Yamaha PSR-A2000 Owner's Manual - Page 128

Making Style File Format Settings, Output, Source Pattern settings, Note Transposition settings

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Making Style File Format Settings The Style File Format (SFF) combines all of Yamaha's auto accompaniment (Style playback) know-how into a single unified format. By using the Style Creator, you can take advantage of the power of the SFF format and freely create your own Styles. The chart shown below indicates the process by which the Style is played back. (This does not apply to the rhythm track.) These parameters can be set via the Style Creator feature, in the PARAMETER Page. Source Pattern settings-SOURCE (PLAY) ROOT/CHORD (page 129) The Style data is appropriately converted depending on chord changes you make during your performance. You can create the "Source Pattern" with the Style Creator, which determines how the played chord will be converted. Here the "Source Chord" (page 129) can be set, allowing you to record accompaniment channels. 2 Chord change via the chord section of the keyboard. Note Transposition settings-NTR and NTT (page 130) This parameter group features two parameters that determine how the notes of the Source Pattern are to be converted in response to chord changes. Styles - Playing Rhythm and Accompaniment - Other settings-HIGH KEY, NOTE LIMIT and RTR (page 131) Using the parameters of this group, you can fine-tune how Style playback responds to the chords you play. For example, the Note Limit parameter allows you to have the Voices of the Style sound as realistic as possible by shifting the pitch to an authentic range-ensuring that no notes sound outside the natural range of the actual instrument (e.g., high bass sounds or low piccolo sounds). Output The PSR-A2000's Styles are compatible with SFF GE-an enhanced format of the original SFF with especially rich, expressive guitar parts. NOTE The Style files created on the PSR-A2000 can only be played back on instruments which are compatible with SFF GE. 1 In the PARAMETER Page, use the [A]/[B] buttons to select the edit menu. For details of the edit menu, see pages 129-132. 1 4 2 3 128 PSR-A2000 Owner's Manual

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128
PSR-A2000 Owner’s Manual
Styles – Playing Rhythm and Accompaniment –
2
Making Style File Format Settings
The Style File Format (SFF) combines all of Yamaha’s auto accompaniment (Style playback) know-how into
a single unified format. By using the Style Creator, you can take advantage of the power of the SFF format
and freely create your own Styles.
The chart shown below indicates the process by which the Style is played back. (This does not apply to the
rhythm track.) These parameters can be set via the Style Creator feature, in the PARAMETER Page.
Chord change via the chord section of the keyboard.
Output
The PSR-A2000’s Styles are compatible with SFF GE—an enhanced format of the original SFF with
especially rich, expressive guitar parts.
NOTE
The Style files created on the PSR-A2000 can only be played back on instruments which are compatible with SFF GE.
1
In the PARAMETER Page, use the [A]/[B] buttons to select the edit menu.
For details of the edit menu, see pages 129–132.
Source Pattern settings
—SOURCE (PLAY) ROOT/CHORD (page 129)
The Style data is appropriately converted depending on chord changes you make during your
performance. You can create the “Source Pattern” with the Style Creator, which determines how the
played chord will be converted. Here the “Source Chord” (page 129) can be set, allowing you to record
accompaniment channels.
Note Transposition settings
—NTR and NTT (page 130)
This parameter group features two parameters that determine how the notes of the Source Pattern are to
be converted in response to chord changes.
Other settings
—HIGH KEY, NOTE LIMIT and RTR (page 131)
Using the parameters of this group, you can fine-tune how Style playback responds to the chords you
play. For example, the Note Limit parameter allows you to have the Voices of the Style sound as realistic
as possible by shifting the pitch to an authentic range—ensuring that no notes sound outside the natural
range of the actual instrument (e.g., high bass sounds or low piccolo sounds).
4
2
3
1