Canon PowerShot A630 PowerShot A640/A630 Camera User Guide Camera User Guide A - Page 60

Adjusting the Tone White Balance

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Adjusting the Tone (White Balance) Shooting Mode * * Cannot be set in and modes. Normally, the (Auto) white balance setting selects an optimal white balance. When the (Auto) setting cannot produce natural looking colors, change the white balance using a setting appropriate for the light source. 1 FUNC. Menu * (Auto). See Menus and Settings (p. 18). * Default setting. z Use the or button to select a white balance setting and press the FUNC./SET button. White Balance Settings Auto Settings are automatically set by the camera. Day Light For recording outdoors on a bright day. Cloudy For recording under overcast, shady or twilight skies. Tungsten For recording under tungsten and bulb-type 3wavelength fluorescent lighting. Fluorescent For recording under warm-white, cool-white or warm-white (3-wavelength) fluorescent lighting. For recording under daylight fluorescent, or Fluorescent H daylight fluorescent-type 3-wavelength fluorescent lighting. Underwater Appropriate for shooting images with the Waterproof Case WP-DC8 (sold separately). This mode yields image data in the optimal white balance to record images with natural hues by reducing the bluish tone. 58

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58
Normally, the
(Auto) white balance setting selects an optimal
white balance. When the
(Auto) setting cannot produce natural
looking colors, change the white balance using a setting
appropriate for the light source.
White Balance Settings
Adjusting the Tone (White Balance)
Shooting Mode
* Cannot be set in
and
modes.
1
FUNC. Menu
* (Auto).
See Menus and Settings (p. 18).
* Default setting.
Use the
or
button to select a
white balance setting and press the
FUNC./SET
button.
Auto
Settings are automatically set by the camera.
Day Light
For recording outdoors on a bright day.
Cloudy
For recording under overcast, shady or twilight
skies.
Tungsten
For recording under tungsten and bulb-type 3-
wavelength fluorescent lighting.
Fluorescent
For recording under warm-white, cool-white or
warm-white (3-wavelength) fluorescent lighting.
Fluorescent H
For recording under daylight fluorescent, or
daylight fluorescent-type 3-wavelength fluorescent
lighting.
Underwater
Appropriate for shooting images with the
Waterproof Case WP-DC8 (sold separately). This
mode yields image data in the optimal white
balance to record images with natural hues by
reducing the bluish tone.
*