Harman Kardon TD262 Owners Manual - Page 9

tape counter

Page 9 highlights

4. Set the INPUT LEVEL knob until regular musical peaks register uo to 0dB with occasional peaks registering as high as +3db'. 5. Press > to begin recording. 6. During recording, watch the Peak Level Indicators to make sure that regular peaks do not exceed +3dB'. • To insert a momentary blank space, press REC MUTE (TD 262 only). • To pause during recording, press o ii (REC/PAUSE). Press > (PLAY) to continue recording. • To stop recording, press • . 1. When using metal tape formulations with Dolby C noise reduction, it is possible to record occasional musical peaks as high as +5dB. To determine if saturation distortion has occurred while recording at higher levels, reset the counter to 000 during recording, then later rewind the tape back to that point and play back that section. This is a simple way to fine tune your cassette tape and deck. It uses interstation tape hiss as a test source. The BIAS FINE TRIM control is rotated in increments each time the Tape Counter advances 10 units. Then, when listening to playback , you can use the Tape Counter to determine which BIAS FINE TUNE position provided the best frequency response. Please note that the BIAS FINE TRIM control has less effect with metal tape than with LN or CrO2 tapes. 1. Make sure that the NR button on the TD262 / TD212 is in the OUT position (off). 2. Select the proper BIAS/EQUALIZATION setting to match the tape type being used. 3. Rotate the BIAS FINE TRIM control as far as it will go to the left (hi cut). We will refer to this as the "7 o'clock" position, since it corresponds to that position on a clock face. 4. Set your receiver/pre-amp/integrated amp's SOURCE selector to TUNER. 5. Turn off any MUTE and SEEK features on your tuner (or tuning section of a receiver) and tune between stations until you hear only loud hiss (interstation noise). 6. After loading a blank cassette into the deck, press >> to advance toward the middle of the tape. 7. Press • (STOP) and then o n (REC/PAUSE). 8. Set the INPUT level control until the Peak Level Meters read -3dB. 9. Reset the Tape Counter to 000. 10. Press > to begin recording. 11. When the Tape Counter reads 010, quickly rotate the BIAS FINE TRIM control clockwise to the "8 o'clock" position. 12. When the Tape Counter reads 020, rotate the BIAS FINE TRIM control to "9 o'clock". 13. Continue this operation until the Tape Counter reads 80 and the BIAS FINE TRIM knob has been rotated fully clockwise to the right as far as it will go (hi boost). 14. Press ■ and rewind the tape back to the point where the tape counter reads 000. 15. Select TAPE MONITOR on your receiver/pre-amp/etc. Turn up the volume to a relatively high level or plug in a set of headphones and listen through them. 16. Press > on the TD262 / TD212. 17. While watching the Tape Counter, listen to the interstation FM hiss. At each 10 tape counter units, the treble quality of the hiss should change slightly. Compare it with "live" interstation noise by pressing the TAPE MONITOR button in and out. When the playback hiss and the "live" hiss sound very close to the same, note the numbers on the Tape Counter. These correspond to the BIAS FINE TRIM adjustment for the particular tape you are using. 040 030 )150 040 030, ,050 040 030 "50 020-I 11-060 020-I I - 060 020- -060 010' Start 000 hi cut • 070 080 End hi boost 010' Start 000 hi cut • 070 080 End hi boost 010' , Start 000 hi cut /`070 080 End hi boost Figure 4 Adjusting Bias.Fine Trim If you wish, you may repeat the test making adjustments just in close proximity to what seems to be the optimal setting. This can further fine tune bias adjustments, although past a certain point, minute changes will be hard to detect. You should repeat this test again each time you change brands or formulations of cassette tape. All cassettes are provided with an erasure protection system. It consists of two small tabs covering square holes on the back of the cassette shell. When these small plastic tabs are removed, it is impossible to re-record the cassette. Thus you can protect a recorded tape form accidental erasure by prying these tabs off with a small screwdriver. If you wish to use an erasure-protected cassette again for recording, simply cover the holes with adhesive tape. After replacing a tape in its case, store it in a location well away from direct sunlight, high temperatures and excessive humidity. Be especially careful to avoid placing a cassette tape near television sets or loudspeakers where magnetic fields may partially erase the tape. Do not use old cassettes that no longer smoothly pass the tape from reel-to-reel. They may jam or otherwise provide unsatisfactory performance. 9

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4.
Set
the
INPUT
LEVEL
knob
until
regular
musical
peaks
register
uo
to
0dB
with
occasional
peaks
registering
as
high
as
+3db'.
5.
Press
>
to
begin
recording.
6.
During
recording,
watch
the
Peak
Level
Indicators
to
make
sure
that
regular
peaks
do
not
exceed
+3dB'.
To
insert
a
momentary
blank
space,
press
REC
MUTE
(TD
262
only).
To
pause
during
recording,
press
o
ii
(REC/PAUSE).
Press
>
(PLAY)
to
continue
recording.
To
stop
recording,
press
.
1.
When
using
metal
tape
formulations
with
Dolby
C
noise
reduction,
it
is
possible
to
record
occasional
musical
peaks
as
high
as
+5dB.
To
determine
if
saturation distortion
has
occurred
while
recording
at
higher
levels,
reset
the
counter
to
000
during
recording,
then
later
rewind
the
tape
back
to
that
point
and
play
back
that
section.
This
is
a
simple
way
to
fine
tune
your
cassette
tape
and
deck.
It
uses
interstation
tape
hiss
as
a
test
source.
The
BIAS
FINE
TRIM
control
is
rotated
in
increments
each
time
the
Tape
Counter
advances
10
units.
Then,
when
listening
to
playback
,
you
can
use
the
Tape
Counter
to
determine
which
BIAS
FINE
TUNE
position
provided
the
best
frequency
response.
Please
note
that
the
BIAS
FINE
TRIM
control
has
less
effect
with
metal
tape
than
with
LN
or
CrO2
tapes.
1.
Make
sure
that
the
NR
button
on
the
TD262
/
TD212
is
in
the
OUT
position
(off).
2.
Select
the
proper
BIAS/EQUALIZATION
setting
to
match
the
tape
type
being
used.
3.
Rotate
the
BIAS
FINE
TRIM
control
as
far
as
it
will
go
to
the
left
(hi
cut).
We
will
refer
to
this
as
the
"7
o'clock"
position,
since
it
corresponds
to
that
position
on
a
clock
face.
4.
Set
your
receiver/pre-amp/integrated
amp's
SOURCE
040
selector
to
TUNER.
030
)150
5.
Turn
off
any
MUTE
and
SEEK
features
on
your
tuner
(or
020-I
11-060
tuning
section
of
a
receiver)
and
tune
between
stations
until
you
hear
only
loud
hiss
(interstation
noise).
010'
070
6.
After
loading
a
blank
cassette
into
the
deck,
press
>>
to
advance
toward
the
middle
of
the
tape.
7.
Press
(STOP)
and
then
o
n
(REC/PAUSE).
8.
Set
the
INPUT
level
control
until
the
Peak
Level
Meters
read
-3dB.
9.
Reset
the
Tape
Counter
to
000.
10.
Press
>
to
begin
recording.
11.
When
the
Tape
Counter
reads
010,
quickly
rotate
the
BIAS
FINE
TRIM
control
clockwise
to
the
"8
o'clock"
position.
12.
When
the
Tape
Counter
reads
020,
rotate
the
BIAS
FINE
TRIM
control
to
"9
o'clock".
13. Continue
this
operation
until
the
Tape
Counter
reads
80
and
the
BIAS
FINE
TRIM
knob
has
been
rotated
fully
clock-
wise
to
the
right
as
far
as
it
will
go
(hi
boost).
14.
Press
and
rewind
the
tape
back
to
the
point
where
the
tape
counter
reads
000.
15.
Select
TAPE
MONITOR
on
your
receiver/pre-amp/etc.
Turn
up
the
volume
to
a
relatively
high
level
or
plug
in
a
set
of
headphones
and
listen
through
them.
16.
Press
>
on
the
TD262
/
TD212.
17.
While
watching
the
Tape
Counter,
listen
to
the
interstation
FM
hiss.
At
each
10
tape counter
units,
the
treble
quality
of
the
hiss
should
change
slightly.
Compare
it
with
"live"
interstation
noise
by
pressing
the
TAPE
MONITOR
button
in
and
out.
When
the
playback
hiss
and
the
"live"
hiss
sound
very
close
to
the
same,
note
the
numbers
on
the
Tape
Counter.
These
correspond
to
the
BIAS
FINE
TRIM
ad-
justment
for
the
particular
tape
you
are
using.
030
,
040
040
,050
030
"50
020-I
I-
0
60
020-
-060
010'
070
010'
,
Start
000
080
End
Start
000
080
End
Start
000
hi
cut
hi
boost
hi
cut
hi
boost
hi
cut
Figure
4
Adjusting
Bias.Fine
Trim
/`070
080
End
hi
boost
If
you
wish,
you
may
repeat
the
test
making
adjustments
just
in
close
proximity
to
what
seems
to
be
the
optimal
setting.
This
can
further
fine
tune
bias
adjustments,
although
past
a
certain
point,
minute
changes
will
be
hard
to
detect.
You
should
repeat
this
test
again
each
time
you
change
brands
or
formulations
of
cassette
tape.
All
cassettes
are
provided
with
an
erasure
protection
system.
It
consists
of
two
small
tabs
covering
square
holes
on
the
back
of
the
cassette
shell.
When
these
small
plastic
tabs
are
removed,
it
is
impossible
to
re-record
the
cassette.
Thus
you
can
protect
a
recorded
tape
form
accidental
erasure
by
prying
these
tabs
off
with
a
small
screwdriver.
If
you
wish
to
use
an
erasure
-protected
cassette
again
for
recording,
simply
cover
the
holes
with
adhesive
tape.
After
replacing
a
tape
in
its
case,
store
it
in
a
location
well
away
from
direct
sunlight,
high
temperatures
and
excessive
humidity.
Be
especially
careful
to
avoid
placing
a
cassette
tape
near
television
sets
or
loudspeakers
where
magnetic
fields
may
partially
erase
the
tape.
Do
not
use
old
cassettes
that
no
longer
smoothly
pass
the
tape
from
reel-to-reel.
They
may
jam
or
otherwise
provide
unsatis-
factory
performance.
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