Yamaha EMX5016CF Owner's Manual - Page 37

Digital Effect Program List, EFFECT 1

Page 37 highlights

Reference Specifications I Digital Effect Program List G EFFECT 1 No. Program 1 HALL 1 2 ROOM 1 Parameter Reverb Time Reverb Time 3 PLATE 1 Reverb Time 4 LARGE STAGE 1 Reverb Time 5 SMALL STAGE 1 Reverb Time 6 VOCAL ECHO Delay 7 KARAOKE Delay 8 DELAY Delay 9 CHORUS LFO Freq 10 EARLY REF. Room Size 11 GATE REVERB Room Size 12 REVERSE GATE Room Size 13 TREMOLO LFO 14 SINGLE DELAY Delay 15 DYNA FILTER Sensitivity 16 PITCH CHANGE Pitch Range 0.3 to 10.0 s 0.3 to 3.2 s 0.3 to 10.0 s 0.3 to 10.0 s 0.3 to 10.0 s 30.0 to 743.0 ms 40.0 to 265.0 ms 20.0 to 743.0 ms 0 to 39.7 Hz 0.1 to 10.0 0.1 to 10.0 0.1 to 10.0 0 to 39.7 Hz 0 to 743.0 ms 0 to 127 -12 to +12 Descriptions Reverb simulating a large space such as a concert hall. Reverb simulating the acoustics of a small space (room). Simulation of a metal-plate reverb unit, producing a more hard-edged reverberation. Reverb simulating a large stage. Reverb simulating a small stage. Echo designed for conventional vocals. Echo designed for karaoke (sing-along) applications. Feedback delay adding multiple delayed signals. Creates a thicker sound by modulating the delay time. An effect which isolates only the early reflection components from reverberation, creating a 'flashier' effect than conventional reverb. An effect which abruptly cuts the tail-end of the reverberation, making a more powerful sound. A reverse-playback type early reflection. An effect which cyclically modulates the volume. Monaural delay adding a delayed signal. An effect which applies a low pass filter. An effect which changes the pitch of the signal. G EFFECT 2 No. Program 1 HALL 2 2 ROOM 2 Parameter Reverb Time Reverb Time 3 PLATE 2 Reverb Time 4 LARGE STAGE 2 Reverb Time 5 SMALL STAGE 2 Reverb Time 6 VOCAL ECHO Delay 7 KARAOKE Delay 8 DELAY Delay 9 CHORUS LFO Freq 10 PHASER LFO Freq 11 FLANGER LFO Freq 12 SYMPHONIC LFO Depth 13 DOUBLER Pitch Fine 14 AUTO WAH 15 DISTORTION LFO Freq Drive 16 RADIO VOICE Cutoff Offset Range 0.3 to 10.0 s 0.3 to 3.2 s 0.3 to 10.0 s 0.3 to 10.0 s 0.3 to 10.0 s 30.0 to 743.0 ms 40.0 to 265.0 ms 20.0 to 743.0 ms 0 to 39.7 Hz 0 to 8.08 Hz 0 to 8.08 Hz 0 to 127 0 to 50 cent 0 to 8.41 Hz 0 to 63 0 to 63 Descriptions Reverb simulating a large space such as a concert hall. Reverb simulating the acoustics of a small space (room). Simulation of a metal-plate reverb unit, producing a more hard-edged reverberation. Reverb simulating a large stage. Reverb simulating a small stage. Echo designed for conventional vocals. Echo designed for karaoke (sing-along) applications. Feedback delay adding multiple delayed signals. Creates a thicker sound by modulating the delay time. Cyclically changes the phase to add modulation to the sound. Adds a feeling of pitched sound. Multiplies the sound for thicker texture. Creates the effect of two voices or two instruments singing or playing the same phrase. A wah-wah effect in which the the frequency is modulated by LFO. Adds a sharp-edged distortion to the sound. Recreates the lo-fi sound of an AM radio. The parameter adjusts the frequency band to be emphasized. EMX5016CF Owner's Manual 37

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Specifications
EMX5016CF Owner
s Manual
37
Reference
Digital Effect Program List
EFFECT 1
EFFECT 2
No.
Program
Parameter
Range
Descriptions
1
HALL 1
Reverb Time
0.3 to 10.0 s
Reverb simulating a large space such as a concert hall.
2
ROOM 1
Reverb Time
0.3 to 3.2 s
Reverb simulating the acoustics of a small space (room).
3
PLATE 1
Reverb Time
0.3 to 10.0 s
Simulation of a metal-plate reverb unit, producing a more hard-edged
reverberation.
4
LARGE STAGE 1
Reverb Time
0.3 to 10.0 s
Reverb simulating a large stage.
5
SMALL STAGE 1
Reverb Time
0.3 to 10.0 s
Reverb simulating a small stage.
6
VOCAL ECHO
Delay
30.0 to 743.0 ms
Echo designed for conventional vocals.
7
KARAOKE
Delay
40.0 to 265.0 ms
Echo designed for karaoke (sing-along) applications.
8
DELAY
Delay
20.0 to 743.0 ms
Feedback delay adding multiple delayed signals.
9
CHORUS
LFO Freq
0 to 39.7 Hz
Creates a thicker sound by modulating the delay time.
10
EARLY REF.
Room Size
0.1 to 10.0
An effect which isolates only the early re
ection components from
reverberation, creating a
‘fl
ashier
effect than conventional reverb.
11
GATE REVERB
Room Size
0.1 to 10.0
An effect which abruptly cuts the tail-end of the reverberation, making
a more powerful sound.
12
REVERSE GATE
Room Size
0.1 to 10.0
A reverse-playback type early re
ection.
13
TREMOLO
LFO
0 to 39.7 Hz
An effect which cyclically modulates the volume.
14
SINGLE DELAY
Delay
0 to 743.0 ms
Monaural delay adding a delayed signal.
15
DYNA FILTER
Sensitivity
0 to 127
An effect which applies a low pass
lter.
16
PITCH CHANGE
Pitch
12 to +12
An effect which changes the pitch of the signal.
No.
Program
Parameter
Range
Descriptions
1
HALL 2
Reverb Time
0.3 to 10.0 s
Reverb simulating a large space such as a concert hall.
2
ROOM 2
Reverb Time
0.3 to 3.2 s
Reverb simulating the acoustics of a small space (room).
3
PLATE 2
Reverb Time
0.3 to 10.0 s
Simulation of a metal-plate reverb unit, producing a more hard-edged
reverberation.
4
LARGE STAGE 2
Reverb Time
0.3 to 10.0 s
Reverb simulating a large stage.
5
SMALL STAGE 2
Reverb Time
0.3 to 10.0 s
Reverb simulating a small stage.
6
VOCAL ECHO
Delay
30.0 to 743.0 ms
Echo designed for conventional vocals.
7
KARAOKE
Delay
40.0 to 265.0 ms
Echo designed for karaoke (sing-along) applications.
8
DELAY
Delay
20.0 to 743.0 ms
Feedback delay adding multiple delayed signals.
9
CHORUS
LFO Freq
0 to 39.7 Hz
Creates a thicker sound by modulating the delay time.
10
PHASER
LFO Freq
0 to 8.08 Hz
Cyclically changes the phase to add modulation to the sound.
11
FLANGER
LFO Freq
0 to 8.08 Hz
Adds a feeling of pitched sound.
12
SYMPHONIC
LFO Depth
0 to 127
Multiplies the sound for thicker texture.
13
DOUBLER
Pitch Fine
0 to 50 cent
Creates the effect of two voices or two instruments singing or playing
the same phrase.
14
AUTO WAH
LFO Freq
0 to 8.41 Hz
A wah-wah effect in which the the frequency is modulated by LFO.
15
DISTORTION
Drive
0 to 63
Adds a sharp-edged distortion to the sound.
16
RADIO VOICE
Cutoff Offset
0 to 63
Recreates the lo-
sound of an AM radio. The parameter adjusts the
frequency band to be emphasized.