Yamaha MW12CX Owners Manual - Page 21

Digital Effect Program List, Jack List

Page 21 highlights

Reference Front & Rear Panels Digital Effect Program List No Program Parameter Description 1 REVERB HALL 1 2 REVERB HALL 2 REVERB TIME REVERB TIME Reverb simulating a large space such as a concert hall. 3 REVERB ROOM 1 REVERB TIME Reverb simulating the acoustics of a small space (room). 4 REVERB ROOM 2 REVERB TIME 5 REVERB STAGE 1 REVERB TIME Reverb simulating a large stage. 6 REVERB STAGE 2 REVERB TIME 7 REVERB PLATE REVERB TIME Simulation of a metal-plate reverb unit, producing a more hard-edged sound. 8 DRUM AMBIENCE REVERB TIME A short reverb that is ideal for use with kick drum. 9 KARAOKE ECHO DELAY TIME Echo designed for karaoke (sing-along) applications. 10 VOCAL ECHO DELAY TIME Echo suitable for vocals. 11 CHORUS 1 12 CHORUS 2 LFO Frequency LFO Frequency Creates a thick sound by modulating the delay time. The PARAMETER control adjusts the frequency of the LFO* that modulates the delay time. 13 FLANGER LFO Frequency A sweeping pitched effect. The PARAMETER control adjusts the frequency of the LFO* that modulates the delay time. 14 PHASER LFO Frequency Phase modulation produces a cyclical phasing effect. The PARAMETER control adjusts the frequency of the LFO* that modulates the delay time. 15 AUTO WAH LFO Frequency A wah-wah effect with cyclical filter modulation. The PARAMETER control adjusts the frequency of the LFO* that modulates the delay time. 16 DISTORTION DRIVE Adds a sharp-edged distortion to the sound. * "LFO" stands for Low Frequency Oscillator. An LFO is normally used to modulate another signal, determining the modulation speed and waveform shape. Jack List Input and Output Jacks Polarities MIC INPUT, STEREO OUT Pin 1: Ground Pin 2: Hot (+) Pin 3: Cold (-) LINE INPUT (CH1 to 4) REC OUT, STEREO OUT, MONITOR OUT, AUX (AUX1), EFFECT (AUX2)* INSERT Tip: Hot (+) Ring: Cold (-) Sleeve: Ground Tip: Output Ring: Input Sleeve: Ground PHONES Tip: L Ring: R Sleeve: Ground Configurations INPUT OUTPUT XLR Connector Ring Sleeve Tip TRS Phone Connector RETURN LINE INPUT (CH5/6 to 11/12) Tip: Hot Sleeve: Ground Sleeve Tip Phone Connector * These jacks will also accept connection to monaural phone Connectors. If you use monaural phone connectors, the connection will be unbalanced. MW12CX/MW12C Owner's Manual 21

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Reference
Front & Rear Panels
MW12CX/MW12C
Owner’s Manual
21
Digital Effect Program List
* “LFO” stands for Low Frequency Oscillator. An LFO is normally used to modulate another signal, determining the modulation speed and
waveform shape.
Jack List
* These jacks will also accept connection to monaural phone Connectors. If you use monaural phone connectors,
the connection will be unbalanced.
No
Program
Parameter
Description
1
REVERB HALL 1
REVERB TIME
Reverb simulating a large space such as a concert hall.
2
REVERB HALL 2
REVERB TIME
3
REVERB ROOM 1
REVERB TIME
Reverb simulating the acoustics of a small space (room).
4
REVERB ROOM 2
REVERB TIME
5
REVERB STAGE 1
REVERB TIME
Reverb simulating a large stage.
6
REVERB STAGE 2
REVERB TIME
7
REVERB PLATE
REVERB TIME
Simulation of a metal-plate reverb unit, producing a more hard-edged sound.
8
DRUM AMBIENCE
REVERB TIME
A short reverb that is ideal for use with kick drum.
9
KARAOKE ECHO
DELAY TIME
Echo designed for karaoke (sing-along) applications.
10
VOCAL ECHO
DELAY TIME
Echo suitable for vocals.
11
CHORUS 1
LFO Frequency
Creates a thick sound by modulating the delay time.
The PARAMETER control adjusts the frequency of the LFO* that modulates the
delay time.
12
CHORUS 2
LFO Frequency
13
FLANGER
LFO Frequency
A sweeping pitched effect.
The PARAMETER control adjusts the frequency of the LFO* that modulates the
delay time.
14
PHASER
LFO Frequency
Phase modulation produces a cyclical phasing effect.
The PARAMETER control adjusts the frequency of the LFO* that modulates the
delay time.
15
AUTO WAH
LFO Frequency
A wah-wah effect with cyclical filter modulation.
The PARAMETER control adjusts the frequency of the LFO* that modulates the
delay time.
16
DISTORTION
DRIVE
Adds a sharp-edged distortion to the sound.
Input and Output Jacks
Polarities
Configurations
MIC INPUT, STEREO OUT
Pin 1: Ground
Pin 2: Hot (+)
Pin 3: Cold (-)
LINE INPUT (CH1 to 4)
REC OUT, STEREO OUT, MONITOR OUT,
AUX (AUX1), EFFECT (AUX2)*
Tip: Hot (+)
Ring: Cold (-)
Sleeve: Ground
INSERT
Tip: Output
Ring: Input
Sleeve: Ground
PHONES
Tip: L
Ring: R
Sleeve: Ground
RETURN
LINE INPUT (CH5/6 to 11/12)
Tip: Hot
Sleeve: Ground
OUTPUT
INPUT
XLR Connector
Tip
Sleeve
Ring
TRS Phone Connector
Tip
Sleeve
Phone Connector