Behringer SHARK DSP110 Manual - Page 15

Fig. 2.4: Two SHARKs in the monitor path

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SHARK DSP110 Fig. 2.4: Two SHARKs in the monitor path 2.1.5 The SHARK used in single channels and subgroups Whenever you want to make sure that wanted feedback such as the feedback sounds produced by a guitar won’t be removed, you should insert one or several DSP110 into “feedback-prone” single channels (e.g. vocals) or subgroups of your mixing console! Route all channels that are susceptible to feedback (e.g. all vocal mics) to one or several subgroups, in which you insert one or several SHARKs. In this way, all channels that are less liable to produce feedback (e.g. those carrying line-level signals, or instrumental microphones with lower volumes) can pass the console unaltered, while only critical microphone channels are controlled by the DSP110. Thus, you can protect your sound reinforcement system against feedback and still use wanted feedback sounds. 2. APPLICATIONS 15

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SHARK DSP110
Fig. 2.4: Two SHARKs in the monitor path
2.1.5
The SHARK used in single channels and subgroups
Whenever you want to make sure that wanted feedback such as the feedback sounds
produced by a guitar won²t be removed, you should insert one or several DSP110 into
³feedback-prone´ single channels (e.g. vocals) or subgroups of your mixing console!
Route all channels that are susceptible to feedback (e.g. all vocal mics) to one or
several subgroups, in which you insert one or several SHARKs. In this way, all channels
that are less liable to produce feedback (e.g. those carrying line-level signals, or
instrumental microphones with lower volumes) can pass the console unaltered, while
only critical microphone channels are controlled by the DSP110. Thus, you can protect
your sound reinforcement system against feedback and still use wanted feedback
sounds.
2. APPLICATIONS