Home » Yamaha Manuals » Audio Mixers » Yamaha 01V » Manual Viewer

Yamaha 01V Owner's Manual - Page 252

V & Pro Tools (AES/EBU

Get Yamaha 01V PDF manuals and user guides

Add to My Manuals
Save this manual to your list of manuals

Page 252 highlights

250 Chapter 18-System Examples 01V & Pro Tools (AES/EBU) This example shows how the 01V can be used with a Pro Tools system to create a 16-input, 8-track fully digital recording system, with the 16 mic/line inputs and eight digital tape returns providing up to 24 inputs during mixdown. A Digidesign 888 I/O Audio Interface connects the 01V to the Pro Tools system, with a special 50-pin Pro Tools cable between the computer card and 888. The 01V connects to the 888 via a 25-pin D-sub cable and XLR to 25-pin D-sub splitter box, which provides eight AES/EBU inputs (four XLRs) and eight AES/EBU outputs (four XLRs). Pro Tools transport functions can be controlled remotely from the 01V using MIDI Machine Control (MMC) commands. See "MIDI Machine Control" on page 236 for more information. System Components • 01V Digital Mixing Console • MY8-AE Option I/O card • Pro Tools system with Digidesign 888 I/O Audio Interface • XLR to 25-pin D-sub splitter box (or 25-pin D-sub to XLR break-out cable) • 25-pin D-sub cable, 50-pin Pro Tools cable See "Installing Option I/O Cards" on page 218 for MY8-AE installation instructions. Wordclock Configuration For digital audio transfer, digital audio devices must be wordclock synchronized (see "About Wordclocks" on page 206). In this example, Pro Tools is wordclock master and the 01V and DAT recorder are wordclock slaves. The 01V derives its wordclock from the Option I/O digital input. The DAT derives its wordclock from the Digital Stereo Coaxial Out of the 01V. The wordclock frequency, which is the same as the sampling rate, is set by Pro Tools. For digital recording from the DAT recorder to Pro Tools, the DAT recorder must be configured as wordclock master and the 01V and Pro Tools as wordclock slaves. In this case, the 01V would derive its wordclock from the Digital Stereo Coaxial In connection, and Pro Tools would derive its wordclock from the 01V's Option I/O connection. The sampling rate will be the same as that used when the DAT tape was recorded. If a CD player is used instead of the DAT, the sampling rate will be fixed at 44.1 kHz, the industry-standard for music CDs. System Notes • The AES/EBU connector on the MY8-AE card is connected to the XLR to 25-pin D-sub splitter box using a 25-pin D-sub cable. • The splitter box is connected to the 888 I/O Audio Interface using AES/EBU compatible XLR cables. • The 888 I/O Audio Interface is connected to the Pro Tools audio card using a special 50-pin Pro Tools cable. • The XLR to 25-pin D-sub splitter box is custom made and not available from Yamaha. • A 25-pin D-sub to XLR break-out cable could be used instead of the splitter box. 01V-Owner's Manual

Section	Page
Important Information	3
Contents	5
1 Welcome to the 01V	11
Welcome to the 01V	12
About this Owner’s Manual	12
01V Installation	12
01V Features	13
Key Feature Discussion	14
2 Getting Started	18
01V System Example	19
Important Wordclock Information	20
Connecting the Power Cord	20
Turning On the 01V	20
Turning Off the 01V	20
3 Touring the 01V	21
Top Panel Controls	22
Inputs & Outputs	28
Block Diagram	32
4 Getting Around the User Interface	34
About the User Interface	35
Display	35
Display Elements	37
Cursor Buttons	38
PARAMETER Wheel	38
–1/DEC & +1/INC Buttons	38
ENTER Button	38
Fader Modes	39
Title Edit Dialog Box	44
5 Input Channels	45
Input Channel Overview	46
Phantom Powering	47
Pad Switches	47
Setting Input Channel Gain	47
Metering Input Channels	47
Changing the Input Phase	48
Attenuating Input Channel Signals	49
Applying EQ to Input Channels	50
Input Channels Dynamics Processors	50
Delaying Channel Signals	51
Muting Input Channels	52
Setting Input Channel Levels	52
Panning Input Channels	53
Routing Input Channels	55
Monitoring Input Channels	56
Input Channels & Aux Sends	56
Input Channels & the Omni Outs	56
Input Channels & the Option I/O Outs	56
Swapping Inputs 1–8 & 17–24	57
Pairing Input Channels	58
Grouping Faders	61
Grouping Mutes	62
Viewing Input Channel Settings	63
Copying & Swapping Channel Settings	65
Input Channel Block Diagram	66
6 EQ	67
About the 01V EQ	68
Adjusting the EQ	69
EQ Specs	72
Bypassing the EQ	72
Resetting the EQ	72
EQ Library	73
Preset EQ Program List	73
Storing EQ Programs	74
Recalling EQ Programs	75
Editing EQ Program Titles	76
Preset EQ Program Parameters	77
7 Solo, Monitors & Meters	81
About Monitor & Solo	82
Monitor Outputs	83
Phones	83
Twotrack Input (2TR IN)	83
Monitor Setup	84
Using Monitor	84
Monitor Block Diagram	85
Solo Setup	86
Using Solo	87
Solo Block Diagram	88
Metering Signal Levels	89
Main Stereo Meters	90
Peak Hold	90
Setting the Metering Point	91
Option I/O Meters (input channels 17–24)	91
Effects Send Meters	92
8 Stereo Output	93
About the Stereo Output	94
Analog Stereo Output	94
2TR Out & the Stereo Output	94
Coaxial Digital Out & the Stereo Output	94
Option I/O & the Stereo Output	94
Omni Outs & the Stereo Output	94
Solo & the Stereo Output	94
Monitoring the Stereo Output	94
Metering the Stereo Output	95
Routing Signals to the Stereo Output	95
Viewing Stereo Output Settings	95
Setting the Stereo Output Level	96
Muting the Stereo Output	96
Balancing the Stereo Output	96
Applying EQ to the Stereo Output	96
Stereo Output Dynamics Processors	96
Stereo Output Delay	97
Stereo Output Block Diagram	98
9 Aux Sends	99
About the Aux Sends	100
Option I/O & the Aux Sends	100
Omni Outs & the Aux Sends	100
Monitoring Aux Sends	100
Metering Aux Sends	100
Sending Channel Signals to Aux Sends	101
Prefader/Postfader Aux Sends	103
Viewing Aux Send Settings	104
Setting Aux Send Master Levels	105
Muting Aux Sends	106
Applying EQ to Aux Sends	106
Aux Send Dynamics Processors	106
Pairing Aux Sends	107
Aux Send Block Diagram	110
Stereo Pair Aux Send Block Diagram	111
10 Bus Outs	112
About the Bus Outs	113
Option I/O & the Bus Outs	113
Omni Outs & the Bus Outs	113
Monitoring Bus Outs	113
Metering Bus Outs	113
Routing Signals to the Bus Outs	113
Setting Bus Out Master Levels	114
Muting Bus Outs	114
Routing Bus Signals to the Stereo Bus	115
Pairing Bus Outs	116
Bus Out Block Diagram	117
Stereo Pair Bus Out Block Diagram	118
11 Omni Outs	119
About the Omni Outs	120
Omni Outs	120
Assigning Omni Outs	120
Omni Out Delay	121
Omni Out Block Diagram	122
12 Effects	123
About the Onboard Effects	124
Preset Effects Programs	125
Using the Effects	127
Prefader/Postfader Effects Sends	129
Viewing Effects Send Settings	131
Metering Effects Sends	131
Setting Effects Send Master Levels	132
Muting Effects Sends	133
Viewing Effects Returns Settings	134
Metering Effects Returns	134
Applying EQ to Effects Returns	134
Muting Effects Returns	134
Setting Effects Returns Levels	135
Panning Effects Returns	135
Routing Effects Returns	135
Monitoring Effects Returns	135
Effects Returns & Aux Sends	135
Effects Library	136
Storing Effects Programs	137
Recalling Effects Programs	138
Editing Effects Program Titles	139
Editing Effects	140
Setting Delay, Freq, Note & Tempo Parameters	141
Effects Parameters	142
Effects Block Diagram	163
13 Dynamics Processors	164
About the Dynamics Processors	165
Preset Dynamics Programs	166
Using the Dynamics Processors	167
Editing the Dynamics Processors	169
Processor Types	170
Dynamics Library	176
Storing Dynamics Programs	177
Recalling Dynamics Programs	178
Editing Dynamics Program Titles	179
Preset Dynamics Program Settings	180
14 Scene Memories	185
About Scene Memories	186
What’s Stored in Scene Memories?	186
About the Edit Buffer & Indicator	187
Scene Memory 00	187
Scene Memory Display Area	187
Storing Mix Scenes	188
Recalling Mix Scenes	189
Recalling Mix Scenes Using MIDI Program Change Messages	190
Undoing Mix Scene Recalls	191
Protecting Scene Memories	191
Editing Scene Memory Titles	192
Renumbering Scene Memories	192
Setting a Fade Time	193
Recalling Scene Data Safely	194
15 Other Functions	195
Assigning Faders & On Buttons	196
Using the Oscillator	204
Setting 01V Preferences	205
Initializing the 01V	206
Calibrating the Faders	206
16 Using the Digital Inputs & Outputs	207
About Wordclocks	208
Setting the Wordclock	211
Digital Stereo Out	213
Output Dither	214
Digital Stereo In	215
Cascading 01Vs	216
About Option I/O Cards	218
Installing Option I/O Cards	220
Assigning Option I/O Digital Outputs	221
Option I/O Block Diagram	222
17 MIDI	223
MIDI & the 01V	224
MIDI Ports	224
MIDI Receive Indicators	226
MIDI Setup	226
Program Change Scene Recall	229
Control Change Parameter Control	231
System Exclusive Parameter Control	233
Bulk Dump	234
Local Control	236
MIDI Machine Control	238
User Defined MIDI Controllers	240
Linking 01Vs	241
18 System Examples	243
01V & ADATInterface Recorder	244
Two 01Vs & two ADATInterface Recorders	246
01V & TascamInterface Recorder	248
Two 01Vs & two TascamInterface Recorders	250
01V & Pro Tools (AES/EBU)	252
Troubleshooting	254
Appendix A: General	258
01V Level Diagram	258
Display Messages	259
Security Cover	260
Rackmounting Kit	260
Appendix B: Specifications	261
General	261
Input Channels 1–16	263
Option I/O Inputs 17–24 (need optional card)	264
Digital Stereo In	264
Return 1, 2 (Internal Effect 1, 2)	264
Bus 1–4	265
Aux 1–4	265
Stereo Out	265
Omni Out 1–4	265
Monitor Out (Solo)	266
Digital Stereo Out	266
Option I/O Output (need optional card)	266
Memories & Libraries	266
EQ	267
Analog Inputs	268
Analog Outputs	268
Digital Audio Inputs	269
Digital Audio Outputs	269
Option I/O Cards	269
Control I/O	270
01V Dimensions	271
Appendix C: MIDI	272
Scene Memory to Program Change Table	272
01V Parameter to Control Change Table	273
03D & Programmable Mixer 01 Parameter to Control Change Table	276
MIDI Data Format	279
MIDI Implementation Chart	289
Appendix D: Resources	290
Books	290
Yamaha Web Site	290
Glossary	291

Match case Limit results 1 per page

250

Chapter 18

—

System Examples

01V—Owner’s Manual

01V & Pro Tools (AES/EBU)

This example shows how the 01V can be used with a Pro Tools system to create a

16-input, 8-track fully digital recording system, with the 16 mic/line inputs and eight

digital tape returns providing up to 24 inputs during mixdown.

A Digidesign 888 I/O Audio Interface connects the 01V to the Pro Tools system, with a

special 50-pin Pro Tools cable between the computer card and 888. The 01V connects

to the 888 via a 25-pin D-sub cable and XLR to 25-pin D-sub splitter box, which pro-

vides eight AES/EBU inputs (four XLRs) and eight AES/EBU outputs (four XLRs).

Pro Tools transport functions can be controlled remotely from the 01V using MIDI

Machine Control (MMC) commands. See “MIDI Machine Control” on page 236 for

more information.

System Components

•

01V Digital Mixing Console

•

MY8-AE Option I/O card

•

Pro Tools system with Digidesign 888 I/O Audio Interface

•

XLR to 25-pin D-sub splitter box (or 25-pin D-sub to XLR break-out cable)

•

25-pin D-sub cable, 50-pin Pro Tools cable

See “Installing Option I/O Cards” on page 218 for MY8-AE installation instructions.

Wordclock Conﬁguration

For digital audio transfer, digital audio devices must be wordclock synchronized (see

“About Wordclocks” on page 206). In this example, Pro Tools is wordclock master and

the 01V and DAT recorder are wordclock slaves. The 01V derives its wordclock from the

Option I/O digital input. The DAT derives its wordclock from the Digital Stereo Coaxial

Out of the 01V. The wordclock frequency, which is the same as the sampling rate, is set

by Pro Tools.

For digital recording from the DAT recorder to Pro Tools, the DAT recorder must be

conﬁgured as wordclock master and the 01V and Pro Tools as wordclock slaves. In this

case, the 01V would derive its wordclock from the Digital Stereo Coaxial In connection,

and Pro Tools would derive its wordclock from the 01V’s Option I/O connection. The

sampling rate will be the same as that used when the DAT tape was recorded. If a CD

player is used instead of the DAT, the sampling rate will be ﬁxed at 44.1 kHz, the indus-

try-standard for music CDs.

System Notes

•

The AES/EBU connector on the MY8-AE card is connected to the XLR to 25-pin

D-sub splitter box using a 25-pin D-sub cable.

•

The splitter box is connected to the 888 I/O Audio Interface using AES/EBU compat-

ible XLR cables.

•

The 888 I/O Audio Interface is connected to the Pro Tools audio card using a special

50-pin Pro Tools cable.

•

The XLR to 25-pin D-sub splitter box is custom made and not available from

Yamaha.

•

A 25-pin D-sub to XLR break-out cable could be used instead of the splitter box.