Mackie ProFX8 Owner's Manual (Deutsch) - Page 18

ProFX8 und ProFX12 MIC MIC 1 LINE HI-Z BAL / UNBAL MIC MIC MON SEND FOOTSWITCH AVIS: RISQUE DE CH MAIN RIGHT (BALANCED) INSERT MAIN 21 INSERLTEFT (BALANCED) INSERT INSERT R LINE IN 6 R LINE IN 8 R LINE IN 10 R LINE IN 12 R ST RETURN SERIAUBLNABNLA/LUMBER R FX SEND MAIN OUT MANUFA PHONES 20 U MIC GAIN LEVEL SET U MIC GAIN LEVEL SET POWER U -20dB +50 +30dB U -20dB +50 +30dB 22 GAIN ON LOW CUT 100 Hz GAIN LOW CUT 100 Hz U MIC GAIN LEVEL SET U +50 -20dB +30dB GAIN LOW CUT 100 Hz USB U MIC GAIN LEVEL SET U +50 -20dB +30dB GAIN LOW CUT 100 Hz MIC GAIN LEVEL SET U +50 GAIN LOW CUT 100 Hz MIC GAIN LEVEL SET U +50 GAIN LOW CUT 100 Hz U U STEREO GRAPHIC EQ 15 10 -20 +20 GAIN -20 +20 GAIN 5 PROFESSIONAL MIC/L0 INE MIXER WITH FX 5 15 48V 10 PHANTOM 5 POWER 0 5 U EQ U EQ U EQ U EQ U EQ U EQ U EQ U EQ 10 23 HI 12kHz HI 12kHz HI M12kHAz IN HI 12kHz HI 12MkHAz IN HI 12kHz HI 12kHz HI 15 12kHz 125 250 500 1K -15 +15 U -15 +15 U RIGHT -15 +15 U -15 +15 U LEFT -15 +15 U -15 +15 U -15 +15 U -15 +15 U 24 MID 2.5kHz MID 2.5kHz (BALANCED) MID 2.5kHz MID 2.5kHz (BALANCED) MID 2.5kHz MID 2.5kHz MID 2.5kHz MID 2.5kHz MAIN MIX MON -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 USB-15 +15 U U U U U U U U 2K 4K EQ IN BYPASS 10 15 8K POWER MAIN METERS 0dB=0dBu OL 15 10 6 3 OO OO 25 LOW 80Hz -15 +15 U AUX 26MIC MON +15 U 27 FX +15 OO OO LOW 80Hz -15 +15 U AUX MIMCON +15 U FX +15 OO OO LOW 80Hz -15 +15 U AUX MON LOW 80Hz -15 +15 U AUX MIC MON +15 U +15 U FX +15 FX +15 OO OO OO OO -15 +15 U +15 U +15 LOW 80Hz -15 +15 AUX U MMON IC +15 U FX +15 OO OO LOW 80Hz LOW 80Hz LOW 80Hz FX PRESETS 01 BRIGHT ROOM -15 +15 -15 +15 02 WARM LOUNGE 03 SMALL STAGE AUX U AUX U AUX 04 WARM THEATER 05 WARM HALL MON (UNBALANCED) MON MON 06 CONCERT HALL 07 PLATE REVERB 08 CATHEDRAL 09 CHORUS +15 +15 10 CHORUS + REV OO OO OO OO U U 11 DOUBLER L FX FX L 12 TAPE SLAP 13 DELAY 1 (300ms) FX 14 DELAY 2 (380ms) TAPE+15 15 DELAY 3 (480ms) +15 TAPE 16 REVERB + DLY (250ms) PRESETS MUTE OO USB U +10 INPUT LEVEL 0 2 4 7 10 20 30 L R USB THRU BREAK (MUTES ALL CHANNELS) PAN 2M8IC PAN MIC PAN PAN MIC PAN PAN IN PAN (UNBALANCEDR) PAN UOUT U OL R U OO LR LR LR LR LR LR LR LR OO +15 OO +15 MAX +20 OO FX MASTER FX TOPRMOOFNESSIONPHAOLNMESIC/LINETAMPEIXLEEVRELWITH 2 29 OL dB 10 MUTE 3301 OL dB 10 MUTE 4 MUTE OL OL 2 3 dB dB 10 10 5/6 7/8 MUTE L MUTE OL MUTE OL OL 4 TAPE5/6 7/8 (MONOd)B 10 IN dB (MONO) dB 10 10 9/10 11/12 L MUTE MUTE OL MUTE OL 9/1T0APE 11/12 ST RTN FX RTN O(MUd1O0BTNO) dB (MONO) dB 10 10 MON dB(MONO) 10 MAIN dB 10 BAL / UNBAL BAL / 5 UNBAL 5 BAL / U5NBAL 5 L5 R5 L 5 R 5L 5 L5 5L 5 BA UN 2 LINE/HI-Z IN 1 BAL / UNBAL INSERT LINE IN 2 3 LINEMIN I2C BAL / UNBAL INSERT LINE IN 3 U 31 4 LINE MIN 3I5C 10 20 30 40 50 INSERT 60 LINE IN 4 OO BAL / UNBAL U U 5/6 5 LINEMINI4C 5 10 10 20 (M2O0 NO) OO 30 40 50 60 INSERT LINE IN 5 OO L30 40 50 B60AL / UNBAL U U 7/8 MIC LINE5 IN 5 UBNABLA/L5 10 10 OO 20 30 40 50 LINE60 IN 6 LINE IN 7 (MONO2)0 R L 30 40 50 BAL / 60 UNBAL OO U 9/10 MIC LINE IN 75 BAL / UNBAL 10 20 (MONO) R 30 L 40 50 LINE IN 860 LINE IN 9 OO BAL / UNBAL U U 11/12 MIC 5LINE IN 9 UB5NABLA/L 10 10 20 (M2O0 NO) R 30 L30 40 50 6L0 INE IN 10 LINE IN 11 OO 40 50 B60AL / UNBAL OO PROFEUSSIONAL MICU/LINE MIXER WU ITH FX LINE I5N 11(UUNBNABBLAA/LL5ANCED) 10 10 5 BAL / UNBAL 10 20 L 30 TAPE 40 (MONO) 20 R L 30 40 IN 50 50 LINE I6N0 12 BAL / 60 OO R UNBAL OO 20 L R 30 BAL / UNBAL T40APE ST RETU56OR00 NUT MON SREND OO U M5 ON SEND 10 20 BA UN 30 40 50 60FX SENDBA UN OO U MIC GAIN U 20. GAIN 1 LEVEL SET MIC GALININE HI-Z LEVEL SET U MIC GAIN 2LEVEL SET U MIC GAIN 3R LEVEL SET MIC GAIN 4R LEVEL SET INSERT LIeNsSEeRnT Sie bitte auINcSEhRT"VerstärkunLINgEeINin6stellen" aLuINfESINe8ite U +50 3. Mit dem Gain-Regler lassen sich alle von außen kom- 20dB +30dB GAIN mende Quellensignale auf die gleichen optimalen internen LOUWCUT Betriebspegel einstellen. MIC1G0A0INHz LEVEL -20dUBGAIN+5+030dBUBNABLA/L LOUW CUT LINMEIC/H1G0IA-0ZINHIzN 1 LEVEL -20dUBGAIN+5+030dBUBNABLA/L LOUW CUT LMINICE1G0IA0NINH2z LEVEL -20dUBGAIN+5+030dBUBNABLA/L LOW CUT LMINICE1G0IAN0INH3z LEVEL U +50 GAIN LOW CUT LMINICE1G0IA0NINH4z BAL / UNBAL LEVEL 5/6 MIC GAIN R LEVEL SET LINE IN 10 (MONO) U +50 GAIN L LOW CUT LINUE10I0NHz5 BAL / UNBAL BsteeirUedoenL7iHn/yeR8b-EriidnkgaannäUgl)e9nw/i(r1MkR0ticd-eE1r5inGgaai1nng-1Ru/enU1gSBNdA-TB2LA/EL REOPROGFERSSAIOPNAH leL-2INr0EnI+Nu210r2au(MfONdOe) n M-S2Ti0kRr+Eo2T0fUoRn(NMeOiNnOg) a1n0g.FX SEND(MONO) MAIN OU(MTO BeGiAdINen SteLreokanGäAlINen L5 L (SkeTiEnRME0 iOc-EGiRnA- PHIC EQ gaLInNgUE)INw7 irUkBNAtBLA/dL er GLINaEinIN-R9 egUBlNAeBLAr/Lnu5 rLIaNEuIfNd11ie BAL / UNBAL B UN SET SET SET SET SET U EQ U Eine korrEeQkte GainU-EinstEeQllung U sorgt daEfüQr, dass U die EQ 20dUBGAIN+5+030d1B2HkHI z Ve-20rdsUBGtäArIN+k5+u030nd1Bg2HkdHI ez s -P20rdUBeGaAmIN+p5+03s0dn1B2iHkcHI hz t zuUGhAocIN+h50 is1t2HkuHI nz d VeUGrzAeINr+5r0un1-2HkHI z -15LOW+1C5UT U100 Hz gPeans-1sI5eNaLOSrUg1EWz0+eR01eCTHn5uUzTgint oHdienrtezr-u1gI5NLrnOSUu1EWi0+Re0n1CTH5ddUzTrgiegriäsutsucnhd-e1I5NnLdOSU1EiW0u+eR01nCTH5UrztTuehrgigeehne,ns.-u1I5bNLOSUt1W0E+i0lR1CeH5TUznT U EQ -20 +20 GAIN -1L5INUE+IN156 HRI 12kHz LineU-PegeEl-QEin1g5ängUe mitE2Q0 dB10Verstärk­ u-n20g u+2n0d 20HRIdB1B0 edämpfunHRIg. E1s5 gibt keineR LeGvAeIlNSet12LkHEzD. 5 12kHz -1L5INUE+IN158 0 -L1I5NEU+IN1510 125 250 LINE IN 12 500 1K ST RETURN 5 MAIN MIX 21. LEVEL SET LED U -15 +15 U -15 +15 U -15 +15 -15 U+15 U +15 -15 U+15 22. LOW CUT U EMQID 2.5kHz HI 12kHz U U -1M5ICUG+A1I5N EMQID 2.5kHz HI 12LkESHEVTEzL U EMQID U EMIQD U EMIQD Bm-1eM5oIiCnUUGM+oA1I5NoLnino21.2Le5kHkESk-HaIEHVETEzznLiänlgea-n1Mn5I(CgUUGM+)A1I5Nisct-eE21u.2L5HikESkenHIEHVrTEzzgtLadneg-r1M5mGICUUiGa+tA1iI5nN - 2.5kHz HI 12LkESHEVTEzL LOW 80Hz -15 +15 U U +50 LOW 80Hz -20dB +30dB -2RM0-d1UBe5icgU-l+e1u+r55+n03d0ddiL8BeLO0HWEiznien-g-E2a0-di1nUBn5ggUsä+e1+n55m+0g3e0pd.L8BfOi0nHWzdlic-2h0-d1kUB5eUi+t1+5d5+03e0rd8LBO0HWz MID -15GA+I1N5 MID -15GA+I1N5 MID -15GA+I1N5 MID -15GA+I1N5 MID A2.U5kXHz S-1t5eLlUO1l+W0e105CnHUzTSA2i.U5ekXHdz en G-15aLiUO1n+W010-5CRHUzeTAg2.U5lekXHrz so e-1i5nLUO,1+W0d105CaHUzsTAs2.U5dkiXHez Level Set AUX LOW CUT 2.5kHz -15 U1+0105Hz MON LOW 80Hz LauEfDlesuU[Uc+21h51t]enMnL8EO0OHuuHQWNIzrndbeini dPeaUUn+u1l5saeunMtL8EOe0OeHHQWsNrIztlöesncShteenUlU+.l1e5n IMhEOrQNer LOW 80HHIz DarbiUUetunMgEOQN LOW +15 80HHIz AUFXX wiWr-d-11e5,5nUUbU+n+e115t5draäAsg1UF2tSXkXHdigzienaVle--11ar55snUUtU++äd11r5i5keuAM1nUF2XikgXcHzbXeLiRg--1-1a5B5nUUUuz++1c1z55husAreü1UF2aXckXHknzggeedsc-r-11eh55hlUUoU+t+s1e15s5meAn1UF2XkXHz U EMIQD 2.5kHz U EMIQD 10 2.5kHz MID 2.5kHz MON S [aa2uc----0DWh1111fUM]5555GtdiIeLCeeUAUUUOv1inG++++nWs0eIeA111N10+neI5555CNr5HSj0UzewLSTiAweiEe218Le.MU2LO5ne0HdDkESkHIWiDHbXIEdVHazlsTEzzeeirLgwitae,udeufeQr----,1111mUdnM5555GudIeLCeUAUUUOKad1nG++++Wl0IsAa111N10il+Isze5555CeN5Hn0UuzdTäVaAsi2l1be8Lae.eMU2LO50rzHkESmkHnIWDsHXIELVHuzTEtzzemsVLätverei1erkm5nzlu---11emS2m55nG0r1e2reUgAUiU5t++utn+I11Nd2Ln55.d0eEgesAem2MMD8L5KnUAOO00sIHNaGWNXfznenMaisaIciXt5nl000000hs0p123456-0ttBSCWWWFRre-MRO2XAAAekIGGAe0NlRRRaLlHMMMoCPAgLeUTEmnRSLTH+IRl1RnOTNHAeT2EKOAsEULp0H,GOrSALtNAETsMaEGLELERTnSt2KBYEPQA11SI550N50S4K 8K leuchten. Andernfalls drehen Sie das Gain zurück. U MEOQN LOW +15 80HHIz U +15 MEOQN LOW 80HHIz U MEOQN FX PRESETS 01 BRIGHT+R1O5OM HI EQ 07 08 PCLAATTHEEURDERVAELRB 09 CHORUS 10 CHORUS + REV HI -15 U+15 12kHz -15 U+15 12kHz 02 WARMULOUNGE12kHz 11 DOUBLER 03 SMALL STAGE 12 TAPE SLAP 12kHz 10 15 USB PRESETS 125U 250 -15 +15 UU AUFXX AUX -15 +15 UU FX 04 W-1A5RM T+H1E5ATER 05 WARMUHALL FX 13 D-E1L5AY 1+(13500ms) 14 DELAYU2 (380ms) MUTE OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO +15 +15 U MON Regler+015dBMMO(INUD für Un+it15y).MSMOiINeD lässt si+c1h5 bMeMiOINgDanz aufg+1e5- MMOIND PAN dreh-15te+m+1155RPe2Ag.5NlkeHzr auf-1550++1d155BPe2A.r5NkhHöz hen-1.5 ++1155 P2A.5NkHz -15 ++1155 P2A.5NkHz UU UU UU UU Alle+1K5 anMäMOlINDe mit Mi+c1-5EinMgMOaINDng Cvoun-t15-1TUU8+a+11sd55tBeP,2Apd.5rNkioHezOBkats-a1s5vfrUeU+e+1eq155nutPef2nAe.5zrNkHenznt. 06 CONCERT HALL verfügen über eine Low 07PLATER+E1V5ERB 08 CATHEDRAL MID unter 100 Hz mit einer Rate PAN 09CHORUS 2.5kHz 15 DELAY 3 (480ms) 16 REVERB + DLY (25M0mIDs) U 2.5kHz Die Low Cut-Taste wirkt 10C-H1O5RU+S1+5REV 11 DOUBULER -15PUR+ES1E5TS OL MA +10 MO INPUTULEVEL LR +15 FX Beim Anschluss an den 6,35 mm Monoeingang werden die SLigRnale bei L8FO0XHWz ganzLzuRrückL8FgO0XHeWzdrehteL mR RegL8FlO0XeHWrz um 2L0 dR B L8FO0XHWz bed-ä15m+p+11f55t und bei v-1o5ll++a115u5 fgedrehte-m15 R++11e55gler um 30-15dB++1155 auf alle LR Mi8LcFO0X-HWuz nd S-1i5e++s11o55llten das die Line-Eingänge der Monokanäle. L R Low Cut-Filter bei allen Mikrofonen -15 ++1155 8LFO0XHWz 12 TAPE SLAP 13 DELAY 1 (300ms) LOW 14 15 DDEELLLAAYY 23R((348800mmss)) 80Hz 16 R-E1V5ERB++1D5LY (250ms) OO MUTE LOW +15 80Hz F-1X5 M+A15STER 01 BFRXIGHPTRRE+O1OS5METS 02FWXUARSTMBOLOTMUHNROGUEN 03 SMALL STAGE OL BL 0 PAN MUTE verstäUrkMt, UPwATAoUENbXei die "UU "-MMUPAaTArUENkXe (UnitUy GMaUPiAnTAUE)NXbei etwUa 1M2U:PA0TA0UENX UhrOLliegt. DMieOsNe 20OdLB-BedäMmONpfungOList prakMtOiNsch, wOLenn SieMON 1 ein sehr heiß2es Signal ansch3ließen oder seh4r viel EQ-Gai5n/6 R hd1i0BnzuL fUü+R1g5en möchd10BtenL -U+R1o5der beidd10Bes.LOUh+R1n5e diesed1"0BvirLtuU+Re1l5le Bedämpfung" ist die Gefahr von Kanal-Clipping wesentlich vEe-OrBLw­aesUsnMdoedUPAneTA,rUENmBXaitsAs-OuSLsynnUathhMmpUPrATeAoUEgNvXroanmMmOoLed.eUDlUlMaennUAeTfbUEüeXOrnLBgaisbOstLderUsuUmiMnU, ATEUX ddBd10BiaäessssLFeeUni+Rlv1­tt5ieieerl7nfMke/Odnn8NiaeBcsekd1e0BriregFiecLrrhUeu+Req1nn5u9den/nMgi1czeO0hesNcnt hvdk1mi0BleiFalnXcHgMkUeö+vnA1r1o+5eS11dlTn5liEe/seMR1rw.Oh2eANörurteßenesd1Fs0rBXuwdnTeSeUOd+mrT1t+dM5e1kRu5nOarTMNncONhnN OO OOOO OO OOOO 5 OL U MUTE h5öhOeL r. MUTFEX +15 2U PAN3 5 OL U MUTFEX +15 PAN4 5 OL U MUTFEX 5 +15 OL P5A/6N U MUTFEX d5as LowMCUuTFEtX-Fil5ter in LMivUeT-FESXitua5 tionenMaUuTcEFXh die 5FeedbackF-X +15 P7A/8N GU eOfLah+r15v9eP/r1rAi0nNgeUrnOLun+d115d1iP/e1AV2NersUtäOrkL eSr+Tl1e5iRsPtTAuNnNg opUtimFi+Xe15reRPnTA. NN 04 WARM THEATER 05 WARM HALL 06 CONCERT HALL 07 PLATE REVERB FX RT 08 CATHEDRAL 09 CHORUS 111012d1CDT0BAHOPPOUEHRBSULLOESARP+NMREAEVXS MON 13 DELAY 1 (300ms) 11455DDEELLAAYY 2 3 (380ms) (480ms) 16 REVERB + DLY (250 U U dB dB dB dB dB dB dB dB dB dB 50 18 150 150 150 ProFX8 und ProFX12 150 150 150 5 10 150 150 OO OO OO OO 150 150 L R 150 L R 150 L R 150 L R 150 L R 150 L R 10 5 L R 150 L R 150 +15 FX MASTER U20 U20 U20 U20 U20 U20 U20 20U U20 U20 350 350 OL MUTE 350 OL MUTE 350 OL MUTE 350 OL MUTE 350 OL MUTE 350 OL MUTE 305OL MUTE 35O0 L MUTE 35O0 L MUTE