Yamaha PSR-550 Owner's Manual - Page 39

Example for, C chords, The AUTO ACCOMPANI

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q Example for "C" chords C C (9) C6 Auto Accompaniment C 6(9) CM 7 CM7 (9) CM7(#11) C (b5) CM7b5 () () () () () Csus 4 Caug CM7 aug Cm Cm (9) Cm 6 Cm 7 Cm7 (9) Cm 7 (11) () () () () () CmM 7 CmM7 (9) Cm7 b5 CmM7 b5 Cdim Cdim 7 C7 C 7 (b9) C 7 (b13) () () () C 7 (9) C 7 (#11) C 7 (13) C 7 (#9) C 7 b5 C 7 aug C7sus4 C 1+2+5 () () () () () () Chord Name/[Abbreviation] Major [M] Add ninth [(9)] Sixth [6] Sixth ninth [6(9)] Major seventh [M7] Major seventh ninth [M7(9)] Major seventh add sharp eleventh [M7(#11)] Flatted fifth [(b5)] Major seventh flatted fifth [M7b5] Suspended fourth [sus4] Augmented [aug] Major seventh augmented [M7aug] Minor [m] Minor add ninth [m(9)] Minor sixth [m6] Minor seventh [m7] Minor seventh ninth [m7(9)] Minor seventh add eleventh [m7(11)] Minor major seventh [mM7] Minor major seventh ninth [mM7(9)] Minor seventh flatted fifth [m7b5] Minor major seventh flatted fifth [mM7b5] Diminished [dim] Diminished seventh [dim7] Seventh [7] Seventh flatted ninth [7(b9)] Seventh add flatted thirteenth [7(b13)] Seventh ninth [7(9)] Seventh add sharp eleventh [7(#11)] Seventh add thirteenth [7(13)] Seventh sharp ninth [7(#9)] Seventh flatted fifth [7b5] Seventh augmented [7aug] Seventh suspended fourth [7sus4] One plus two plus five [1+2+5] Normal Voicing 1 - 3 - 5 1 - 2 - 3 - 5 1 - (3) - 5 - 6 1 - 2 - 3 - (5) - 6 1 - 3 - (5) - 7 or 1 - (3) - 5 - 7 1 - 2 - 3 - (5) - 7 1 - (2) - 3 - #4 - 5 - 7 or 1 - 2 - 3 - #4 - (5) - 7 1 - 3 - b5 1 - 3 - b5 - 7 1 - 4 - 5 1 - 3 - #5 1 - (3) - #5 - 7 1 - b3 - 5 1 - 2 - b3 - 5 1 - b3 - 5 - 6 1 - b3 - (5) - b7 1 - 2 - b3 - (5) - b7 1 - (2) - b3 - 4 - 5 - (b7) 1 - b3 - (5) - 7 1 - 2 - b3 - (5) - 7 1 - b3 - b5 - b7 1 - b3 - b5 - 7 1 - b3 - b5 1 - b3 - b5 - 6 1 - 3 - (5) - b7 or 1 - (3) - 5 - b7 1 - b2 - 3 - (5) - b7 1 - 3 - 5 - b6 - b7 1 - 2 - 3 - (5) - b7 1 - (2) - 3 - #4 - 5 - b7 or 1 - 2 - 3 - #4 - (5) - b7 1 - 3 - (5) - 6 - b7 1 - #2 - 3 - (5) - b7 1 - 3 - b5 - b7 1 - 3 - #5 - b7 1 - 4 - (5) - b7 1 - 2 - 5 Chord (C) Display C C C(9) C(9) C6 C6 C6(9) C6(9) CM7 CM7 CM7(9) CM7(9) CM7(#11) CM7(#11) C(b5) CM7b5 Csus4 Caug CM7aug Cm Cm(9) Cm6 Cm7 Cm7(9) Cm7(11) CmM7 CmM7(9) Cm7b5 CmM7b5 Cdim Cdim7 C7 C(b5) CM7b5 Csus4 Caug CM7aug Cm Cm(9) Cm6 Cm7 Cm7(9) Cm7(11) CmM7 CmM7(9) Cm7b5 CmM7b5 Cdim Cdim7 C7 C7(b9) C7(b13) C7(9) C7(#11) C7(b9) C7(b13) C7(9) C7(#11) C7(13) C7(#9) C7b5 C7aug C7sus4 C1+2+5 C7(13) C7(#9) C7b5 C7aug C7sus4 C • Notes in parentheses can be omitted. • If you play any three adjacent keys (including black keys), the chord sound will be cancelled and only the rhythm instruments will continue playing (CHORD CANCEL function). • Playing a single key or two same root keys in the adjacent octaves produces accompaniment based only on the root. • A perfect fifth (1 + 5) produces accompaniment based only on the root and fifth which can be used with both major and minor chords. • The chord fingerings listed are all in "root" position, but other inversions can be used - with the following exceptions: m7, m7b5, 6, m6, sus4, aug, dim7, 7b5, 6(9), m7(11), 1+2+5. • Inversion of the 7sus4 chord are not recognized if the 5th is omitted. • The AUTO ACCOMPANIMENT will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh). • Two-note fingerings will produce a chord based on the previously played chord. 39 37

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39
Auto Accompaniment
C
Cm
7
C
(
)
CM
(
)
7
C
(9)
C
(
)
(9)
6
Caug
Cm
6
Cm
7
(
)
Cm
b
5
7
CmM
b
5
7
Cm
(
)
(9)
7
Cm
(9)
CmM
7
(
)
CmM
(9)
7
(
)
Cdim
Cdim
7
C
(9)
7
(
)
C
(13)
7
(
)
C
(
b
9)
7
(
)
C
(
b
13)
7
Csus
4
C
1+2+5
C
b
5
7
C
6
(
)
(
)
CM
7
(9)
7
CM
(
#
11)
(
)
7
CM
b
5
C
(
b
5)
(
)
C
(
#
11)
7
C
(
#
9)
7
(
)
C
aug
7
Cm
7
(
11)
(
)
(
)
CM
aug
7
(
)
C
sus
4
7
(
)
●
Example for
“C” chords
•
Notes in parentheses can be
omitted.
•
If you play any three
adjacent keys (including
black keys), the chord sound
will be cancelled and only
the rhythm instruments will
continue playing (CHORD
CANCEL function).
•
Playing a single key or two
same root keys in the
adjacent octaves produces
accompaniment based only
on the root.
•
A perfect fifth (1 + 5)
produces accompaniment
based only on the root and
fifth which can be used with
both major and minor
chords.
•
The chord fingerings listed
are all in “root” position, but
other inversions can be used
— with the following
exceptions:
m7, m7
b
5, 6, m6, sus4,
aug, dim7, 7
b
5, 6(9),
m7(11), 1+2+5.
•
Inversion of the 7sus4 chord
are not recognized if the 5th
is omitted.
•
The AUTO ACCOMPANI-
MENT will sometimes not
change when related chords
are played in sequence (e.g.
some minor chords followed
by the minor seventh).
•
Two-note fingerings will
produce a chord based on
the previously played chord.
Chord Name/[Abbreviation]
Normal Voicing
Major [M]
1 - 3 - 5
Add ninth [(9)]
1 - 2 - 3 - 5
Sixth [6]
1 - (3) - 5 - 6
Sixth ninth [6(9)]
1 - 2 - 3 - (5) - 6
Major seventh [M7]
1 - 3 - (5) - 7 or
1 - (3) - 5 - 7
Major seventh ninth [M7(9)]
1 - 2 - 3 - (5) - 7
Major seventh add sharp eleventh [M7(
#
11)]
1 - (2) - 3 -
#
4 - 5 - 7 or
1 - 2 - 3 -
#
4 - (5) - 7
Flatted fifth [(
b
5)]
1 - 3 -
b
5
Major seventh flatted fifth [M7
b
5]
1 - 3 -
b
5 - 7
Suspended fourth [sus4]
1 - 4 - 5
Augmented [aug]
1 - 3 -
#
5
Major seventh augmented [M7aug]
1 - (3) -
#
5 - 7
Minor [m]
1 -
b
3 - 5
Minor add ninth [m(9)]
1 - 2 -
b
3 - 5
Minor sixth [m6]
1 -
b
3 - 5 - 6
Minor seventh [m7]
1 -
b
3 - (5) -
b
7
Minor seventh ninth [m7(9)]
1 - 2 -
b
3 - (5) -
b
7
Minor seventh add eleventh [m7(11)]
1 - (2) -
b
3 - 4 - 5 - (
b
7)
Minor major seventh [mM7]
1 -
b
3 - (5) - 7
Minor major seventh ninth [mM7(9)]
1 - 2 -
b
3 - (5) - 7
Minor seventh flatted fifth [m7
b
5]
1 -
b
3 -
b
5 -
b
7
Minor major seventh flatted fifth [mM7
b
5]
1 -
b
3 -
b
5 - 7
Diminished [dim]
1 -
b
3 -
b
5
Diminished seventh [dim7]
1 -
b
3 -
b
5 - 6
Seventh [7]
1 - 3 - (5) -
b
7 or
1 - (3) - 5 -
b
7
Seventh flatted ninth [7(
b
9)]
1 -
b
2 - 3 - (5) -
b
7
Seventh add flatted thirteenth [7(
b
13)]
1 - 3 - 5 -
b
6 -
b
7
Seventh ninth [7(9)]
1 - 2 - 3 - (5) -
b
7
Seventh add sharp eleventh [7(
#
11)]
1 - (2) - 3 -
#
4 - 5 -
b
7 or
1 - 2 - 3 -
#
4 - (5) -
b
7
Seventh add thirteenth [7(13)]
1 - 3 - (5) - 6 -
b
7
Seventh sharp ninth [7(
#
9)]
1 -
#
2 - 3 - (5) -
b
7
Seventh flatted fifth [7
b
5]
1 - 3 -
b
5 -
b
7
Seventh augmented [7aug]
1 - 3 -
#
5 -
b
7
Seventh suspended fourth [7sus4]
1 - 4 - (5) -
b
7
One plus two plus five [1+2+5]
1 - 2 - 5
Chord (C)
Display
C
C
C(9)
C(9)
C6
C6
C6(9)
C6(9)
CM7
CM7
CM7(9)
CM7(9)
CM7(
#
11)
CM7(
#
11)
C(
b
5)
C(
b
5)
CM7
b
5
CM7
b
5
Csus4
Csus4
Caug
Caug
CM7aug
CM7aug
Cm
Cm
Cm(9)
Cm(9)
Cm6
Cm6
Cm7
Cm7
Cm7(9)
Cm7(9)
Cm7(11)
Cm7(11)
CmM7
CmM7
CmM7(9)
CmM7(9)
Cm7
b
5
Cm7
b
5
CmM7
b
5
CmM7
b
5
Cdim
Cdim
Cdim7
Cdim7
C7
C7
C7(
b
9)
C7(
b
9)
C7(
b
13)
C7(
b
13)
C7(9)
C7(9)
C7(
#
11)
C7(
#
11)
C7(13)
C7(13)
C7(
#
9)
C7(
#
9)
C7
b
5
C7
b
5
C7aug
C7aug
C7sus4
C7sus4
C1+2+5
C
37