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Yamaha PSR-1000 Owner's Manual - Page 128

Using a Microphone — MIC. (PSR-2000

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Using a Microphone - MIC. (PSR-2000) This extraordinarily powerful feature uses advanced voice-processing technology to automatically produce vocal harmony based on a single lead vocal. Four distinct harmony modes as well as an extensive selection of preset harmony types are provided. In addition to straightforward harmony, the PSR-2000 also lets you change the apparent gender of the harmony and/or lead vocal sound. For example, if you are a male singer, you can have the PSR-2000 automatically generate a two-part female backup. A comprehensive set of parameters gives you exceptionally precise and ﬂexible control over the vocal harmony sound. STANDBY ON STYLE CONTROL ACMP BREAK INTRO MIC. VH TYPE SELECT OVER SIGNAL MIC. SETTING VOCAL HARMONY TALK EFFECT SONG EXTRA TRACK TRACK TRACKS 2 1 REPEAT METRONOME (STYLE) (L) (R) REC TOP START/STOP REW FF DIGITAL STUDIO SOUND CREATOR NEW SONG SYNC. START A F DIGITAL RECORDING STYLE SWING & MARCH & B G POP & ROCK JAZZ BALLROOM WALTZ MIXING CONSOLE C H BALLAD DANCE LATIN USER PART D I MENU DEMO E J TRANSPOSE TEMPO TAP TEMPO HELP MASTER VOLUME RESET RESET STOP FUNCTION FADE IN/OUT MULTI PAD MIN MAX DIRECT ACCESS BALANCE CHANNEL ON/OFF 1 2 3 4 5 6 7 8 EXIT MAIN ENDING / rit. AUTO OTS FILL IN LINK SYNC. SYNC. STOP START START/STOP PART BACK NEXT MAIN LAYER LEFT MUSIC FINDER LEFT HOLD VOICE EFFECT HARMONY/ DSP TOUCH SUSTAIN ECHO MONO VARIATION VOICE PIANO & HARPSI. E.PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS BRASS WOODWIND STRINGS CHOIR & PAD SYNTH. XG USER ORGAN FLUTES UPPER OCTAVE MIC. VH TYPE SELECT OVER SIGNAL MIC. SETTING VOCAL HARMONY RESET TALK EFFECT ENTER ONE TOUCH SETTING DATA ENTRY REGISTRATION MEMORY FREEZE MEMORY For details about connecting a microphone, see page 152. Use the SIGNAL and OVER indicators to determine the appropriate setting (page 152). MIC. VH TYPE SELECT OVER SIGNAL MIC. SETTING This calls up the VOCAL HARMONY TYPE display (page 129) and lets you set the desired harmony type. This calls up the MICROPHONE SETTING display (page 130) and lets you adjust the level of the microphone and vocal harmony effect. VOCAL HARMONY TALK EFFECT Determines the on/off setting of the effect applied to the microphone, set in the MIXING CONSOLE display (page 124). This convenient function lets you temporarily cancel the vocal harmony or other microphone effects when using a connected microphone. This is especially useful when you talk between songs during a performance. If you connect a microphone to the PSR-2000, you can sing along with the song or auto accompaniment and have vocal harmony parts added automatically. 128 PSR-2000

Section	Page
PSR2000_E1.pdf	2
PRECAUTIONS	3
Accessories	6
PA-300 AC Adaptor*	6
Floppy Disk [includes accompaniment style files (pages 28 and 59), and MIDI Driver (page154)]	6
Music Stand (page17)	6
Data List	6
Owner’s Manual	6
About this Owner’s Manual and Data List	6
Handling the Floppy Disk Drive (FDD) and Floppy Disk	7
Compatible Disk Type	7
Inserting/Ejecting Floppy Disks	7
To insert a floppy disk into the disk drive:	7
To eject a floppy disk:	7
Cleaning the Disk Drive Read/Write Head	7
About the Floppy Disks	8
To handle floppy disks with care:	8
To protect your data (Write-protect Tab):	8
Data backup	8
About the Display Messages	8
Application Index	12
Organ Flutes (PSR-2000)	15
LCD	15
MUSIC FINDER	15
TO HOST terminal	15
Vocal Harmony (PSR-2000)	15
VOICE	15
Setting Up the PSR-2000/1000	16
2 Adjusting the display contrast	17
3 Setting the volume	17
Panel Controls and Terminals	18
Quick Guide	20
Playing the Demos	20
Song Playback	21
Playback of Songs	21
Playing Voices	25
Playing a Voice	25
Playing Two Voices Simultaneously	26
Playing Different Voices with the Left and Right Hands	27
Playing Styles	28
Playing a style	28
Style Sections	30
Accompaniment Structure	31
One Touch Setting	32
Music Finder	33
Using the Music Finder	33
Searching the Music Finder Records	34
Playing with the Songs	36
Playing Along with the PSR-2000/1000	36
Recording	37
Basic Operations — Organizing Your Data	38
Example — Open/Save display for Voice	39
Selecting Files and Folders	40
File/Folder-related Operations	41
Naming Files/Folders	41
Moving Files/Folders	42
Copying Files/Folders	43
Deleting Files/Folders	43
Saving Files	44
Organizing Files by Creating a New Folder	44
Displaying Upper Level pages	44
Entering Characters and Changing Icons	44
Entering Characters	45
Converting into Kanji (Japanese language)	45
Entering special character marks (umlaut, accent, Japanese “” and “”)	45
Entering miscellaneous characters (marks)	45
Entering numbers	45
Changing the Icon	46
Using the [DATA ENTRY] Dial	46
Adjusting values	46
Selecting items	46
Direct Access — Instant Selection of Displays	47
Help Messages	49
Using the Metronome	50
Adjusting the Tempo	50
Tap Tempo	51
Tempo Indications — MAIN Display	51
Reference	52
Playing the Demos	52
Voices	54
Selecting a Voice	54
Layer/Left — Playing Several Sounds Simultaneously	56
Layer — Layering Two Different Voices	56
Left — Setting Separate Voices for the Left and Right Sections of the Keyboard	57
Applying Voice Effects	57
TOUCH	57
SUSTAIN	57
DSP	57
VARIATION	58
HARMONY/ECHO	58
MONO	58
LEFT HOLD	58
PITCH BEND Wheel & MODULATION Wheel	58
Adjusting the Octave setting	58
Styles	59
Playing a style	59
Playing a Style’s Rhythm Channels only	61
Adjusting the Volume Balance/Channel Muting	61
Chord Fingerings	62
Arranging the Style Pattern (SECTIONS: MAIN A/B/C/D, INTRO, ENDING, BREAK)	64
Stopping the Style Playback While Releasing Keys (SYNC. STOP)	65
Selecting Intro and Ending Types (INTRO/ENDING)	66
Playing Fill-in patterns automatically when changing accompaniment sections — Auto Fill In	66
Appropriate Panel Setting for the Selected Style (ONE TOUCH SETTING)	67
Automatically Changing One Touch Settings with the Sections — OTS Link	68
Registering the Panel Controls in One Touch Setting (ONE TOUCH SETTING)	68
Calling Up Ideal Setups for Your Music — Music Finder	69
Searching the Ideal Setups — Music Finder Search	70
[A] MUSIC	70
[B] KEYWORD	70
[C] STYLE	70
[D] BEAT	70
[E] SEARCH AREA	70
[F]~[H] CLEAR	70
[1st] TEMPO FROM	70
[2st]TEMPO TO	70
[3st]~[5st] GENRE	70
[8t] CANCEL	70
Editing Records — Music Finder Record Edit	71
[A] MUSIC	71
[B] KEYWORD	71
[C] STYLE	71
[D] BEAT	71
[E] FAVORITE	71
[F]~[H] CLEAR	71
[I] DELETE RECORD	71
[J] NEW RECORD	72
[1ts] TEMPO	72
[3ts]~[5ts] GENRE	72
[6ts] GENRE NAME	72
[8s] OK	72
[8t] CANCEL	72
The Multi Pads	73
Playing the Multi Pads	73
Chord Match	73
Multi Pad Edit	74
Song Playback	75
Compatible Song Types	75
Song Playback	76
Playing the Internal Songs	76
Playing Back Songs on Disk	78
Other Playback-related Operations	78
Repeat / Rewind / Fast forward	78
Adjusting the Volume Balance / Muting Specific Channels	78
Muting Specific Parts — Track1/Track2/Extra Tracks	79
Repeat Playback of a Specific Range	79
Displaying Music Notation — Score (PSR-2000 only)	80
[1st] LEFT CH/[2st] RIGHT CH	81
[3st], [4st] KEY SIGNATURE	81
[5st] QUANTIZE	81
[6st] NOTE NAME	82
[8s] OK	82
[8t] CANCEL	82
Displaying the Lyrics	83
Saving and Recalling Custom Panel Setups — Registration Memory	84
Registering Panel Setups — Registration Memory	84
Saving Your Registration Memory Setups	85
Recalling a Registration Memory Setup	86
Recalling the Registered Settings	86
Selecting the Freeze Settings	86
Editing Voices — Sound Creator	87
Operation	87
Regular Voice Parameters	88
COMMON	88
SOUND	89
FILTER	89
EG	89
VIBRATO	90
EFFECT/EQ	90
HARMONY	90
Organ Flutes (PSR-2000 only)	91
Parameters	91
Recording Your Performances and Creating Songs — Song Creator	92
About Song Recording	92
Quick Recording (page93)	92
Multi Recording (page94)	92
Step Recording (page96)	92
Song Editing (page102)	92
Quick Recording	93
When creating a new song:	93
Play back your new song	93
Multi Recording	94
When creating a new song:	94
Recording Individual Notes — Step Record	96
Operation	96
Measure/Beat/Clock	97
Velocity	97
Gate Time	97
Recording Melodies — Step Record (Note)	98
Play back the newly created melody	98
Recording Chord Changes for the Auto Accompaniment — Step Record (Chord)	99
Entering Chords and Sections (Chord Step)	99
Play back the newly created chord progression	100
Select the Recording Options: Starting, Stopping, Punching In/Out — Rec Mode	101
Editing a Recorded Song	102
Editing Channel-related Parameters — Channel	102
Quantize	102
About Quantize Size	102
Delete	103
Mix	103
Channel Transpose	104
Set Up	104
Editing Note Events — 1 - 16	105
Editing Chord Events — CHD	106
Editing System Events — SYS/EX. (System Exclusive)	106
Inputting and Editing Lyrics	107
Customizing the Event List — Filter	107
Creating Accompaniment Styles — Style Creator	108
About Creating Accompaniment Styles	108
Realtime Recording (page110)	108
Step Recording (page111)	108
Assembling an Accompaniment Style (page112)	108
Editing the created Accompaniment Style (page113)	108
Style File Format	109
Operation	109
Realtime Recording — Basic	110
Step Recording	111
Assembling an Accompaniment Style —Assembly	112
Edit the Created Accompaniment Style	113
Change the Rhythmic Feel — Groove and Dynamics	113
Groove	113
Dynamics	114
Editing the Channel Data	115
Quantize	115
Velocity Change	115
Bar Copy	115
Bar Clear	115
Remove Event	115
Making Style File Format Settings —Parameter	116
Source Root/Chord	116
NTR (Note Transposition Rule) and NTT (Note Transposition Table)	116
High Key/Note Limit	117
RTR (Retrigger Rule)	117
Creating Multi Pad — Multi Pad Creator	118
Operation	118
Multi Pad Realtime Recording — Record	119
Start recording	119
Stop recording	119
Step Recording or Editing Multi Pads — Edit	120
Adjust the Volume Balance and Changing Voices — Mixing Console	121
Operation	121
About the parameters	121
Setting the Level Balance and Voice — Volume/Voice	122
Changing the Tone of the Voice — Filter	123
Changing Pitch-related Settings — Tune	123
Adjusting the Effects	124
Effect Structure	126
Setting the Equalizer—EQ (PSR-2000 only)	127
Using a Microphone — MIC. (PSR-2000)	128
Selecting a Vocal Harmony Type	129
Making Settings for the Vocal Harmony and Microphone — MICROPHONE SETTING	130
Operation	130
Adjusting the Vocal Harmony Settings and Microphone Effects — OVERALL SETTING	130
3BAND EQ (3-BAND EQUALIZER)	130
NOISE GATE	130
COMPRESSOR	131
VOCAL HARMONY CONTROL	131
MIC (MICROPHONE)	131
Setting the Microphone Volume and Related Effects — TALK SETTING	132
VOLUME/PAN/REVERB DEPTH/CHORUS DEPTH/TOTAL VOLUME ATTENUATOR	132
DSP/TYPE/DEPTH	132
Making Global and Other Important Settings — Function	133
Operation	133
Adjusting the Pitch and Tuning — Master Tune and Scale Tune	133
Master Tune (page135)	133
Scale Tune (page135)	133
Setting Song-related Parameters — Song Settings (page137)	133
Setting Auto Accompaniment-related Parameters — Style Setting, Split Point, and Chord Fingering	133
Style Setting / Split Point (page138)	133
Chord Fingering (page139)	133
Making Settings for the Pedals and Keyboard — Controller	134
Pedal (page139)	134
Keyboard / Panel (page141)	134
Setting the Registration Sequence, Freeze, and Voice Set	134
Registration Sequence (page142)	134
Freeze (page142)	134
Voice Set (page143)	134
Setting Harmony and Echo (page143)	134
Making MIDI Settings	134
System (page145)	134
Transmit (page146)	134
Receive (page147)	134
Root (page147)	134
Chord Detect (page147)	134
Other Settings — Utility	134
Config 1 (page148)	134
Config 2 (page149)	134
Disk (page150)	134
Owner (page151)	134
System Reset (page151)	134
Fine Tuning the Pitch/Selecting a Scale — Master Tune/Scale Tune	135
Tuning the Overall Pitch — Master Tune	135
Selecting a Scale — Scale Tune	135
Scale	136
Equal Temperament	136
Pure Major/Pure Minor	136
Pythagorean	136
Mean-Tone	136
Werckmeister/Kirnberger	136
Arabic	136
Setting Song-related Parameters — Song Settings	137
Setting Auto Accompaniment-related Parameters — Style Setting, Split Point, and Chord Fingering	138
Setting Auto Accompaniment-related Parameters — Style Setting and Split Point	138
Setting the Fingering Method — Chord Fingering	139
Making Settings for the Pedals and Keyboard — Controller	139
Making Settings for the Pedals	139
Pedal-controllable Functions	140
Changing the Touch Sensitivity Modulation and Transpose — Keyboard/Panel	141
Keyboard Touch/Modulation Wheel	141
Transpose Assign	141
Setting the Registration Sequence, Freeze, and Voice Set	142
Specifying the Order for Calling Up Registration Memory Presets — Registration Sequence	142
Maintaining Panel Settings — Freeze	142
Changing the Automatically Selected Voice Settings — Voice Set	143
Setting Harmony and Echo	143
About the Harmony Types	144
When a normal Harmony type (“Standard Duet” through “Strum”) is selected	144
When “Multi Assign” is selected	144
When “Echo” is selected	144
When “Tremolo” is selected	144
When “Trill” is selected	144
About the Harmony Assignments	144
Setting the MIDI Parameters	145
Making Overall System Settings (Local Control, Clock, etc.) — System	145
Local Control	145
Clock, Transmit Clock, Receive Transpose, Start/Stop	146
Clock	146
Transmit Clock	146
Receive Transpose	146
Start/Stop	146
Message Switch	146
Transmitting MIDI Data — Transmit	146
Receiving MIDI Data — Receive	147
Setting Root Note Channels — Root	147
Setting Chord Channels — Chord Detect	147
Other Settings — Utility	148
Making Settings for Fade In/Out, Metronome, Parameter Lock, and Tap — CONFIG 1	148
Fade In Time, Fade Out Time, Fade Out Hold Time	148
Metronome	148
Parameter Lock	149
Tap Count	149
Making Settings for the Display and Voice Number Indication — CONFIG 2	149
Copying and Formatting Disks — Disk	150
Entering Your Name and Language Preference — Owner	151
Restoring the Factory-programmed Settings of the PSR-2000/1000 — System Reset	151
Using Your PSR-2000/1000 with Other Devices	152
1 Using the Headphones (PHONES jack).	152
2 Connecting the Microphone or Guitar (MIC./LINE IN jack) (PSR-2000 only).	152
3 Playing the sounds of the PSR-2000/1000 through an external audio system, and recording the sou...	153
4 Using the Pedal (footswitch) or Foot Controller (FOOT PEDAL 1/2 jack)	153
5 Connecting external MIDI devices (MIDI terminals)	153
6 Connecting to a Computer (MIDI terminals/TO HOST terminal)	154
Using the TO HOST terminal	154
IBM-PC/AT (Windows)	154
Macintosh	154
Using the MIDI terminals	155
Using the USB terminal on your computer with a USB/MIDI interface (UX256/UX96, etc.)	155
What’s MIDI?	155
Example Keyboard Data	157
Channel Messages	157
MIDI channels	157
System Messages	158
What You Can Do With MIDI	158
Data Compatibility	158
Disk format	158
Sequence Format	159
SMF (Standard MIDI File)	159
ESEQ	159
XF	159
Style File	159
Voice Allocation Format	159
GM System Level 1	159
XG	159
DOC	159
Troubleshooting	160
Specifications	162

Match case Limit results 1 per page

PSR-2000

128

Using a Microphone — MIC. (PSR-2000)

This extraordinarily powerful feature uses advanced voice-processing technology to automatically produce vocal

harmony based on a single lead vocal. Four distinct harmony modes as well as an extensive selection of preset harmony

types are provided. In addition to straightforward harmony, the PSR-2000 also lets you change the apparent gender of

the harmony and/or lead vocal sound. For example, if you are a male singer, you can have the PSR-2000 automatically

generate a two-part female backup. A comprehensive set of parameters gives you exceptionally precise and ﬂexible

control over the vocal harmony sound.

For details about connecting

a microphone, see

page 152.

USER

ENTER

EXIT

BALANCE

FUNCTION

HELP

DEMO

SOUND CREATOR

DIGITAL RECORDING

MIXING CONSOLE

DIGITAL

STUDIO

DIRECT

ACCESS

PART

CHANNEL ON/OFF

FREEZE

MEMORY

DATA ENTRY

ORGAN FLUTES

STRINGS

CHOIR & PAD

GUITAR

MAIN

BACK

LEFT

MUSIC

FINDER

LAYER

BASS

PIANO & HARPSI.

E.PIANO

UPPER OCTAVE

WOODWIND

PERCUSSION

VARIATION

MONO

TOUCH

SUSTAIN

DSP

HARMONY/

ECHO

LEFT

HOLD

SYNTH.

BRASS

ORGAN &

ACCORDION

VOICE EFFECT

VOICE

ONE TOUCH SETTING

REGISTRATION MEMORY

MIC.

EFFECT

RESET

VOCAL

HARMONY

MIC.

SETTING

VH TYPE

SELECT

TALK

OVER

SIGNAL

TRANSPOSE

ACMP

STANDBY

INTRO

START/STOP

MAIN

ENDING

/ rit.

AUTO

FILL IN

OTS

LINK

SYNC.

STOP

SYNC.

START

BREAK

BALLAD

USER

LATIN

POP & ROCK

REC

REW

START/STOP

TOP

BALLROOM

DANCE

RESET

MIN

MAX

FADE

IN/OUT

TEMPO

STOP

TAP TEMPO

RESET

NEW SONG

SYNC. START

SONG

STYLE

MARCH &

WALTZ

METRO-

NOME

EXTRA

TRACKS

(STYLE)

(R)

(L)

TRACK

REPEAT

SWING &

JAZZ

MULTI PAD

STYLE CONTROL

MASTER VOLUME

PART

MIC.

EFFECT

VOCAL

HARMONY

MIC.

SETTING

VH TYPE

SELECT

TALK

OVER

SIGNAL

MIC.

EFFECT

VOCAL

HARMONY

MIC.

SETTING

VH TYPE

SELECT

TALK

OVER

SIGNAL

Use the SIGNAL and OVER indicators to determine the appropriate setting (page 152).

If you connect a microphone to the PSR-2000, you can

sing along with the song or auto accompaniment and have

vocal harmony parts added automatically.

This convenient function lets you temporarily cancel the

vocal harmony or other microphone effects when using

a connected microphone. This is especially useful when

you talk between songs during a performance.

Determines the on/off setting of the effect

applied to the microphone, set in the

MIXING CONSOLE

display (page 124).

This calls up the

VOCAL HARMONY TYPE

display (page 129) and lets you set the

desired harmony type.

This calls up the

MICROPHONE SETTING

display (page 130) and lets you adjust the

level of the microphone and vocal harmony

effect.