Alesis RA500 User Manual - Page 25

Sing The, Eadphone, Mplifier, Hoosing The, Orrect, Peakers

Page 25 highlights

USING THE RA150 AS A HEADPHONE AMPLIFIER The RA150 is particularly suited for use driving high-impedance headphones in studio applications. However, the power is considerably greater than that provided by most "headphone amplifiers", which are often rated at 1 watt or below. Due to the high efficiency of headphones and the power of the amplifier, serious hearing damage may result from misuse of this product. Exercise caution regarding sound levels. Keep the following in mind: • Many studio-quality headphones feature impedances of 600 ohms or greater. This means that many headphones of the same type may be plugged in parallel to the output of the RA150/300/500 before the 4ohm limit is reached. • If you plug in a headphone with a lower 8ohm impedance, it will be dramatically higher in level than the others, and the high-impedance headphones may drop to inaudibility. • The TRS 1/4" jack used in headphones will tie together the grounds of the left and right amplifier channels. Use caution and only connect or disconnect head-phones when the amplifier is powered off. • Keep the RA150's front panel volume controls at a very low level and the controls of the headphone send near maximum. This will prevent accidental "blasting" during a session. Chapter 3: Operation CHOOSING THE CORRECT SPEAKERS Near-field monitoring through "reference" speakers has become the preferred way to monitor and mix music. With near-field monitoring, small speakers are placed so that they are a few feet from the engineer's ears. As a result, room acoustics become less important since the primary acoustic interaction involves direct sound from the speakers rather than reflected sounds from the room. Since few home and project studios have good acoustics, nearfield monitors can provide realistic monitoring in a small space at relatively low levels. Near-field monitors offer other advantages compared to large studio speakers, including smaller size, lower cost, and easier transportability to other studios for reference purpose. Because of its moderate power rating, excellent fidelity, and lack of a noise-generating fan, the RA150/300/500 "Reference Amplifier" excels in driving reference near-field monitor speakers in smaller studios. However, you should choose speakers that can handle the power the RA150/300/500 can generate. Speaker wattage ratings are often confusing, and standards by which ratings are obtained vary from manufacturer to manufacturer. If a speaker can handle 100 watts RMS continuous power, it should be able to handle the RA150/300/500. However, under conditions of clipping or other abuse of the RA150/300/500, damage to speakers is possible. For best results, use speakers designed for medium- to high-power applications. RA150/300/500 Reference Manual 23

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Chapter 3: Operation
RA150/300/500 Reference Manual
23
U
SING THE
RA150
AS A
H
EADPHONE
A
MPLIFIER
The RA150 is particularly suited for use driving
high-impedance headphones in studio applica-
tions. However, the power is considerably greater
than
that
provided
by
most
"headphone
amplifiers", which are often rated at 1 watt or
below.
Due to the high efficiency of headphones
and the power of the amplifier, serious
hearing damage may result from misuse
of this product.
Exercise caution
regarding sound levels.
Keep the following in mind:
Many studio-quality headphones feature
impedances of 600 ohms or greater.
This
means that many headphones of the same
type may be plugged in parallel to the
output of the RA150/300/500 before the 4-
ohm limit is reached.
If you plug in a headphone with a lower 8-
ohm impedance, it will be dramatically
higher in level than the others, and the
high-impedance headphones may drop to
inaudibility.
The TRS 1/4" jack used in headphones will
tie together the grounds of the left and
right amplifier channels.
Use caution and
only connect or disconnect head-phones
when the amplifier is powered off.
Keep the RA150's front panel volume
controls at a very low level and the controls
of the headphone send near maximum.
This will prevent accidental "blasting"
during a session.
C
HOOSING THE
C
ORRECT
S
PEAKERS
Near-field monitoring through “reference”
speakers has become the preferred way to
monitor and mix music. With near-field
monitoring, small speakers are placed so that
they are a few feet from the engineer’s ears. As a
result, room acoustics become less important
since the primary acoustic interaction involves
direct sound from the speakers rather than
reflected sounds from the room. Since few home
and project studios have good acoustics, near-
field monitors can provide realistic monitoring in
a small space at relatively low levels.
Near-field monitors offer other advantages
compared to large studio speakers, including
smaller
size,
lower
cost,
and
easier
transportability to other studios for reference
purpose.
Because of its moderate power rating, excellent
fidelity, and lack of a noise-generating fan, the
RA150/300/500 “Reference Amplifier” excels in
driving reference near-field monitor speakers in
smaller studios. However, you should choose
speakers that can handle the power the
RA150/300/500 can generate. Speaker wattage
ratings are often confusing, and standards by
which
ratings
are
obtained
vary
from
manufacturer to manufacturer. If a speaker can
handle 100 watts RMS continuous power, it
should be able to handle the RA150/300/500.
However, under conditions of clipping or other
abuse of the RA150/300/500, damage to speakers
is possible. For best results, use speakers
designed
for
medium-
to
high-power
applications.