Yamaha PSR-340 Owner's Manual - Page 57

AUTO ACCOMPANIMENT - THE STYLE MODE, shown in parentheses are

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AUTO ACCOMPANIMENT - THE STYLE MODE Chord Name/[Abbreviation] Major [M] Add ninth [(9)] Sixth [6] Sixth ninth [6(9)] Major seventh [M7] Major seventh ninth [M7(9)] Major seventh add sharp eleventh [M7(#11)] Flatted fifth [(b5)] Major seventh flatted fifth [M7b5] Suspended fourth [sus4] Augmented [aug] Major seventh augmented [M7aug] Minor [m] Minor add ninth [m(9)] Minor sixth [m6] Minor seventh [m7] Minor seventh ninth [m7(9)] Minor seventh add eleventh [m7(11)] Minor major seventh [mM7] Minor major seventh ninth [mM7(9)] Minor seventh flatted fifth [m7b5] Minor major seventh flatted fifth [mM7b5] Diminished [dim] Diminished seventh [dim7] Seventh [7] Seventh flatted ninth [7(b9)] Seventh add flatted thirteenth [7(b13)] Seventh ninth [7(9)] Seventh add sharp eleventh [7(#11)] Seventh add thirteenth [7(13)] Seventh sharp ninth [7(#9)] Seventh flatted fifth [7b5] Seventh augmented [7aug] Seventh suspended fourth [7sus4] One plus two plus five [1+2+5] Normal Voicing 1 - 3 - 5 1 - 2 - 3 - 5 1 - (3) - 5 - 6 1 - 2 - 3 - (5) - 6 1 - 3 - (5) - 7 or 1 - (3) - 5 - 7 1 - 2 - 3 - (5) - 7 1 - (2) - 3 - #4 - 5 - 7 or 1 - 2 - 3 - #4 - (5) - 7 1 - 3 - b5 1 - 3 - b5 - 7 1 - 4 - 5 1 - 3 - #5 1 - (3) - #5 - 7 1 - b3 - 5 1 - 2 - b3 - 5 1 - b3 - 5 - 6 1 - b3 - (5) - b7 1 - 2 - b3 - (5) - b7 1 - (2) - b3 - 4 - 5 - (b7) 1 - b3 - (5) - 7 1 - 2 - b3 - (5) - 7 1 - b3 - b5 - b7 1 - b3 - b5 - 7 1 - b3 - b5 1 - b3 - b5 - 6 1 - 3 - (5) - b7 or 1 - (3) - 5 - b7 1 - b2 - 3 - (5) - b7 1 - 3 - 5 - b6 - b7 1 - 2 - 3 - (5) - b7 1 - (2) - 3 - #4 - 5 - b7 or 1 - 2 - 3 - #4 - (5) - b7 1 - 3 - (5) - 6 - b7 1 - #2 - 3 - (5) - b7 1 - 3 - b5 - b7 1 - 3 - #5 - b7 1 - 4 - (5) - b7 1 - 2 - 5 Chord (C) Display C C C(9) C(9) C6 C6 C6(9) C6(9) CM7 CM7 CM7(9) CM7(9) CM7(#11) CM7(#11) C(b5) CM7b5 Csus4 Caug CM7aug Cm Cm(9) Cm6 Cm7 Cm7(9) Cm7(11) CmM7 CmM7(9) Cm7b5 CmM7b5 Cdim Cdim7 C7 Cb5 CM7b5 Csus4 Caug CM7aug Cm Cm(9) Cm6 Cm7 Cm7(9) Cm7(11) CmM7 CmM7(9) Cm7b5 CmM7b5 Cdim Cdim7 C7 C7(b9) C7(b13) C7(9) C7(#11) C7(b9) C7(b13) C7(9) C7(#11) C7(13) C7(#9) C7b5 C7aug C7sus4 C1+2+5 C7(13) C7(#9) C7b5 C7aug C7sus4 C • Notes in parentheses can be omitted. • Playing two same root keys in the adjacent octaves produces accompaniment based only on the root. • A perfect fifth (1 + 5) produces accompaniment based only on the root and fifth which can be used with both major and minor chords. • The chord fingerings listed are all in "root" position, but other inversions can be used - with the following exceptions: m7, m7b5, 6, m6, sus4, aug, dim7, 7b5, 6(9), 1+2+5. • Inversion of the 7sus4 and m7(11) chords are not recognized if the notes shown in parentheses are omitted. • The AUTO ACCOMPANIMENT will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh). • Two-note fingerings will produce a chord based on the previously played chord. 57 55

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57
• Notes in parentheses can
be omitted.
• Playing two same root
keys in the adjacent octaves
produces accompaniment
based only on the root.
• A perfect fifth (1 + 5)
produces accompaniment
based only on the root and
fifth which can be used with
both major and minor
chords.
• The chord fingerings listed
are all in “root” position,
but other inversions can be
used — with the following
exceptions:
m7, m7
b
5, 6, m6, sus4,
aug, dim7, 7
b
5, 6(9),
1+2+5.
• Inversion of the 7sus4 and
m7(11) chords are not
recognized if the notes
shown in parentheses are
omitted.
• The AUTO ACCOMPANI-
MENT will sometimes not
change when related chords
are played in sequence (e.g.
some minor chords followed
by the minor seventh).
• Two-note fingerings will
produce a chord based on
the previously played chord.
Chord Name/[Abbreviation]
Normal Voicing
Major [M]
1 - 3 - 5
Add ninth [(9)]
1 - 2 - 3 - 5
Sixth [6]
1 - (3) - 5 - 6
Sixth ninth [6(9)]
1 - 2 - 3 - (5) - 6
Major seventh [M7]
1 - 3 - (5) - 7 or
1 - (3) - 5 - 7
Major seventh ninth [M7(9)]
1 - 2 - 3 - (5) - 7
Major seventh add sharp eleventh [M7(
#
11)]
1 - (2) - 3 -
#
4 - 5 - 7 or
1 - 2 - 3 -
#
4 - (5) - 7
Flatted fifth [(
b
5)]
1 - 3 -
b
5
Major seventh flatted fifth [M7
b
5]
1 - 3 -
b
5 - 7
Suspended fourth [sus4]
1 - 4 - 5
Augmented [aug]
1 - 3 -
#
5
Major seventh augmented [M7aug]
1 - (3) -
#
5 - 7
Minor [m]
1 -
b
3 - 5
Minor add ninth [m(9)]
1 - 2 -
b
3 - 5
Minor sixth [m6]
1 -
b
3 - 5 - 6
Minor seventh [m7]
1 -
b
3 - (5) -
b
7
Minor seventh ninth [m7(9)]
1 - 2 -
b
3 - (5) -
b
7
Minor seventh add eleventh [m7(11)]
1 - (2) -
b
3 - 4 - 5 - (
b
7)
Minor major seventh [mM7]
1 -
b
3 - (5) - 7
Minor major seventh ninth [mM7(9)]
1 - 2 -
b
3 - (5) - 7
Minor seventh flatted fifth [m7
b
5]
1 -
b
3 -
b
5 -
b
7
Minor major seventh flatted fifth [mM7
b
5]
1 -
b
3 -
b
5 - 7
Diminished [dim]
1 -
b
3 -
b
5
Diminished seventh [dim7]
1 -
b
3 -
b
5 - 6
Seventh [7]
1 - 3 - (5) -
b
7 or
1 - (3) - 5 -
b
7
Seventh flatted ninth [7(
b
9)]
1 -
b
2 - 3 - (5) -
b
7
Seventh add flatted thirteenth [7(
b
13)]
1 - 3 - 5 -
b
6 -
b
7
Seventh ninth [7(9)]
1 - 2 - 3 - (5) -
b
7
Seventh add sharp eleventh [7(
#
11)]
1 - (2) - 3 -
#
4 - 5 -
b
7 or
1 - 2 - 3 -
#
4 - (5) -
b
7
Seventh add thirteenth [7(13)]
1 - 3 - (5) - 6 -
b
7
Seventh sharp ninth [7(
#
9)]
1 -
#
2 - 3 - (5) -
b
7
Seventh flatted fifth [7
b
5]
1 - 3 -
b
5 -
b
7
Seventh augmented [7aug]
1 - 3 -
#
5 -
b
7
Seventh suspended fourth [7sus4]
1 - 4 - (5) -
b
7
One plus two plus five [1+2+5]
1 - 2 - 5
Chord (C)
Display
C
C
C(9)
C(9)
C6
C6
C6(9)
C6(9)
CM7
CM7
CM7(9)
CM7(9)
CM7(
#
11)
CM7(
#
11)
C(
b
5)
C
b
5
CM7
b
5
CM7
b
5
Csus4
Csus4
Caug
Caug
CM7aug
CM7aug
Cm
Cm
Cm(9)
Cm(9)
Cm6
Cm6
Cm7
Cm7
Cm7(9)
Cm7(9)
Cm7(11)
Cm7(11)
CmM7
CmM7
CmM7(9)
CmM7(9)
Cm7
b
5
Cm7
b
5
CmM7
b
5
CmM7
b
5
Cdim
Cdim
Cdim7
Cdim7
C7
C7
C7(
b
9)
C7(
b
9)
C7(
b
13)
C7(
b
13)
C7(9)
C7(9)
C7(
#
11)
C7(
#
11)
C7(13)
C7(13)
C7(
#
9)
C7(
#
9)
C7
b
5
C7
b
5
C7aug
C7aug
C7sus4
C7sus4
C1+2+5
C
AUTO ACCOMPANIMENT — THE STYLE MODE
55