Number buttons. n The amount of numbers differ depending on the program. For example, while the selected number range of the Normal Voice, Performance, and Master is 001 - 128, the selected number range of the Song and Pattern is 001 - 064. 34 Owner's Manual
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    press the [INC/YES] button. ■ Inputting a number directly For parameters having large value ranges (such as the Song measure), you can also enter the value directly, using the buttons below the LCD display as a numeric keypad. When the cursor is located on such a parameter, the [NUM] icon appears
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    for editing the Voice, Performance, Song Mixing, Pattern Mixing, Mixing Voice settings. n For details on recording MIDI data, see page 73. n The Song Edit function (for editing the Song MIDI sequence data) and the Pattern Edit function (for editing the Pattern MIDI sequence data) are not explained
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    Recall buffer (page 150). To restore the lost data with your latest edits intact, use the Edit Recall function in the Job mode. Job mode Voice Performance Song Mixing Pattern Mixing Mixing Voice How to call up the Edit Recall display [VOICE] → [JOB] → [F2] RECALL [PERFORM] → [JOB] → [F2] RECALL
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    the respective naming displays. Data types that can be named Voice Performance Song Pattern Mixing Template Mixing Voice Phrase Master Arpeggio Volume using the Cursor buttons to the desired location and input a character. See below for details. n Since the name of the program is part of the data,
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    want to use the following method- selecting the characters from a list. INFORMATION When the cursor is located at the Name, this [LIST] icon appears and you can call up the Character List display by holding DEC/NO INC / YES EXIT ENTER EXECUTE INFORMATION DEC/NO INC / YES Owner's Manual 39
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    In this condition, playing the keyboard sounds the Voice indicated in the display. The parameters shown in the Voice Play mode are briefly explained below. VOICE PERFORM MASTER Indicates the Keyboard MIDI transmit channel. See page 43 for details. Indicates the Keyboard Octave setting. See page 29
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    This is the same as in selecting a Normal Voice. 5 Play the keyboard and check which instrument is assigned to each key. n For details about the instrument assignments for each key, refer to the separate Data List. Using the [INC/YES], [DEC/NO] buttons and data dial In steps 3 and 4 above, you can
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    the [PRE 3] ORGAN button of the Bank buttons and Group buttons. The Voices in the Organ Category are displayed in a list. CATEGORY SEARCH PRE 1 PRE 2 PRE 3 PRE 4 USER 1 USER 2 GM - A. PIANO KEYBOARD ORGAN A B C GUITAR PLUCKED D BASS E STRINGS BRASS REED PIPE F G H SYN LEAD SYN PAD
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    . PART ZONE 9 10 11 12 13 14 15 16 MUTE SOLO n You can also set the MIDI keyboard transmit channel from the Utility mode ([UTILITY] → [F5] MIDI → [SF1] CH → KBDTransCh). This parameter is available for the Voice mode/Performance mode but not for the Song mode/Pattern mode. Owner's Manual
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    Timpani Voices in a layer across the keyboard, or split the keyboard according to the bass and melody parts, then play the two different instruments and sound like a duo-even though you're playing by yourself. Selecting a Performance 256 Performances (2 banks) are provided in internal User memory
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    top right of the display. n You can also set the MIDI keyboard transmit channel from the Utility mode ([UTILITY] → [F5] MIDI → [SF1] CH → KBDTransCh). This parameter is available for the Voice mode/Performance mode but not for the Song mode/Pattern mode. 5 Play the keyboard. Owner's Manual 45
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    Voice" or "Selecting a Drum Voice" (page 40 or 41). You can select the desired Bank and Number directly by using the [DEC/NO], [INC/YES] buttons and data dial. You can also use the Category Search function (page 42). Here, we'll assign a flute Voice (PRE2: SweetFlute) to Part 2. 46 Owner's Manual
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    the keyboard. Use your left hand to play piano sounds and your right hand to play flute sounds. Part 1: Piano Part 2: Flute Next, we'll divide the keyboard into two sections-one for each Voice. Dividing the keyboard into separate sections-Split 8 Assign the Voice of Part 1 to the lower key range
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    each Part in the Performance, Song, or Pattern mode. 1 Press the [ARPEGGIO ON/OFF] button to turn Arpeggio on. Selecting some programs (Voices, Performances, Songs, Patterns) automatically turns this lamp on. MASTER EFFECT EFFECT BYPASS ARPEGGIO ON OFF 2 Play a note or notes on the keyboard to
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    User Voice, Performance, Song, or Pattern (pages 60, 66, 99). TIP Transmitting Arpeggio playback as MIDI data If you want to use the Arpeggios to trigger other MIDI tone generators or record the MIDI data changes as a User Voice, Performance, Song, or Pattern (pages 60, 66, 99). Owner's Manual 49
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    the Modulation Wheel is set to minimum before you start playing. n Various functions can be assigned to the Modulation Wheel in the "CTL SET" display ([VOICE] → [EDIT] → [COMMON] → [F4] CTL SET). These assignment settings can be stored as a User Voice in the Voice Store mode. 50 Owner's Manual
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    Playing the MO Quick Guide Knob Using the Controllers on the MO Changing the sounds You can change the brightness and tone characteristics of the current Voice, Performance, Song or Pattern in realtime by turning the knobs while you play. Rotating it to the right (clockwise) increases the program
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    the Controllers on the MO Control slider Changing the volume You can adjust the volume of the Voice/Performance you play on the keyboard, or the volume of the specified part (track) of the Song/Pattern by using the Control sliders. In the Master mode, various functions as well as the volume can be
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    various synthesizer processing parameters used to enhance, alter or define the sound, such as pitch, filter, and amplitude controls. For example, a piano Voice can be actually made up of several different piano waveforms: one for high notes, one for low notes, and waveforms for when the keyboard is
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    Voice from the NAME display ([COMMON] → [F1] GENERAL → [SF1] NAME). For detailed instructions on naming a Voice, refer to page 38. Enter the desired Voice name 7 Store the settings as a User Voice. The edited Voice can be stored in the Voice Store mode. For details, see page 60. 54 Owner's Manual
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    Quick Guide TIP The Compare Function You can compare the sound of the original (unedited) Voice with the edited Voice. For details, see page 36. TIP To solo an Element for editing This feature is useful for isolating the sound of single Element, for ease in editing. 1 In the Normal Voice Edit
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    independently adjust the levels of the Elements of a Normal Voice or the Drum Voice keys. When a Normal Voice is selected, you can adjust the level balance among the four Elements. n Inadvertent use of the sliders may result in no sound. If this occurs, move the sliders upward. 56 Owner's Manual
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    ] GENERAL → [SF1] NAME). For detailed instructions on naming a Voice, refer to page 38 in the Basic Operation section. Enter the desired Voice name. 7 Store the edited Voice to internal User memory. The edited Voice can be stored in the Voice Store mode. See page 60 for details. Owner's Manual 57
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    currently assigned to the pressed key will sound. 5 Create your original drum kit by repeating steps 3 - 4. 6 Store the created drum kit as a Drum Voice in User memory. The edited Voice can be stored in the Voice Store mode. See page 60 for details. Quick Guide Editing a Program 58 Owner's Manual
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    [VOICE] ➞ Drum Voice selection ➞ [EDIT] ➞ Key selection ➞ [F1] OSC ➞ [SF5] OTHER ➞ RcvNoteOff You can determine whether or not the selected Drum key responds to MIDI Note Off messages. Setting the Receive Note Off parameter to "off" can be useful for cymbal sounds and other sustaining sounds
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    when turning the power off. As such it is not necessary to save the data to a USB storage device; however, you may want to save it to another media for backup or organizational purposes, using the Save operation. Storing the edited Voice as a User Voice to internal memory [VOICE] ➞ [STORE] 1 After
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    , execute the Save operation to save all User Voices as a single file (extension: W7E) which can be exported to the Voice Editor software. CAUTION Never attempt to turn off the power while an "Executing..." or "Please keep power on" message is shown. Turning the power off in this state may cause the
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    to be loaded. Select a destination Voice Number. Select a Voice by moving the cursor to the location of "USR1" in the above display and using the data dial. CAUTION Loading data to this instrument automatically erases and replaces any existing data in the User memory. 5 Press the [SF1] EXEC button
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    Calling up the Part Edit display Press the desired Part number from the PERF. PART [1] - [4] buttons to call up the Part Edit display. Indicates the display for editing Part 1. Common Edit You can select the four Performance Parts. Part 1 Edit Part 2 Edit Part 3 Edit Part 4 Edit Owner's Manual 63
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    Voice assigned to each Part Page 174 Part selection ➞ [F1] VOICE The Voice assigned to each part let you use the five-band Master EQ to process the overall sound of the instructions on naming a Voice, refer to page 38. Enter the desired Performance name. 7 Store the settings as a User Owner's Manual
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    VOL/PAN ➞ Volume In the Performance mode, the four Control sliders let you independently adjust the levels of the Parts (Voices), letting you control the overall balance of the Parts. n Inadvertent use of the sliders may result in no sound. If this occurs, move the sliders upward. Owner's Manual 65
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    Guide User Performance 001 User Performance 002 User Performance Bank 1 User Performance 128 Save All the User Performance data Performance number by using the data dial, [INC/ . Important data should always power while an "Executing..." or "Please keep power on" message is shown. Turning the power
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    , especially when Type is set to "All." n When Type (file type) is set to "Performance" and the Load operation is executed, the sound of the Performances may not be reproduced properly if the User Voices assigned to the Performances saved in the file have been changed by editing. Owner's Manual 67
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    . CAUTION While the data is being saved/loaded, make sure to follow these precautions: • Do not remove or eject the media from the USB storage device. • Do not unplug or disconnect the USB storage device. • Do not turn off the power of the instrument or the relevant devices. 68 Owner's Manual
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    , such as sustain, Portamento Switch, increment/decrement of a Voice or Performance Number using a foot controller for parameter control in this way, both your hands are left free to play the keyboard (or to operate other controllers)-an exceptional convenience when playing live. Owner's Manual
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    in the Voice Edit mode is available when the corresponding Voice is selected in the Performance, Song, and Pattern. n The functions assigned to the Controller by the Controller Set function are applied only to the internal tone generator block. For connected external MIDI instruments, use of the
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    the MIDI standard) used for the control numbers are indicated in parentheses. 2 Destination (function) Determines the functions assigned to ASSIGN A and B. For the details about the abbreviations and the parameter types, refer to the Control List in the separate Data List booklet. Owner's Manual 71
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    → [UTILITY] → [F3] VOICE → [SF4] CTL ASN [PERFORM] → Performance selection → [EDIT] → [COMMON] → [F4] CTL ASN [SONG]/[PATTERN] → Song/Pattern selection → [MIXING] → [EDIT] → [COMMON] → [F4] CTL ASN * The MO does not have the following MIDI controllers: Aftertouch, Ribbon Controller, Foot Controller
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    OTHER ➞ CtrlRest Important data should always be backed up to a USB storage device. 1 Simultaneously press the [FILE] button and [UTILITY] button. VOICE MODE PERFORM MASTER SONG PATTERN MIXING DAW REMOTE FILE UTILITY EDIT DEMO JOB STORE COMPARE SCENE STORE SET LOCATE Owner's Manual 73
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    select another Song by using the Data Dial, or the [INC/YES] and [DEC/NO] buttons. Decreases number Decreases number DEC/NO Increases number INC / YES Increases number Start Stop Song number: Name SEQ TRANSPORT LOCATE 1 2 REC Start Next, let's play a Demo Pattern. 74 Owner's Manual
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    the MO Quick Guide Playing the Demo Songs/Patterns 6 Press the [PATTERN] button to enter the Pattern mode. VOICE MODE PERFORM MASTER 10 Select and play another Demo Pattern. Selecting a Pattern is done in the same way as selecting a Song. Refer to step 5 above. SONG PATTERN MIXING DAW REMOTE
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    keyboard. 1 2 3 4 5 6 7 8 TRACK SELECT Press the [MIXING] button, then [F2] VOICE 2 button to call up the display for setting a Voice. ELEMENT PERF. PART ZONE 9 10 11 12 13 14 15 16 MUTE SOLO VOICE MODE PERFORM MASTER SONG PATTERN MIXING DAW REMOTE FILE UTILITY EDIT DEMO
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    data dial. As soon as a Template is selected, the relevant Mixing settings will be automatically loaded. 4 Play the keyboard to check the Mixing settings. Press the [TRACK SELECT] button so that its lamp lights, and select a Part by pressing the one of the Number buttons [1] to [16]. Owner's Manual
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    Quick Guide Creating a Song on the MO Creating a Pattern TIP Creating Mixing Voices exclusively for Songs/Patterns If you assign User Voices to your Song or Pattern and then edit them (in the Voice Edit mode), the Voices may sound different than expected. This convenient feature lets you create
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    In addition to the Preset Phrases, you can store MIDI data you've recorded in the Pattern mode as User Phrases. User Phrases have the added benefit of being able to use the sounds of other instruments, letting you record bass, guitar, piano and other parts as well as drums and percussion. For details
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    recording. When the "sound" icon below is displayed, Click is on and the metronome will play during the recording. 13 Press the [F] (Play) button to start recording. Play a note or notes on the keyboard to trigger Arpeggio playback. The root chord of the bass pattern changes depending on the key
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    3 (Guitar) to off. You can use only MIDI sequence data in the User Phrase. n If you leave the Phrase Voice setting at "on," the Voice will change when using the user phrase for the guitar part in step 8. Creating a Song on the MO Quick Guide 3 Select the Pattern Numbers and Sections for both the
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    the parameters related to recording in the [F1] SETUP display. Set Type to "overdub" and Loop to "on." These settings let you repeat the Pattern recording in a "loop" and record additional note events without deleting already-recorded data. For the other parameters, see page 198. 82 Owner's Manual
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    as well as non-note data, such as program (Voice) changes and MIDI control change messages. The Pattern Job mode on the other hand provides a comprehensive variety of tools you can use to transform the recorded data-such as cleaning up the timing (Quantize), transposing, changing the velocity of
  • Yamaha MO6 | Owner's Manual - Page 84
    backing part of the Song, over which you can record a melody line and any other parts, in the Song Record mode. Section A Pattern Chain.....Enter the desired Sections for the Song Section B Section F Section H ........ Convert Song n Pattern Mixing, Groove, and Phrase Voice (Track Voice) on
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    2 REC Pattern Chain Record Setup display Tempo Set the recording track to "patt" and enter the Sections to the desired measures. 6 Press the [F] (Play) button to hear the recorded Pattern Chain. Save the created Pattern data to a USB 7 storage device (page 98) before turning the power off. You
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    to call up the 4 "Convert to Song" display, then specify the destination Song. Save the created Pattern data to a USB 5 storage device (page 98) before turning the power off. EDIT Pattern Track Edit Enter the desired section (A - P) or the End mark by using the [INC/YES] and [DEC/NO] buttons
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    tutorial. Now, that you've assembled the backing tracks for your Song by converting the Phrases or Pattern Chain to Song data, you can now record melody parts on them. Pattern Chain Convert the Pattern Chain to Song data ([PATTERN] → [F6] CHAIN → [EDIT] → [F3] SONG). Keyboard Performance Record
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    Punch In point, play the keyboard. SEQ TRANSPORT Re-recording a specific part of a Song (Punch In/Out) In the Song mode, use the Punch In/Out recording method to record over only a specific portion of the track. In the example instructions below, you'll see how to re-record measures three through five
  • Yamaha MO6 | Owner's Manual - Page 89
    the display). These settings are stored as Song data. Song Scene is a powerful function that allows you to store five different "snapshots" of important Song related parameters-including transpose, tempo, track mute status, and the basic sound/mixing controls (all parameter settings controllable from
  • Yamaha MO6 | Owner's Manual - Page 90
    as well as non-note data, such as program (Voice) changes and MIDI control change messages. The Song Job mode on the other hand provides a comprehensive variety of tools you can use to transform the recorded data-such as cleaning up the timing (Quantize), transposing, changing the velocity of notes
  • Yamaha MO6 | Owner's Manual - Page 91
    on the MO Quick Guide 4 Edit the MIDI events of the Song. ● Editing/Deleting Existing Events To edit data in the Event List, use the up/down cursor buttons to highlight the specific event you want to edit, and use the left/right cursor buttons to highlight the data type or parameter to be edited
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    useful and powerful Jobs in the Song Job mode (page 183) and Pattern Job mode (page 199). Song Location The Song Play mode has a convenient Location function that lets you jump to user-specified parts of a Song the data was recorded with both quarter notes and eighth notes, use eighth Owner's Manual
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    a Song on the MO Quick Guide Creating a Song TIP Using the Undo/Redo functions If you're not satisfied with the results of a just-executed Job, or you want to hear the difference of the sound before and after using a Job, you can use the convenient Undo and Redo functions. After changing the data
  • Yamaha MO6 | Owner's Manual - Page 94
    in the Song mode and Pattern mode as original Mixing Template data. If you are storing the Mixing settings as Template data, you can call up the same Mixing settings in another Song or Pattern with a simple operation. For details about how to call up a template, see page 77. 94 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 95
    in step 2 reaches to the end, playback stops automatically. Press the [■] (Stop) button during playback to stop Song Chain playback. n The Song Chain can only be played back in the Song Chain display, and not from any other display. Creating a Song on the MO Quick Guide Owner's Manual 95
  • Yamaha MO6 | Owner's Manual - Page 96
    Guide Creating a Song on the MO Creating a Song TIP Editing a Mixing by using the Knobs (in the Song mode/Pattern mode) The four knobs at the top left of the instrument can be used to tweak the Song/Pattern Mixing settings as they play (in the Song Play/Pattern Play mode). What's mode, you can use
  • Yamaha MO6 | Owner's Manual - Page 97
    to convert the data to Arpeggio data. 1 Record the MIDI sequence data to be used as the basis for base of the Arpeggio to a Song or Pattern. 2 Convert the MIDI sequence data (recorded to the Song or Pattern) as Arpeggio data. Recording Recording Recording Recording Song or Pattern Track 1 Track
  • Yamaha MO6 | Owner's Manual - Page 98
    Quick Guide Creating a Song on the MO Creating a Song Record the MIDI sequence data to a Song or Pattern track, referring to the previous instructions in this chapter as needed. The examples listed below are used as reference. ● Creating a rhythm pattern (using a Drum Voice) Track 1 Track 2 - 4
  • Yamaha MO6 | Owner's Manual - Page 99
    - 16) and Tempo track data of a Song/ Pattern created in the Song/Pattern mode can be saved to a USB storage device as Standard MIDI File (format 0) data. 4 Input a file name. Move the cursor to the file name input location, then input a file name. For detailed instructions on naming, refer to page
  • Yamaha MO6 | Owner's Manual - Page 100
    AllPattern." When saving a Song as SMF: Quick Guide Creating a Song on the MO Select a Song number. When saving a Pattern as SMF: Select a Pattern number and Section. Loading a file saved to a USB storage device [FILE] ➞ [F3] LOAD These instructions describe how to recall the data saved as a file
  • Yamaha MO6 | Owner's Manual - Page 101
    selected file are listed. Move the cursor to the desired Song or Pattern to be loaded. Select the desired Song or Pattern. Select the destination Song number or Pattern number. CAUTION Loading data to this synthesizer automatically erases and replaces any existing data in the User memory. Make sure
  • Yamaha MO6 | Owner's Manual - Page 102
    Quick Guide Creating a Song on the MO Creating a Song TIP Setting a specific file to load automatically when the power is turned on The MO is very easy to use and you can create Voices, Performances, Patterns and Songs very quickly on it. However, there may be times that creating and editing of data
  • Yamaha MO6 | Owner's Manual - Page 103
    . Using this digital output jack, you can record the keyboard performance or Song/Pattern playback of this synthesizer to external media (e.g., an MD recorder) with exceptionally high-quality sound. Coaxial cable Recording DIGITAL OUTPUT DIGITAL INPUT DAT DAT or CD recorder MO Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 104
    (synthesizer, tone generator module, etc.) by playing the MO or playing back the Song/Pattern of the MO. Use this connection when you wish to sound the other instrument as well as the MO. MIDI OUT MIDI IN External MIDI keyboard or synthesizer, such as the S/SY/EX series MO 104 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 105
    mode (single timbre, keyboard playback) or the Song/Pattern mode (multi-timbral, sequencer playback) is selected. For details, see page 134. ■ Recording and playback using an external MIDI sequencer In this connection example, song data on the external MIDI sequencer plays the sounds of the tone
  • Yamaha MO6 | Owner's Manual - Page 106
    the following operation, and set the rest of the parts (not to be sounded) to off. [SONG] or [PATTERN] ➞ [MIXING] ➞ [EDIT] ➞ Part selection ➞ [F1] VOICE ➞ [SF2] MODE ➞ ReceiveCh On the connected MIDI tone generator, assign the parts to be sounded to MIDI Receive Channels 10 through 16, and set the
  • Yamaha MO6 | Owner's Manual - Page 107
    to a Computer Connecting this instrument to a computer via MIDI opens up a whole world of musical possibilities-such as using sequencer software to record and play back compositions with the MO sounds or using the Voice Editor/Multi Part Editor software (page 112) to create and edit your own custom
  • Yamaha MO6 | Owner's Manual - Page 108
    connector. - Quit any open applications (such as Voice Editor, Multi Part Editor, and sequencer software). - Make sure that data is not being transmitted from the instrument. (Data is transmitted only by playing notes on the keyboard or playing back a Song.) • While a USB device is connected to the
  • Yamaha MO6 | Owner's Manual - Page 109
    a "double" sound may result, since the tone generator is receiving performance data from both the keyboard directly and the computer. Use the setting suggestions below as a guideline; specific instructions may differ depending on your computer and the software used. • When MIDI "Echo" (MIDI Thru) is
  • Yamaha MO6 | Owner's Manual - Page 110
    channels of the Song/Pattern Parts. The receive channels of the Song/Pattern can be set in the [F1] VOICE display in the Song/Pattern Mixing Edit mode. n MIDI ports 1 - 8 of USB are shown as "YAMAHA USB IN/OUT 0-1" - "YAMAHA USB IN/OUT 0-8" in Windows, and as "YAMAHA MO Port 1" - "YAMAHA MO Port
  • Yamaha MO6 | Owner's Manual - Page 111
    If two or more Parts have the same MIDI receive channel value, those Parts will play in unison. External keyboard External sequencer Song playback Tone generator Mixing Part 1 2 3 4 5 6 7 8 16 Voice Playing a Song /Pattern Connecting the MO to external devices Quick Guide Owner's Manual 111
  • Yamaha MO6 | Owner's Manual - Page 112
    The latest versions of MO6/MO8 Voice Editor and Multi Part Editor can be downloaded at our website: http://www.yamahasynth.com/download/ For details on how to operate the Editor, refer to the PDF manual included with the Editor. OS: Windows XP Professional/Home Edition, Mac OS X 10.3 or later * This
  • Yamaha MO6 | Owner's Manual - Page 113
    , refer to the PDF manual included with the software. MO Remote-control block Port 4 (Mode A) Computer Cubase SX Tone generator block Mixing settings of Song Pattern Port 1 (Playback data from sequencer) Port 1 (Playback data from keyboard of MO) Project file (Song file) Owner's Manual 113
  • Yamaha MO6 | Owner's Manual - Page 114
    Setup] to call up the "Control Surface" window. 2 Click the [+] button. 3 Select "Mackie Control" in the Driver section. 4 In the box for setting "Unit" and "MIDI," select "Mackie Control" in the "Unit" section and select the MIDI port in the "MIDI" section. ■ Logic Pro 7 When turning on the power
  • Yamaha MO6 | Owner's Manual - Page 115
    the PDF manual included with the Editor. Press the Control function button to change the functions assigned to the [F1] - [F6] and [SF1] - [SF5] buttons (shown at the bottom of the display). Refer to the separate Data List. These dark bars serve as the cursor, indicating the track/part currently
  • Yamaha MO6 | Owner's Manual - Page 116
    Using the MO with computer software ■ Data dial, [INC/YES] and [DEC/NO] buttons When the [DIAL] menu appears at the [SF4] button These controls can be used to set the value for the knob of the DAW controller, for the track/part buttons on the Mackie Control and Logic Control. 116 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 117
    [INST] Starts the Audio Mixer or moves the Audio Mixer Window to the front of the computer screen. This button operation applies to the Software Synthesizer Module. [MIDI] Starts the MIDI Editor (such as the Multi Part Editor) or moves it to the front of the computer screen. Owner's Manual 117
  • Yamaha MO6 | Owner's Manual - Page 118
    song.) [SHIFT]+[F2] Starts the Mixer window (Audio Mixer/Multi Part Editor) or brings it to the front of the computer screen. [SHIFT]+[F3] Opens the List window SHIFT ARP FX EQ GLOBAL VIEW AUX BUSSES OUTPUTS USER KN1-4/5-8 MIDI TR INPUTS AUDIO TR AUDIO INST GLOBAL VIEW SHIFT
  • Yamaha MO6 | Owner's Manual - Page 119
    or Mute) Changes the setup. PLUG-IN mode [ the Editor window on Logic. of the LCD. The [ listed above are available. For details, refer to the relevant documentation of Logic Control. Using the MO with computer software song recording. The [F] (Play) and [REC] lamp are turned on during recording
  • Yamaha MO6 | Owner's Manual - Page 120
    [REC] lamp are turned on during recording. [ZOOM] Turns Zoom on and off. [SCRUB] Turns Scrub on and off. When Scrub is on, the dial can be used for Scrub playback. When Scrub is off, the dial is used to move the song position. [JOG PRM] Turns Data Entry on and off. When turned on
  • Yamaha MO6 | Owner's Manual - Page 121
    Guide list display window. [ song recording. [ZOOM] Switches between Scroll (lamp lights), Zoom (lamp is off), and Nudge (lamp flashes). [SCRUB] Turns Scrub on and off. When turned on, you can use the dial to move the song Using the MO with computer software of the LCD. Some parameters listed
  • Yamaha MO6 | Owner's Manual - Page 122
    the same way as selecting a Voice. Since there is only one bank for Masters, you need not select a Master bank. 3 Play the selected Master program. When the Mode is set to Voice or Performance, play the keyboard. When the Mode is set to Song or Pattern, press the [F] button. 122 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 123
    it possible to control several parts of the multi-timbral tone generator simultaneously by a single keyboard or to control voices of an external MIDI instrument over several different channels in addition to the internal voices of this synthesizer itself-letting you use the MO to effectively do
  • Yamaha MO6 | Owner's Manual - Page 124
    to "on." Quick Guide Creating Your Original Use Zone Edit to edit the parameters for each Zone. Use PRE 3 PRE 4 A. PIANO KEYBOARD ORGAN A B C instructions on naming a Voice, refer to page 38. 8 Store the edited Master to internal User memory. Refer to step 5 on page 123. 124 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 125
    with the Song mode/Pattern mode (Multi-timbral tone generator mode) External tone generator (Multi-timbral) Set the MIDI receive channel for each part. MIDI Transmit Channel 1 MIDI Transmit Channel 2 MIDI Transmit Channel 3 MIDI Transmit Channel 4 For each Zone, set whether or not MIDI data is
  • Yamaha MO6 | Owner's Manual - Page 126
    Quick Guide Creating Your Control Knobs and Sliders will affect each Zone. This lets you specify a separate MIDI Control Change number for each Knob and Slider. DAW REMOTE PAGE SELECT ASSIGN A Knob, and use the Sliders to adjust the relative volume balance among the Zones. 126 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 127
    Type to "Split" or "Layer." When Type is set to "Split" Set the UpperCh (MIDI transmit channel of the upper range), LowerCh (MIDI transmit channel of the lower range), and Split Point (which separates the keyboard into the upper range and lower range). Lower Split Point (C3) Upper When Type is
  • Yamaha MO6 | Owner's Manual - Page 128
    Keyboard performance Operating the panel Sequencer block MIDI Sequence data • Song • Pattern • Arpeggio Playback Tone Generator block • Voice • Performance • Mixing Effect block DSP • Reverb • Chorus • Master Effect • Part Equalizer • Master Equalizer Audio (sound) output Recording
  • Yamaha MO6 | Owner's Manual - Page 129
    Wave Memory 2) AWM2 (Advanced Wave Memory 2) is a synthesis system based on sampled waves (sound material), and is used in many Yamaha synthesizers. For extra realism, each AWM2 Voice uses multiple samples of a real instrument's waveform. Furthermore, a wide variety of parameters-envelope generator
  • Yamaha MO6 | Owner's Manual - Page 130
    in combination to achieve the desired effect. Now with Keyboard Mega Voices, a convincing guitar Part can be played with just a single Voice, using specific velocity values to play the desired sounds. n The Keyboard Mega Voice names are indicated as "Mega **" in the display. 130 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 131
    BASS User 1 (128 Performances) 1 2 ...... 128 USER 2 STRINGS User 2 (128 Performances) 1 2 ...... 128 Mixing SONG MIXING ➞ PATTERN MIXING ➞ Song 1 (16 Parts) Song 64 (16 Parts) Pattern 1 (16 Parts) Pattern 64 (16 Parts) Template 1 2 32 ...... Basic Structure Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 132
    Voice C0 C1 C6 Key 1 Key 5 Key 10 Key 18 Key 21 Key 73 Individual drum sounds (different for each key) ■ GM Voices GM (General MIDI) is a worldwide standard for Voice organization and MIDI functions of synthesizers and tone generators. It was designed primarily to ensure that any song data
  • Yamaha MO6 | Owner's Manual - Page 133
    for each Element or each Key. Cutoff Frequency Attack Level Hold Level Decay1 Level Sustain Level (Decay2 Level) 0 Hold Time Attack Decay1 Decay2 Time Time Time Release Level Release Time Time Pressing the key (Key on) Releasing the key (Key off) Cutoff frequency Owner's Manual 133
  • Yamaha MO6 | Owner's Manual - Page 134
    → [EDIT] → Part selection → [F1] VOICE → [SF2] MODE → ReceiveCh n When using an external MIDI sequencer or computer to play this instrument, make sure to use the Song mode or Pattern mode. Maximum Polyphony Maximum polyphony refers to the highest number of notes that can be sounded simultaneously
  • Yamaha MO6 | Owner's Manual - Page 135
    by the keyboard according to the Part parameters in the Mixing settings of the current Song/Pattern and Part. Other settings such as Controllers and Effect types correspond to the Common parameters in the Mixing settings of the current Song/Pattern. Parts 5 - 16 are not used. Owner's Manual 135
  • Yamaha MO6 | Owner's Manual - Page 136
    the [■] (Stop) button. This synthesizer features a variety of preset Phrase data that is used as the basic material in making up Patterns. ■ Song data structure The following illustration shows the track structure of a Song. Songs are created by recording MIDI sequence data to individual tracks and
  • Yamaha MO6 | Owner's Manual - Page 137
    Mixing Even if you record your keyboard performance to a Song track, the setup data (non-note events such as voice, pan, volume) which for proper playback should be recorded at the top of the Song will not be recorded to it. For this reason, the setup data handled as Song Mixing settings should be
  • Yamaha MO6 | Owner's Manual - Page 138
    → [F3] SONG display. This synthesizer lets you create one Pattern Chain for each Pattern. ■ MIDI tracks MIDI tracks are created by recording your keyboard performance in the Song Record mode/Pattern Record mode. ● MIDI track recording method [SONG] or [PATTERN] ➞ [REC] (Record) ➞ [F1] SETUP ➞ Type
  • Yamaha MO6 | Owner's Manual - Page 139
    After re-recording 1 2 3 4 5 67 8 Newly recorded data n Punch In/Out Recording can only be used with Realtime recording. n Note that the Punch In/Out method always replaces (destroys) the original data over the specified area. Internal Structure (System Overview) Owner's Manual 139 Basic
  • Yamaha MO6 | Owner's Manual - Page 140
    synthesizer features the System Effects, Insertion Effects, Master Effect, Part EQ (Equalizer), and Master EQ (Equalizer). ■ System Effects (Reverb, Chorus) System Effects are applied to the overall sound, whether it be a Voice, Performance, Song, and Pattern. With System effects, the sound using
  • Yamaha MO6 | Owner's Manual - Page 141
    LOW MID HIGH n The part EQ is not available in the Voice mode. ● Master EQ [VOICE] ➞ Voice selection ➞ [UTILITY] ➞ [F3] VOICE ➞ [SF1] MEQ [PERFORM] ➞ Performance selection ➞ [EDIT] ➞ [COMMON] ➞ [F2] OUT/MEF ➞ [SF2] MEQ [SONG]/[PATTERN] ➞ Song/Pattern selection ➞ [MIXING] ➞ [EDIT] ➞ [COMMON
  • Yamaha MO6 | Owner's Manual - Page 142
    used to process each individual Element (Key VOICE] → [UTILITY] → [F3] VOICE → [SF2] MEF (for all Voices) [VOICE] → [UTILITY] → [F3] VOICE → [SF1] MEQ (for all Voices) [VOICE] → Voice selection → [EDIT] → [COMMON] → [F1] GENERAL → [SF3] MEQ OFS Para A B B B Basic Structure 142 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 143
    Chorus Send, Reverb Send Determines the level of the sound (from Insertion A or B, or the bypassed signal) setting of the Voice assigned to the selected Part. Tone Generator block *1 Part 1 Part EQ *2 Part 1 Insertion → [COMMON] → [F1] GENERAL → [SF3] MEQ OFS Basic Structure Owner's Manual 143
  • Yamaha MO6 | Owner's Manual - Page 144
    setting of the Voice assigned to the selected part. [SONG]/[PATTERN] → Song/Pattern selection→ [MIXING] → [EDIT] → [COMMON] → [F6] EFFECT → [SF2] INS SW *2 [SONG]/[PATTERN] → Song/Pattern selection → [MIXING] → [EDIT] → Part selection → [F3] EQ *3 [SONG]/[PATTERN] → Song/Pattern selection → [MIXING
  • Yamaha MO6 | Owner's Manual - Page 145
    back at the same time even in the Performance, Song, and Pattern mode, enabling you to play multiple tone generator's parts simultaneously. ■ Category of the Arpeggio type The Arpeggio types are divided into 18 categories as listed below. LCD Seq ChSq HySq Category Name Synth Sequence Synth Chord
  • Yamaha MO6 | Owner's Manual - Page 146
    pitch of the sound, rather than play specific notes. In fact, some types contain no note data at all. When using a type of this category, set the KeyMode parameter to "direct" with the following operations. Voice mode Performance Song mode Pattern mode [VOICE] → Voice selection → [EDIT] → [COMMON
  • Yamaha MO6 | Owner's Manual - Page 147
    Mixing Store mode and save them to the USB storage device as Song data in the File mode. ● Pattern mode Parameters related to the Arpeggio type called up when selecting a Pattern (including MIDI output parameters for Arpeggio playback) Assigning Arpeggio types to the [SF1] - [SF5] buttons for each
  • Yamaha MO6 | Owner's Manual - Page 148
    MIDI instrument or computer upon reception of a bulk request message. For details about the bulk request message and bulk dump format, see the separate Data List. Using the Voice Editor and Multi Part Editor Voice data can be transmitted to a computer for editing with the Voice Editor software
  • Yamaha MO6 | Owner's Manual - Page 149
    and Utility settings Preset Data (ROM) • Voice • Preset Phrase (Pattern) • Preset Arpeggio • Demo Bulk Dump *1 *2 Internal data communication Data communication between this synthesizer and the external device MIDI instrument or computer Sequence software Voice Editor Multi Part Editor Bulk Dump
  • Yamaha MO6 | Owner's Manual - Page 150
    power. ● Edit Buffer and User Memory The edit buffer is the memory location for edited data of these types: Voice, Performance, Master, Song Mixing, and Pattern Mixing. Data edited in this location will be stored to the User Memory. If you select another Voice, Performance, Master, Song, or Pattern
  • Yamaha MO6 | Owner's Manual - Page 151
    fingered Portamento is only applied when you play legato (playing the next note before releasing the previous one). fulltime Portamento is always applied. Performance mode Song mode Pattern mode Reference Mixing Voice mode Utility mode Master mode File mode Owner's Manual 151
  • Yamaha MO6 | Owner's Manual - Page 152
    again. In other words, you can use the key to "un-mute" or "mute" (not start or stop) the Arpeggio playback by, respectively, holding it down or releasing it. Voice mode Performance mode Song mode Pattern mode Mixing Voice mode Reference Utility mode File mode Master mode 152 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 153
    notes "overlap" each other, the next being played before the previous is released.) The higher the value, the slower the attack rate. Settings: 0 - 7 Performance mode Song mode Pattern mode Reference Mixing Voice mode Utility mode Master mode File mode Owner's Manual 153
  • Yamaha MO6 | Owner's Manual - Page 154
    Arpeggio sequence data. thru The Arpeggio plays back according to the velocity of your playing. For example, if you play the notes strongly, the playback volume of the Arpeggio increases. Song mode Pattern mode Mixing Voice mode Reference Utility mode File mode Master mode 154 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 155
    directly from the keyboard, by holding down the [INFORMATION] button and pressing the desired low and high keys. n Please keep in mind that no sound is produced when the Performance mode Song mode Pattern mode Reference Mixing Voice mode Utility mode Master mode File mode Owner's Manual 155
  • Yamaha MO6 | Owner's Manual - Page 156
    Key on Determines the length of time during which the LFO is held at its maximum level. A higher value results in a longer Hold time. Settings: 0 - 127 Max Hold Time Performance mode Song mode Pattern mode Mixing Voice mode Reference Utility mode File mode Master mode 156 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 157
    parameter for the LFO (which aspect of the sound the LFO controls), the Elements to be affected by - 127 This menu is available only when the User LFO wave is selected. You can create a Song mode Pattern mode Reference Mixing Voice mode Utility mode Master mode File mode Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 158
    Elements change gradually depending on how strongly or softly you play. The higher the value, the more gradual the level change. Settings: 0 - 127 Performance mode Song mode Pattern mode Mixing Voice mode Reference Utility mode File mode Master mode 158 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 159
    of pitch change. Settings: C -2 - G8 n You can also set the Center Key directly from the keyboard, by holding down the [INFORMATION] button and pressing the desired key. Performance mode Song mode Pattern mode Reference Mixing Voice mode Utility mode Master mode File mode Owner's Manual 159
  • Yamaha MO6 | Owner's Manual - Page 160
    different frequency response and produces a different effect on the sound. This synthesizer also features special combination Filter types, for additional sonic control . Performance mode Song mode Pattern mode Mixing Voice mode Reference Utility mode File mode Master mode 160 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 161
    POINT 1 - 4: C-2 - G8 OFFSET 1 - 4: 128 - 0 - +127 n You can also set the Break Point directly from the Keyboard, by holding down the [INFORMATION] button and pressing the desired key. Song mode Pattern mode Reference Mixing Voice mode Utility mode Master mode File mode Owner's Manual 161
  • Yamaha MO6 | Owner's Manual - Page 162
    sound changes over time. These can be used to control the change in volume from the moment a note is pressed on the keyboard to the moment the sound can set the Key Follow effect for Song mode Pattern mode Mixing Voice mode Reference Utility mode File mode Master mode 162 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 163
    amplitude parameters. Wave Determines the LFO waveform used to vary the sound. Settings: saw, tri, squ saw (sawtooth wave) tri (triangle wave) squ (square wave) Voice mode Performance mode Song mode Pattern mode Reference Mixing Voice mode Utility mode Speed KeyOnReset Determines the
  • Yamaha MO6 | Owner's Manual - Page 164
    32 When set to P.EQ + Q (Frequency characteristic) Settings: 0 - 31 Gain 0 Frequency Gain - Settings: -32 - 0 - +32 Freq Settings: 139.7Hz - 12.9kHz Voice mode Performance mode Song mode Pattern mode Mixing Voice mode Reference Utility mode File mode Master mode 164 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 165
    to another Category, the first Wave/Normal Voice in that Category will be selected. n For more information about the Categories, refer to the separate Data List booklet. Performance mode Song mode Pattern mode Reference Mixing Voice mode Utility mode Master mode File mode Owner's Manual 165
  • Yamaha MO6 | Owner's Manual - Page 166
    key sound (the bypassed signal) that is sent to Chorus effect. This is available only when Insertion Effect Output (above) is set to "thru." Settings: 0 - 127 From this display you can set various parameters related to how the individual notes of the Drum Voice respond to the keyboard and MIDI data
  • Yamaha MO6 | Owner's Manual - Page 167
    sound of the selected Drum key is panned randomly left and right for each note you press. The Pan setting (above) is used Key on Decay1 time Decay2 time Time Voice mode Performance mode Song mode Pattern mode Reference Mixing Voice mode Utility mode Master mode File mode Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 168
    [VOICE] ➞ Voice selection ➞ [STORE] This function lets you store your edited Voice to User memory. For details, refer to page 60 in the Quick Guide section. Voice mode Performance mode Song mode Pattern mode Mixing Voice mode Reference Utility mode File mode Master mode 168 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 169
    so that keyboard instruments could be played in any key. Each key has a for use Indian music (white keys only). Designed for use Arabic music. Setting example of Filter Scaling [VOICE] ➞ Song mode Pattern mode Reference Mixing Voice mode Utility mode Master mode File mode Owner's Manual 169
  • Yamaha MO6 | Owner's Manual - Page 170
    filter. No resonance. This filter is designed to be used in conjunction with a high-pass filter. BPFw (Wide -pass filter with a characteristic digital sound. This filter can produce a pronounced Song mode Pattern mode Mixing Voice mode Reference Utility mode File mode Master mode 170 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 171
    except for PartSw below. PartSw Determines whether Arpeggio is on or off for the selected Part. The Parts for which boxes are checkmarked are enabled for Arpeggio play. Performance mode Song mode Pattern mode Reference Mixing Voice mode Utility mode Master mode File mode Owner's Manual 171
  • Yamaha MO6 | Owner's Manual - Page 172
    . For specific instructions on naming, see part edit setting. When the [PAN/SEND] button is turned on, you can also adjust this parameter using Data List booklet for details. Performance mode Song mode Pattern mode Mixing Voice mode Reference Utility mode File mode Master mode 172 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 173
    [SF5] CHORUS The number of parameters and values available differs depending on the currently selected effect type. Refer to the separate Data List booklet. Voice mode Performance mode Song mode Pattern mode Reference Mixing Voice mode Utility mode Master mode File mode Owner's Manual 173
  • Yamaha MO6 | Owner's Manual - Page 174
    parameters for each Part. Portamento is used to create a smooth transition in pitch from the first note played on the keyboard to the next. play a note Voice mode Performance mode Song mode Pattern mode Mixing Voice mode Reference Utility mode File mode Master mode 174 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 175
    available parameters cannot be simultaneously displayed in the four-Part display, you will need to use the cursor controls to scroll the display in Settings: -32 - +32 Performance mode Song mode Pattern mode Reference Mixing Voice mode Utility mode Master mode File mode Owner's Manual 175
  • Yamaha MO6 | Owner's Manual - Page 176
    ) MIDI messages for Breath Controller. Exp (Expression) MIDI messages (Expression) generated by using the optional Foot Controller connected to the rear panel. Performance mode Song mode Pattern mode Mixing Voice mode Reference Utility mode File mode Master mode 176 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 177
    selection ➞ [STORE] This function lets you store your edited Performance to User memory. For details, refer to page 66 in the Quick Guide section. Voice mode Performance mode Song mode Pattern mode Reference Mixing Voice mode Utility mode Master mode File mode Owner's Manual 177
  • Yamaha MO6 | Owner's Manual - Page 178
    by playing the keyboard/knobs/wheels is sent to the tone generator block or the external MIDI instruments via the MIDI output channel of the currently selected track. Performance mode Song mode Pattern mode Mixing Voice mode Reference Utility mode File mode Master mode 178 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 179
    Song Record mode Song Record Standby mode PORT Determines the MIDI transmission port for the corresponding track. Playback data of tracks set to off is output via MIDI without any Port message. The internal tone generator parts of this synthesizer can be played back only over Port 1. Settings: off
  • Yamaha MO6 | Owner's Manual - Page 180
    lets you turn the click sound (metronome) on/off for recording. [F6] ALL TR (All Track)/1TR (1 track) Pressing the [F6] button lets you switch between Single Track recording and All Track recording. Voice mode Performance mode Song mode Pattern mode Mixing Voice mode Reference Utility mode
  • Yamaha MO6 | Owner's Manual - Page 181
    Voice mode Song Record mode During Song Recording Step Recording During Song Recording [SONG] ➞ Song selection ➞ [REC] ➞ [F] (Play) Realtime Recording Refer to page 88 in the Quick Guide section. Step Recording Examples of Step Recording are described on page 193. [F1] SETUP Pointer indicating
  • Yamaha MO6 | Owner's Manual - Page 182
    display (Event List), pressing this button calls up the display for inserting new MIDI events in the Song mode or Pattern mode. Note This is the most common and prevalent type of data-the individual notes of a Song. FNOTE (Note name) Determines the note name or the specific keyboard pitch of the
  • Yamaha MO6 | Owner's Manual - Page 183
    change the parameter values for each tone generator Part. They can be is used to edit sounds via MIDI, allowing you to edit filter or EG settings, or adjust the pitch or level for each instrument of a drum voice. FMSB-LSB See page 225. Settings: 000 - 127 FDATA (Data Entry MSB-LSB) See page 225
  • Yamaha MO6 | Owner's Manual - Page 184
    of time a note sounds) of the even-numbered backbeat notes to enhance the swing feel. When a triplet quantize value is used, the gate time of produces no effect. Settings: -127 - +127 Song mode Pattern mode Mixing Voice mode Reference Utility mode File mode Master mode 184 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 185
    set the Note directly from the Keyboard, by holding down the [INFORMATION] button and pressing the desired key. Settings: C-2 - G8 Transposes notes in the specified range Performance mode Song mode Pattern mode Reference Mixing Voice mode Utility mode Master mode File mode Owner's Manual 185
  • Yamaha MO6 | Owner's Manual - Page 186
    continuous data. Refer to the graph for approximate curve shapes. Settings: -16 - +16 Curve = +16 Curve = 0 (linear) Curve = -16 End point Start point This distance specified by Clock Song mode Pattern mode Mixing Voice mode Reference Utility mode File mode Master mode 186 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 187
    accordingly. n If the insert point is set after the last measure containing data, only the meter data at that point is set without actually inserting the measures. Performance mode Song mode Pattern mode Reference Mixing Voice mode Utility mode Master mode File mode Owner's Manual 187
  • Yamaha MO6 | Owner's Manual - Page 188
    drum instruments in separate tracks (tracks 1 through 8). Determines the Song track to which the Job is applied. Settings: 01 - 16 This Job copies data in the specified measures of a track for creating Arpeggio data. For details, refer to page 97 in the Quick Guide section. 188 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 189
    . Normal Voices can be edited specifically for use with the Song/Pattern modes, creating a dedicated "Mixing Voice." Refer to "Mixing Voice mode" on page 203 for details. Performance mode Song mode Pattern mode Reference Mixing Voice mode Utility mode Master mode File mode Owner's Manual 189
  • Yamaha MO6 | Owner's Manual - Page 190
    page 155. [SF3] PLAY FX (Play Effect) Same as in Normal Voice Common Edit. See page 155. [SF4] OUT CH (Output Channel) Same as in Performance Common Edit. See page 173. Performance mode Song mode Pattern mode Mixing Voice mode Reference Utility mode File mode Master mode 190 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 191
    The parameters are the same as in Performance Part Edit. See page 176. n Sustain and Release settings are not available for Parts to which Drum Voices have been assigned. Performance mode Song mode Pattern mode Reference Mixing Voice mode Utility mode Master mode File mode Owner's Manual 191
  • Yamaha MO6 | Owner's Manual - Page 192
    ] ➞ Song selection ➞ [STORE] This function lets you store your edited Song Mixing program to User memory (DRAM). For details, refer to page 98 in the Quick Guide section. Performance mode Song mode Pattern mode Mixing Voice mode Reference Utility mode File mode Master mode 192 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 193
    will delete the data of the area that is not looped. 1 Press [F1] to call up the Song Play display. Here, change the change the current measure-this will be used for the last measure of the loop. Supplementary infomation Step Recording - examples [SONG] or [PATTERN] ➞ [REC] ➞ [F1] SETUP ➞ Type page
  • Yamaha MO6 | Owner's Manual - Page 194
    (beginning) of the song and press the [F] (Play) button to hear the note data you just recorded in steps 1 - key one by one as shown below. LOCATE 1 2 REC Voice mode Performance mode Song mode Pattern mode Mixing Voice mode Reference Utility mode File mode Master mode 194 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 195
    the chord in succession, then release them all together to record them as a chord. Keep in mind that notes are not actually recorded to a track until they are released. Performance mode Song mode Pattern mode Reference Mixing Voice mode Utility mode Master mode File mode Owner's Manual 195
  • Yamaha MO6 | Owner's Manual - Page 196
    Pattern are not recorded as MIDI sequence data, but are stored instead as Mixing data. CAUTION Because Pattern data (MIDI sequence data, Setup data, and Mixing data) is recorded to DRAM (page 150), it will be lost when turning the power off. Make sure to save any Pattern data created via the Record
  • Yamaha MO6 | Owner's Manual - Page 197
    measure number to which the converted data is to be copied, then press the [ENTER] button to execute. CAUTION This operation overwrites any data already existing at the destination range. Song mode Pattern mode Reference Mixing Voice mode Utility mode Master mode File mode Owner's Manual 197
  • Yamaha MO6 | Owner's Manual - Page 198
    as in the Song Record mode. See page 180. [F5] CLICK Pressing the [F5] button lets you turn the click sound (metronome) on/off for recording. During Pattern Recording [PATTERN] ➞ Pattern selection ➞ [REC] ➞ [F] (Play) Realtime Recording Step Recording Refer to page 82 in the Quick Guide section
  • Yamaha MO6 | Owner's Manual - Page 199
    and phrase. CAUTION Any previous data in the copy destination will be overwritten. 02: Exchange Phrase This Job exchanges or "swaps" the contents of two specified phrases ("A" and "B"). Song mode Pattern mode Reference Mixing Voice mode Utility mode Master mode File mode Owner's Manual 199
  • Yamaha MO6 | Owner's Manual - Page 200
    specified type of data between two specified tracks in the current Pattern and section. The types of data to be exchanged are the same as in the Song Job mode. See page 188. Performance mode Song mode Pattern mode Mixing Voice mode Reference Utility mode File mode Master mode 200 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 201
    . If this occurs use the Clear Phrase Job (page 200) to delete unused phrases and try again. Source Pattern and section Destination Pattern and section This Job splits a selected Pattern (all 16 tracks data) into two Patterns. After the Split Pattern operation, the part of the Pattern before the
  • Yamaha MO6 | Owner's Manual - Page 202
    ➞ [MIXING] ➞ [STORE] This function lets you store your edited Pattern Mixing to User memory (DRAM). For details, refer to page 98 in the Quick Guide section. Voice mode Performance mode Song mode Pattern mode Mixing Voice mode Reference Utility mode File mode Master mode 202 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 203
    Mixing Voices. The Mixing Voice Job mode lets you use the supplementary functions like Copy and Delete. After completing the Mixing Voice editing, you can store the edited Voice to a User Bank to internal memory (Flash ROM) or you can store it as a part of the current Song/Pattern data to internal
  • Yamaha MO6 | Owner's Manual - Page 204
    ➞ [STORE] This function lets you store your edited Mixing Voice to User memory (Flash ROM or DRAM). For details, refer to page 78 in the Quick Guide section. Voice mode Performance mode Song mode Pattern mode Mixing Voice mode Reference Utility mode File mode Master mode 204 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 205
    is set to on and the [EFFECT BYPASS] button is turned on, the Chorus effect is bypassed. n For details about the Effects, see page 140. Song mode Pattern mode Reference Mixing Voice mode Utility mode Master mode File mode Owner's Manual 205
  • Yamaha MO6 | Owner's Manual - Page 206
    to the click sound (metronome) that is used during recording or playback in the Song/Pattern mode. Mode Determines whether and when the metronome click will sound. Settings: off, rec, rec/play, all off The click will not sound. rec The click will sound during song/pattern recording only. rec
  • Yamaha MO6 | Owner's Manual - Page 207
    synthesizer. [SF2] FILTER (MIDI Filter) From this display you can set which MIDI events will be recognized/transmitted via MIDI. The settings made here apply only to Song/Pattern playback data; they do not affect the MIDI events generated by your keyboard playing or panel operations in the Voice
  • Yamaha MO6 | Owner's Manual - Page 208
    the sound is affected by the knob. Keep in mind that if the same MIDI Control Change messages as set here are received from an external device, the internal tone generator also responds to those messages. Settings: Refer to the separate Data List booklet. Performance mode Song mode Pattern mode
  • Yamaha MO6 | Owner's Manual - Page 209
    mode (Song and Pattern modes), MIDI data generated by playing the keyboard (and its controllers) is sent to the internal tone generator and external devices via the MIDI output channel, which corresponds to the selected Part number. Determines the device number used by this synthesizer in receiving
  • Yamaha MO6 | Owner's Manual - Page 210
    includes data corresponding to hours, minutes, seconds, and frames. This synthesizer does not transmit MTC. A device such as the Yamaha AW2400 is necessary in order to use this synthesizer as an MTC master. n MMC (MIDI Machine Control) allows remote control of multitrack recorders, MIDI sequencers
  • Yamaha MO6 | Owner's Manual - Page 211
    a USB device to this synthesizer. You can also perform on the keyboard while playing backing parts from an SMF file used to call up the contents of the selected folder. Performance mode Song mode Pattern mode Reference Mixing Voice mode Utility mode Master mode File mode Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 212
    in the selected USB storage device, using up to eight alphabetic and numeric these characters will automatically be replaced by "_" (underscore) characters Voice mode Performance mode Song mode Pattern mode Mixing Voice mode Reference Utility mode File mode Master mode 212 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 213
    the sound of each Part by using the Knobs and Control sliders as the Song mode and Pattern mode. Supplementary infomation Formatting a USB storage device Before you can use a new USB storage device with this synthesizer, you will need to format it. Follow the instructions below. CAUTION If data is
  • Yamaha MO6 | Owner's Manual - Page 214
    MIDI file (format 0, 1) to a specific section of a Pattern. .W7E The Voice data edited via the MO6/MO8 Voice Editor on your computer can be loaded to the instrument. * Assigned to the file which can be loaded. n • The "All Voice," "UserARP," "All Song," "All Pattern," and "Voice Editor" files using
  • Yamaha MO6 | Owner's Manual - Page 215
    1 can be used in the default setting (playing Zones 2-4 will produce no sound). You can use these Zones by setting various parameters in the Master Edit mode. Voice mode Performance mode Song mode Pattern mode Reference Mixing Voice mode Utility mode Master mode File mode Owner's Manual 215
  • Yamaha MO6 | Owner's Manual - Page 216
    : C -2 - G8 n You can also set the range directly from the keyboard, by holding down the [INFORMATION] button and pressing the desired low and high keys. Voice mode Performance mode Song mode Pattern mode Mixing Voice mode Reference Utility mode File mode Master mode 216 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 217
    Wheel) Determines whether or not to transmit MIDI messages generated by using the Modulation Wheel to the internal and external Settings: off, 1 - 95 Voice mode Performance mode Song mode Pattern mode Reference Mixing Voice mode Utility mode Master mode File mode Owner's Manual 217
  • Yamaha MO6 | Owner's Manual - Page 218
    selection ➞ [STORE] This function lets you store your edited Master to User memory (Flash ROM). For details, refer to page 123 in the Quick Guide section. Voice mode Performance mode Song mode Pattern mode Mixing Voice mode Reference Utility mode File mode Master mode 218 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 219
    song recording. ● Song Mixing mode Ins (Insertion) Indicates the Part number Used Mix Voice Current Indicates the number of Parts using the Mixing Voices in the currently selected Song. Total Indicates the total number of Parts using the Mixing Voices in all the Songs and Patterns. Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 220
    File mode Indicates the amount of currently unused (available) memory (DRAM) for Pattern Phrase recording. ● Pattern Mixing mode Same as in the Song Mixing mode. ● Mixing Voice Edit mode Same as in the Song Mixing Voice Edit mode. Utility mode USB Free Indicates the amount of currently available
  • Yamaha MO6 | Owner's Manual - Page 221
    . Failed to process the MIDI data because too much data was received at one time. An error occurred when receiving bulk data. An error occurred when receiving MIDI data. In the Song/Pattern mode, the Mixing settings have been loaded from the file. The Mixing Voice cannot be stored because the number
  • Yamaha MO6 | Owner's Manual - Page 222
    further operation (such as recording, editing, Job execution, MIDI reception/transmission, or loading from the USB storage device). Try again after erasing unwanted Song, Pattern, or User phrase data. Writing data to Flash ROM has failed. This performance uses user voices. The performance you have
  • Yamaha MO6 | Owner's Manual - Page 223
    are described in a general sense, and not necessarily as how they relate to the MO. For details about the behavior of MO when receiving each MIDI message, refer to the "MIDI Data Format" and the "MIDI Implementation Chart" in the separate Data List. Appendix Owner's Manual 223
  • Yamaha MO6 | Owner's Manual - Page 224
    frequency set for each Part. The value set here is an offset value which will be added to or subtracted from the voice data. Lower values result in a softer sound. Depending on the voice, the effective range may be narrower than the range available for adjustment. Appendix 224 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 225
    to Poly Mode. ■ Program Change Messages that determine which voice to select for each Part. With a combination of Bank Select, you can select not only basic voice numbers, but also variation voice bank numbers. For a list of the Voices, see the separate Data List. Appendix Owner's Manual 225
  • Yamaha MO6 | Owner's Manual - Page 226
    Polyphonic Aftertouch Messages which let you control the sounds by the pressure you apply to the keys after the initial striking of the keys, for each individual key. This synthesizer does not transmit this data from the keyboard; however, the data is transmitted from the internal sequencer. SYSTEM
  • Yamaha MO6 | Owner's Manual - Page 227
    each track in the Song/Pattern Play mode and the receive port/channel of each Part in the Mixing set appropriately? [SONG]/[PATTERN] → [F3] TRACK (pages 178, 196) [SONG]/[PATTERN] → [MIXING] → [EDIT] → Part selection → [F1] VOICE → [SF2] MODE → ReceiveCh (pages 191, 202) Owner's Manual 227 Appendix
  • Yamaha MO6 | Owner's Manual - Page 228
    Excessively high filter resonance settings can cause distortion.) [VOICE] → [EDIT] → Element/Key selection → [F3] FILTER (page 160) [PERFORM] → [EDIT]→ Part selection → [F4] TONE → [SF2] FILTER (page 176) [SONG]/[PATTERN] → [MIXING] → [EDIT] → Part selection → [F4] TONE → [SF2] FILTER (pages 191, 202
  • Yamaha MO6 | Owner's Manual - Page 229
    [F] (Play) button. • Does the selected Song or Pattern (phrase) actually contain data? • Is the Remote Control feature turned on? • Is the MIDI sync parameter set to "internal" (using internal clock)? [UTILITY] → [F5] MIDI → [SF3] SYNC → MIDI Sync = internal (page 210) Owner's Manual 229 Appendix
  • Yamaha MO6 | Owner's Manual - Page 230
    [UTILITY] → [F5] MIDI → [SF1] CH → DeviceNo. (page 209) • When using the Voice Editor/Multi Part Editor, have you set a sufficient Dump Interval? The Dump Interval in the Editor Setup dialog must be set to 20ms or greater. For details refer to the PDF manual included with the Editor. ■ Data cannot be
  • Yamaha MO6 | Owner's Manual - Page 231
    Tempo Recording type Tracks Others Patterns Phrases Songs Arpeggio Scene Memory Sequence Format Master Sequence Software compatible with the Remote Control function Controllers Display Connectors Power Consumption Dimensions, Weight Accessories 88 keys, Balanced Hammer Effect Keyboard (Initial
  • Yamaha MO6 | Owner's Manual - Page 232
    Data Entry LSB 224 Data Entry MSB 224 Data Increment 225 DAW 110 [DAW REMOTE] button 115 DC IN 20 [DEC/NO] button 35 Decay (Decay Time 176 Decay Time 225 DELAY 156 Delay (Delay Time 156 DelayTempo 158 DelayTempoSync 158 DELETE 171, 181, 204, 212 Delete Measure 188 Demo Songs/Patterns
  • Yamaha MO6 | Owner's Manual - Page 233
    210 MIDI Message 223 MIDI port 107, 223 MIDI Sync 210 MIDISwitch 216 MidReso (Middle Resonance 175 MIX 190 Mix Phrase 200 Mix Track 188 Mixing 76, 129 [MIXING] button 24 Mixing Voice 78 Mixing Voice Edit mode 203 Mixing Voice Job mode 204 Mixing Voice mode 203 Appendix Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 234
    Track Recorder 106 Multi Part Editor 112, 148 Multi-timbral Tone Generator 134 [MUTE] button 45, 75 N NAME 153, 172, 216 Naming 38 NEW 211, 212 Normal Voice 40, 132 Normal Voice Edit 53, 153 Normalize Play Effect 188, 201 NOTE 182, 216 Note (Key) settings 37 NOTE (Note data Job 183
  • Yamaha MO6 | Owner's Manual - Page 235
    Troubleshooting 227 TUNE 159, 176, 191, 205 TX SW (Transmit Switch 217 TYPE 160 Type 80 Type (Recording Type 179, 198 U Undo 93 UNDO/REDO 183, 199 UnitMultiply (Unit Multiply 155 USB 18, 30, 107 USB TO DEVICE connector 31 USB TO HOST connector 31 USB-MIDI driver 110 User Bank 40 User
  • Yamaha MO6 | Owner's Manual - Page 236
    Memo 236 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 237
    Memo Owner's Manual 237
  • Yamaha MO6 | Owner's Manual - Page 238
    Memo 238 Owner's Manual
  • Yamaha MO6 | Owner's Manual - Page 239
    Musique France BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000 ITALY Yamaha Musica Italia S.P.A. Combo Division Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771 SPAIN/PORTUGAL Yamaha-Hazen Música, S.A. Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid), Spain Tel
  • Yamaha MO6 | Owner's Manual - Page 240
    on chlorine free (ECF) paper with soy ink. Yamaha Web Site (English only) http://www.yamahasynth.com/ Yamaha Manual Library http://www.yamaha.co.jp/manual/ U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation © 2005 Yamaha Corporation WF68510 510MWCP58.2-01A0 Printed in Japan
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OWNER’S MANUAL
MUSIC PRODUCTION SYNTHESIZER
EN