Harman Kardon A250 Owners Manual - Page 8

operation.

Page 8 highlights

Lead Dress: A black plastic clamp is located on the rear of the chassis near the input receptacles. Remove the rubber clamp on the upper portion of the block, insert the shielded leads into the clamp assembly and replace the rubber clamp. This will offer a neat installation. OPERATING THE MODEL A-250 AS A MONAURAL AMPLIFIER The Model A-250 incorporates the folloWing front panel controls. Viewing the instrument from left to right you will note a TREBLE control (on/off switch is incorporated in this control), BASS control, LOUDNESS control, BALANCE control, MODE switch and FUNCTION switch. On the upper left section of the front panel you will note two SPEAKER SELECTOR switches and a CONTOUR switch. On the upper right there is a RUMBLE FILTER switch, a SCRATCH FILTER switch and an EQUALIZATION switch. TECHNICAL EXPLANATION OF THE CONTROLS - Bass and Treble: These controls provide the full range of tonal adjustment necessary for high fidelity listening. These controls can either boost or cut the bass and treble tones of your monaural system. The controls should be set in accordance with your listening preference, speaker characteristics and room acoustics. Loudness Control: This control adjusts the volume level of any program material fed into your high fidelity system. Its effect can be modified by the CONTOUR switch. Contour Switch: One of the limitations of human hearing is its tendency to lose sensitivity to the very low pitched sounds, as the program sound level is reduced. It is this characteristic (known as the Fletcher-Munson effect) which causes one to play music programs at high listening level in order to experience the full rich tone available from fine modern recordings. The Harman-Kardon CONTOUR switch compensates for the Fletcher-Munson effect, thus eliminating high listening levels as a requisite for full enjoyment of reproduced music. For low level listening throw the CONTOUR switch located on the front panel to either number 1 or number 2 position, depending on your listening preference. You will note how the low frequencies become more apparent while the volume level remains unchanged. Balance Control: This control has no function in monaural listening and should be left in the center position. If rotated to either extreme position, it would completely shut off the preamplifier on that side. Mode Switch: The only application for this switch in monaural operation is to select between the two preamplifiers. This allows for double the usual number of input jacks found on ordinary monaural amplifiers. The STEREO NORMAL and MONAURAL RIGHT positions are identically connected and will activate the Right preamplifier, therefore switching on all program material connected to this preamplifier. STEREO REVERSE and MONAURAL LEFT are identically connected and will activate the Left preamplifier. For simplicity, it is suggested to use only the MONAURAL RIGHT and MONAURAL LEFT positions on the MODE switch for monaural operation. Switch to MONAURAL RIGHT or MONAURAL LEFT as a function of the preamplifier you wish to use. Function Switch: The FUNCTION switch selects the desired type of program source and has five positions: AUX 1 and AUX 2 selects equipment connected to the

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Lead
Dress:
A
black
plastic
clamp
is
located
on
the
rear
of
the
chassis
near
the
input
receptacles.
Remove
the
rubber
clamp
on
the
upper
portion
of
the
block,
insert
the
shielded
leads
into
the
clamp
assembly
and
replace
the
rubber
clamp.
This
will
offer
a
neat
installation.
OPERATING
THE
MODEL
A-250
AS
A
MONAURAL
AMPLIFIER
The
Model
A-250
incorporates
the
folloWing
front
panel
controls.
Viewing
the
instrument
from
left
to
right
you
will
note
a
TREBLE
control
(on/off
switch
is
incorporated
in
this
control),
BASS
control,
LOUDNESS
control,
BALANCE
control,
MODE
switch
and
FUNCTION
switch.
On
the
upper
left
section
of
the
front
panel
you
will
note
two
SPEAKER
SELECTOR
switches
and
a
CON-
TOUR
switch.
On
the
upper
right
there
is
a
RUMBLE
FILTER
switch,
a
SCRATCH
FILTER
switch
and
an
EQUALIZATION
switch.
TECHNICAL
EXPLANATION
OF
THE
CONTROLS
-
Bass
and
Treble:
These
controls
provide
the
full
range
of
tonal
adjustment
necessary
for
high
fi
delity
listening.
These
controls
can
either
boost
or
cut
the
bass
and
treble
tones
of
your
monaural
system.
The
controls
should
be
set
in
accordance
with
your
listening
preference,
speaker
characteristics
and
room
acoustics.
Loudness
Control:
This
control
adjusts
the
volume
level
of
any
program
material
fed
into
your
high
fi
delity
system.
Its
effect
can
be
modified
by
the
CONTOUR
switch.
Contour
Switch:
One
of
the
limitations
of
human
hearing
is
its
tendency
to
lose
sensitivity
to
the
very
low
pitched
sounds,
as
the
program
sound
level
is
reduced.
It
is
this
characteristic
(known
as
the
Fletcher
-Munson
effect)
which
causes
one
to
play
music
programs
at
high
listening
level
in
order
to
experience
the
full
rich
tone
available
from
fi
ne
modern
recordings.
The
Harman-Kardon
CONTOUR
switch
compensates
for
the
Fletcher
-Munson
effect,
thus
eliminating
high
listening
levels
as
a
requisite
for
full
enjoyment
of
reproduced
music.
For
low
level
listening
throw
the
CONTOUR
switch
located
on
the
front
panel
to
either
number
1
or
number
2
position,
depending
on
your
listening
preference.
You
will
note
how
the
low
frequencies
become
more
apparent
while
the
volume
level
remains
unchanged.
Balance
Control:
This
control
has
no
function
in
monaural
listening
and
should
be
left
in
the
center
position.
If
rotated
to
either
extreme
position,
it
would
completely
shut
off
the
preamplifier
on
that
side.
Mode
Switch:
The
only
application
for
this
switch
in
monaural
operation
is
to
select
be-
tween
the
two
preamplifiers.
This
allows
for
double
the
usual
number
of
input
jacks
found
on
ordinary
monaural
amplifiers.
The
STEREO
NORMAL
and
MONAURAL
RIGHT
positions
are
identically
connected
and
will
activate
the
Right
preamplifier,
therefore
switching
on
all
program
material
connected
to
this
preamplifier.
STEREO
REVERSE
and
MONAURAL
LEFT
are
identically
con-
nected
and
will
activate
the
Left
preamplifier.
For
simplicity,
it
is
suggested
to
use
only
the
MONAURAL
RIGHT
and
MONAURAL
LEFT
positions
on
the
MODE
switch
for
monaural
operation.
Switch
to
MONAURAL
RIGHT
or
MONAURAL
LEFT
as
a
function
of
the
preamplifier
you
wish
to
use.
Function
Switch:
The
FUNCTION
switch
selects
the
desired
type
of
program
source
and
has
fi
ve
positions:
AUX
1
and
AUX
2
selects
equipment
connected
to
the