Yamaha PF-1000 Owner's Manual - Page 87

PIANO (Piano Voice has been selected), COMMON, SOUND (Regular Voice only

Page 87 highlights

PIANO (Piano Voice has been selected) The explanations here apply to step #3 on page 85. Determines the tuning curve, especially for piano voices. Select "FLAT" if you feel the tuning curve of the piano voice does not quite match that of other instruments voices. STRETCH .. Tuning curve particularly for pianos FLAT .......... Tuning curve in which the frequency is octave doubled over the entire keyboard range Editing the voice - Sound Creator The available parameters differ depending on the selected voice. These controls are used to adjust the brilliance of the tone. This setting affects all Natural voices globally. When other than piano voice (Natural) is selected, set this on EFFECT page. For details, see the EFFECT page (page 89). 1 2 3 4 5 6 7 8 COMMON The explanations here apply to step #3 on page 85. Determines the depth of sustain sampling for the damper pedal. The parameters are the same as for CONTROLLER display. For details, see page 128. Set the volume of the current edited voice. Determines the touch sensitivity, or how greatly the volume responds to your playing strength. 0 --- Produces more dramatic level drops, the more softly you play. 64 -- Normal response. 127 - Produces high volume for any playing strength (fixed) 1 2 3 4 5 6 7 8 SOUND (Regular Voice only) The explanations here apply to step #3 on page 85. Set the portamento time of each part (MAIN/LAYER/VOICE) (Regular Voice only) (page 118). This determines whether the voice is played monophonically (Regular Voice only) (page 58). Shift the octave range of the selected voice up or down in octaves. When the Main or Layer part's voice is used, the M/LYR parameter is available; when the Left part's voice is used, the LEFT parameter is available. 1 2 3 4 5 6 7 8 Determines the filter, EG, and vibrato settings (see below). PF-1000 87

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Editing the voice
— Sound Creator
87
PF-1000
PIANO (Piano Voice has been selected)
The explanations here apply to step #3 on page 85.
COMMON
The explanations here apply to step #3 on page 85.
SOUND (Regular Voice only)
The explanations here apply to step #3 on page 85.
2
3
1
5
6
7
8
4
These controls are used to adjust the
brilliance of the tone. This setting
affects all Natural voices globally. When
other than piano voice (Natural) is
selected, set this on EFFECT page. For
details, see the EFFECT page
(page 89).
Determines the tuning curve, especially
for piano voices. Select
FLAT
if you
feel the tuning curve of the piano voice
does not quite match that of other
instruments voices.
STRETCH
.. Tuning curve particularly
for pianos
FLAT
..........
Tuning curve in which the
frequency is octave
doubled over the entire
keyboard range
Determines the depth of
sustain sampling for the
damper pedal.
The available parameters
differ depending on the
selected voice.
2
3
1
5
6
7
8
4
Set the volume of the current edited
voice.
Set the portamento time of each
part (MAIN/LAYER/VOICE)
(Regular Voice only) (page 118).
Determines the touch sensitivity, or
how greatly the volume responds to
your playing strength.
0
—––
Produces more dramatic
level drops, the more softly
you play.
64
Normal response.
127
Produces high volume for
any playing strength (
xed)
Shift the octave range of the
selected voice up or down in
octaves. When the Main or Layer
part
s voice is used, the M/LYR
parameter is available; when the
Left part
s voice is used, the LEFT
parameter is available.
The parameters are the same
as for CONTROLLER display.
For details, see page 128.
This determines whether the voice
is played monophonically (Regular
Voice only) (page 58).
2
3
1
5
6
7
8
4
Determines the
lter, EG, and
vibrato settings (see below).