Bose Acoustimass Powered Owner's guide - Page 11

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m Adjusting the Combination ofDirect and Experiment with the angles of the cubes until Reflected Sound. The cube arrays are ' able (each cube swivels) to provide a you find the arrangement that sounds best in N your room and best suits your musical taste. ination of reflected and direct sound. There is no "correct" position for the cube r ng in a balanced, lifelike stereo image arrays or the angle between them, although t oughout the listening area. With cne cube the most lifelike sound will be achieved by in each array angled toward a wall (for re- providing a balance ci reflected and direct flected sound) and the other cube in each sound. Remember that when you are using array facing directly into the room, as illus- a balance of reflected and direct sound, trated in Figure 8, the music doesn't appear you may also use the room compensation to come directly from the speakers, but rather. controls to help you achieve the desired from a musical sound stage that surrounds you. sound effect. you can also use the cube arrays with both cubes facing forward. While this position eliminates the benefits of combining reflected and direct sound, it may be appropriate for very small listening areas (such as desks or cubicles). For video applications, angling the top half of each array inward slightly will improve on-screen localization. The cube arrays are magnetically shielded, and will not affect TV picture quality. Figure S. Adjusting the combination of reflected and direct sound (cube arrays not to scale). Feel free to experiment with the setting that sounds best in your listening room. 10

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Adjusting
the
Combination
of
Direct
and
Reflected
Sound.
The
cube
arrays
are
a
'
ble
(each
cube
swivels)
to
provide
a
ination
of
reflected
and
direct
sound.
r
ng
in
a
balanced,
lifelike
stereo
image
t
oughout
the
listening
area.
With
cne
cube
in
each
array
angled
toward
a
wall
(for
re-
fl
ected
sound)
and
the
other
cube
in
each
array
facing
directly
into
the
room,
as
illus-
trated
in
Figure
8,
the
music
doesn't
appear
to
come
directly
from
the
speakers,
but
rather.
from
a
musical
sound
stage
that
surrounds
you.
Figure
S.
Adjusting
the
combination
of
reflected
and
direct
sound
(cube
arrays
not
to
scale).
Feel
free
to
experiment
with
the
setting
that
sounds
best
in
your
listening
room.
Experiment
with
the
angles
of
the
cubes
until
you
find
the
arrangement
that
sounds
best
in
your
room
and
best
suits
your
musical
taste.
There
is
no
"correct"
position
for
the
cube
arrays
or
the
angle
between
them,
although
the
most
lifelike
sound
will
be
achieved
by
providing
a
balance
ci
reflected
and
direct
sound.
Remember
that
when
you
are
using
a
balance
of
reflected
and
direct
sound,
you
may
also
use
the
room
compensation
controls
to
help
you
achieve
the
desired
sound
effect.
you
can
also
use
the
cube
arrays
with
both
cubes
facing
forward.
While
this
position
elim-
inates
the
benefits
of
combining
reflected
and
direct
sound,
it
may
be
appropriate
for
very
small
listening
areas
(such
as
desks
or
cubi-
cles).
For
video
applications,
angling
the
top
half
of
each
array
inward
slightly
will
improve
on
-screen
localization.
The
cube
arrays
are
magnetically
shielded,
and
will
not
affect
TV
picture
quality.
m
N
10