Harman Kardon TD262 Owners Manual - Page 8

TD212, Stereo, Receiver, i0ure

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TD 262/TD212 In Out no- Stereo Receiver In Out -* ~- i0ure 3 1. Make sure that power to both the TD262 / TD212 and your pre-amp/integrated amp/receiver is turned OFF. 2. Connect one set of hook-up cables from the TD262/ TD212's INPUT sockets to the appropriate TAPE MONITOR OUTPUT on your receiver/pre-amp/etc. It may be identified as REC or OUT, depending on the component. 3. Connect the other set of hook-up cables from the TD262 / TD212's OUTPUT sockets to the appropriate TAPE INPUT. This may be labeled IN, PLAY or MON. During hook-up, take care to match left and right component plugs with the left and right input jacks on the cassette deck. Common practice is to treat the red plug as right and the grey! black/white plug as left. Upon completion of the audio connection, proceed with connection of the power cord into the appropriate outlet. 8 If tape is slack inside the cassette shell, it can cause jamming and possible destruction of the tape. Before playing or recording, insert a pencil into one of the cassette shell hubs and wind it until all the slack its taken up. 1. Make sure the TD262 / TD212 is turned on. 2. Depress the EJECT button, insert the tape with the open side of the cassette shell downward and close the cassette compartment door. 3. Select the proper BIAS/ EQUALIZATION setting. 4. If the tape is encoded in Dolby B or C, use the NR and TYPE buttons to turn on the proper noise reduction circuits. 5. Press > . 1. After loading a tape into the TD262 / TD212, set the BIAS/ EQUALIZATION, NR, and TYPE switches to their proper positions. 1A. Set the BIAS FINE TRIM to its center position (or refer to the next set of instructions on how to adjust bias to match a particular tape formulation.) 1B. If you are recording from FM, make sure to turn on the MPX FILTER. 2. Press o ii (REC/PAUSE). The red REC indicator lit up and PLAY indicator blinks at the same time. 3. Play a section of the program to be recorded which is loud, i.e. has a wide dynamic range with ample bass and midrange.

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TD
262/TD212
In
Out
no
—
Stereo
Receiver
In
Out
—*
~-
i0ure
3
1.
Make
sure
that
power
to
both
the
TD262
/
TD212
and
your
pre-amp/integrated
amp/receiver
is
turned
OFF.
2.
Connect
one
set
of
hook-up
cables
from
the
TD262/
TD212's
INPUT
sockets
to
the
appropriate
TAPE
MONITOR
OUT-
PUT
on
your
receiver/pre-amp/etc.
It
may
be
identified
as
REC
or
OUT, depending
on
the
component.
3.
Connect
the
other
set
of
hook-up
cables
from
the
TD262
/
TD212's
OUTPUT
sockets
to
the
appropriate
TAPE
INPUT.
This
may
be
labeled
IN,
PLAY
or
MON.
During
hook-up,
take
care
to
match
left
and
right
component
plugs
with
the
left
and
right
input
jacks
on
the
cassette
deck.
Common
practice
is
to
treat
the
red
plug
as
right
and
the
grey!
black/white
plug
as
left.
Upon
completion
of
the
audio
connection,
proceed
with
connection
of
the
power
cord
into
the
appropriate
outlet.
If
tape
is
slack
inside
the
cassette
shell,
it
can
cause
jamming
and
possible
destruction
of
the
tape.
Before
playing
or
recording,
insert
a
pencil
into
one
of
the
cassette
shell
hubs
and
wind
it
until
all
the
slack
its
taken
up.
1.
Make
sure
the
TD262
/
TD212
is
turned
on.
2.
Depress
the
EJECT
button,
insert
the
tape
with
the
open
side
of
the
cassette
shell
downward
and
close
the
cassette
compartment
door.
3.
Select
the
proper
BIAS/
EQUALIZATION
setting.
4.
If
the
tape
is
encoded
in
Dolby
B
or
C,
use
the
NR
and
TYPE
buttons
to
turn
on
the
proper
noise
reduction
circuits.
5.
Press
>
.
1.
After
loading
a
tape
into
the
TD262
/
TD212,
set
the
BIAS/
EQUALIZATION,
NR,
and
TYPE
switches
to
their
proper
positions.
1A.
Set
the
BIAS
FINE
TRIM
to
its
center
position
(or
refer
to
the
next
set
of
instructions
on
how
to
adjust
bias
to
match
a
particular
tape
formulation.)
1B.
If
you
are
recording
from
FM,
make
sure
to
turn
on
the
MPX
FILTER.
2.
Press
o
ii
(REC/PAUSE).
The
red
REC
indicator
lit
up
and
PLAY
indicator
blinks
at
the
same
time.
3.
Play
a
section
of
the
program
to
be
recorded
which
is
loud,
i.e.
has
a
wide
dynamic
range
with
ample
bass
and
midrange.
8