Harman Kardon A250 Owners Manual - Page 13

Function, Switch, Speaker, Selector, Rumble, Filter, Scratch, Equalization

Page 13 highlights

This switch has four positions. STEREO NORMAL enables the speakers to operate in the manner in which they are normally connected. STEREO REVERSE interchanges the channels so that the program source appearing at the left speaker now appears at the right and the program source appearing at the right speaker reverses to the left. MONAURAL RIGHT and MONAURAL LEFT can be utilized when the amplifier is used in stereo connection, but with a monaural program source such as an FM broadcast. Setting the MODE switch to RIGHT allows any program material being fed into the right stereo input to be reproduced by both speakers simultaneously. Setting the MODE switch to LEFT allows all program material being fed into the left stereo input to be reproduced by both speakers simultaneously. Under each of these conditions the combined power of both channels is available. Function Switch: The FUNCTION switch selects the desired type of program source and has five positions. AUX 1 and AUX 2 selects equipment connected to the auxiliary input jacks. TUNER selects your stereo tuner for operation and PHONO selects either your magnetic or ceramic stereo cartridge. TAPE HD selects your stereo tape deck. Speaker Selector Switch: In a stereo installation where more than one set of stereo speakers are installed (for example: one pair of speakers in the living room and one pair in the den) selection between the two systems is made by operating the two SPEAKER SELECTOR switches located on the front panel. To operate only System A, set the upper SPEAKER SELECTOR switch to "A" and the lower switch to "ONE". To operate only System B, set the upper SPEAKER SELECTOR switch to "B" and the lower speaker switch to "ONE". To operate both systems simultaneously, the upper speaker switch may remain in "A" or "B" and the lower SPEAKER SELECTOR switch must he set to "ALL". Rumble Filter Switch: At times, record changers, turntables, and even some FM stations produce an objectionable low frequency signal that is strong enough to be introduced into the sensitive playback system. Known as "Rumble" this undesirable signal can be eliminated by the special RUMBLE FILTER switch incorporated in the Model A-250. Whenever rumble is encountered, set the switch to "ON". Scratch Filter Switch: In the event of objectionable high frequency record scratch, throw the SCRATCH FILTER switch to "ON". This will roll off the higher frequencies. Equalization Switch: In order to assure good reproduction of the wide range of frequencies in music and to make necessary adjustments for the limitations of the recording technique, record manufacturers have found it necessary to modify the actual frequency response of the music while it is being recorded. Thus, to avoid overcutting and consequent distortion, a measured and deliberate reduction is effected in low frequency response by selecting a "turnover frequency" and by recording attenuated response below that point. To assure optimum signal-tonoise at the high frequency end when the record is played at home, the highs are deliberately exaggerated during the recording process. A measured and deliberate boost is effected above a certain frequency. This combination of deliberate exaggeration at the low and high ends of the frequency response can be expressed in a "recording curve". When the record is played a mirror image of that curve should he available so that the ideal "flat" response may be achieved.

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This
switch
has
four
positions.
STEREO
NORMAL
enables
the
speakers
to
operate
in
the
manner
in
which
they
are
normally
connected.
STEREO
RE-
VERSE
interchanges
the
channels
so
that
the
program
source
appearing
at
the
left
speaker
now
appears
at
the
right
and
the
program
source
appearing
at
the
right
speaker
reverses
to
the
left.
MONAURAL
RIGHT
and
MONAURAL
LEFT
can
be
utilized
when
the
amplifier
is
used
in
stereo
connection,
but
with
a
monaural
program
source
such
as
an
FM
broadcast.
Setting
the
MODE
switch
to
RIGHT
allows
any
program
material
being
fed
into
the
right
stereo
input
to
be
reproduced
by
both
speakers
simultaneously.
Setting
the
MODE
switch
to
LEFT
allows
all
program
material
being
fed
into
the
left
stereo
input
to
be
reproduced
by
both
speakers
simultaneously.
Under
each
of
these
conditions
the
combined
power
of
both
channels
is
available.
Function
Switch:
The
FUNCTION
switch
selects
the
desired
type
of
program
source
and
has
five
positions.
AUX
1
and
AUX
2
selects
equipment
connected
to
the
auxiliary
input
jacks.
TUNER
selects
your
stereo
tuner
for
operation
and
PHONO
selects
either
your
magnetic
or
ceramic
stereo
cartridge.
TAPE
HD
selects
your
stereo
tape
deck.
Speaker
Selector
Switch:
In
a
stereo
installation
where
more
than
one
set
of
stereo
speakers
are
in-
stalled
(for
example:
one
pair
of
speakers
in
the
living
room
and
one
pair
in
the
den)
selection
between
the
two
systems
is
made
by
operating
the
two
SPEAKER
SELECTOR
switches
located
on
the
front
panel.
To
operate
only
System
A,
set
the
upper
SPEAKER
SELECTOR
switch
to
"A"
and
the
lower
switch
to
"ONE".
To
operate
only
System
B,
set
the
upper
SPEAKER
SELECTOR
switch
to
"B"
and
the
lower
speaker
switch
to
"ONE".
To
operate
both
systems
simultaneously,
the
upper
speaker
switch
may
remain
in
"A"
or
"B"
and
the
lower
SPEAKER
SELECTOR
switch
must
he
set
to
"ALL".
Rumble
Filter
Switch:
At
times,
record
changers,
turntables,
and
even
some
FM
stations
produce
an
objectionable
low
frequency
signal
that
is
strong
enough
to
be
introduced
into
the
sensitive
playback
system.
Known
as
"Rumble"
this
undesirable
signal
can
be
eliminated
by
the
special
RUMBLE
FILTER
switch
incorporated
in
the
Model
A-250.
Whenever
rumble
is
encountered,
set
the
switch
to
"ON".
Scratch
Filter
Switch:
In
the
event
of
objectionable
high
frequency
record
scratch,
throw
the
SCRATCH
FILTER
switch
to
"ON".
This
will
roll
off
the
higher
frequencies.
Equalization
Switch:
In
order
to
assure
good
reproduction
of
the
wide
range
of
frequencies
in
music
and
to
make
necessary
adjustments
for
the
limitations
of
the
recording
technique,
record
manufacturers
have
found
it
necessary
to
modify
the
actual
frequency
response
of
the
music
while
it
is
being
recorded.
Thus,
to
avoid
over
-
cutting
and
consequent
distortion,
a
measured
and
deliberate
reduction
is
effected
in
low
frequency
response
by
selecting
a
"turnover
frequency"
and
by
recording
attenuated
response
below
that
point.
To
assure
optimum
signal-to-
noise
at
the
high
frequency
end
when
the
record
is
played
at
home,
the
highs
are
deliberately
exaggerated
during
the
recording
process.
A
measured
and
de-
liberate
boost
is
effected
above
a
certain
frequency.
This
combination
of
deliberate
exaggeration
at
the
low
and
high
ends
of
the
frequency
response
can
be
ex-
pressed
in
a
"recording
curve".
When
the
record
is
played
a
mirror
image
of
that
curve
should
he
available
so
that
the
ideal
"flat"
response
may
be
achieved.