Yamaha 970AM Owner's Manual - Page 47

Recording in Dual or Split mode

Page 47 highlights

Recording Your Performance Recording in Dual or Split mode When you record in Dual or Split mode, the Clavinova records each voice onto a separate track. The following table shows how tracks are assigned to each voice. CAUTION When you record multiple parts into tracks one by one, or when you record new data over an existing song (see page 44), the existing data will be erased. Proceed with caution. In the following example, Tracks 1, 2, and EXTRA TRACKn have been selected for recording. Tracks assigned for recording Dual TRACK1 TRACK2 EXTRA TRACKn Split TRACK1 TRACK2 EXTRA TRACKn Split+Dual TRACK1 TRACK2 EXTRA TRACKn ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ MAIN (1st voice) TRACK1 TRACK2 TRACKn TRACK1 TRACKn TRACK1 TRACKn Tracks used for recording LEFT (1st voice) - TRACK2 MAIN (2nd voice) TRACK3 TRACK4 TRACKn +2 - TRACKn+1 TRACK2 TRACK3 TRACKn +1 TRACKn +2 LEFT (2nd voice) - - TRACK4 TRACKn +3 Note: TRACKn = TRACK 3 - TRACK 16 If "n+1," "n+2," and "n+3" exceed 16, TRACKs 1, 2, and 3 are used. TIP Switching between Dual and Split mode in a song is not recorded. CLP-970A 47

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80
  • 81
  • 82
  • 83
  • 84
  • 85
  • 86
  • 87
  • 88
  • 89
  • 90
  • 91
  • 92
  • 93
  • 94
  • 95
  • 96
  • 97
  • 98
  • 99
  • 100
  • 101
  • 102
  • 103
  • 104

CLP-970A
47
Recording Your Performance
Recording in Dual or Split mode
When you record in Dual or Split mode, the Clavinova records each voice onto a separate track. The follow-
ing table shows how tracks are assigned to each voice.
CAUTION
When you record multiple parts into tracks one by one, or when you record new data over an existing song (see
page 44), the existing data will be erased. Proceed with caution.
In the following example, Tracks 1, 2, and EXTRA TRACKn have been selected for recording.
Note:
TRACKn = TRACK 3 – TRACK 16
If “n+1,” “n+2,” and “n+3” exceed 16, TRACKs 1, 2, and 3 are used.
Switching between Dual and Split mode in a song is not recorded.
Tracks assigned for
recording
Dual
Split
Split+Dual
TRACK1
TRACK2
EXTRA
TRACKn
TRACK1
TRACK2
EXTRA
TRACKn
TRACK1
TRACK2
EXTRA
TRACKn
Tracks
used for
record-
ing
MAIN
(1st voice)
TRACK1
TRACK2
TRACKn
TRACK1
TRACKn
TRACK1
TRACKn
LEFT
(1st voice)
TRACK2
TRACKn+1
TRACK2
TRACKn +1
MAIN
(2nd voice)
TRACK3
TRACK4
TRACKn +2
TRACK3
TRACKn +2
LEFT
(2nd voice)
TRACK4
TRACKn +3
TIP