Yamaha PSR-1000 Owner's Manual - Page 147

Receiving MIDI Data — Receive, Setting Root Note Channels — Root - midi driver

Page 147 highlights

Making Global and Other Important Settings - Function Receiving MIDI Data - Receive This determines which parts will receive MIDI data and over which MIDI channel the data will be received. Determines the channel for A changing receive settings. B C The dots corresponding to each D channel (1 - 32) flash briefly whenever any data is received E on the channel(s). The MIDI IN/OUT terminals and Port A of the TO HOST terminal (Port A of the CBX driver) correspond to channels 1 - 16. Port B of the TO HOST terminal (Port B of the CBX driver) corresponds to channels 17 - 32. Determines the Part for the selected channel. See below for details about the receive parts. 1 2 3 4 5 6 7 8 Turns reception of the specified data type on or off. See page 146 for details on the data types. MIDI Receive Parts OFF No MIDI data is received. SONG MAIN Normally, the part receiving the MIDI data corresponds to the part/voice used in playing back the song data. Channels 1 - 16 correspond to song channels 1 - 16, respectively. The MAIN part is controlled by the MIDI data received on the corresponding channel. LAYER The LAYER part is controlled by the MIDI data received on the corresponding channel. LEFT KEYBOARD The LEFT part is controlled by the MIDI data received on the corresponding channel. MIDI note data received by the PSR-2000/1000 plays the corresponding notes in the same way as if they are played on the keyboard. ACMP RHYTHM1-2 The received notes are used as the accompaniment RHYTHM 1 and RHYTHM 2. ACMP BASS ACMP CHORD1-2 The received notes are used as the accompaniment BASS. The received notes are used as the accompaniment CHORD 1 and CHORD 2. ACMP PAD The received notes are used as the accompaniment PAD. ACMP PHRASE1-2 EXTRA PART1-5 The received notes are used as the accompaniment PHRASE 1 and PHRASE 2. There are five parts specially reserved for receiving and playing MIDI data. Normally, these parts are not used by the instrument itself. When these five channels are enabled, you can use the instrument as a 32-channel multi-timbral tone generator. Setting Root Note Channels - Root The note ON/OFF messages received at the channel(s) set to "ON" are recognized as the root notes in the accompaniment section. The root notes will be detected regardless of the accompaniment ON/OFF and split point settings. A Selects the channels in groups of eight: 1 - 8, 9 - 16, 17 - 24, and 25 B - 32, respectively. C D E The MIDI IN/OUT terminals and Port A of the TO HOST terminal (Port A of the CBX driver) correspond to channels 1 - 16. Port B of the TO HOST terminal (Port B of the CBX driver) corresponds to channels 17 - 32. Sets the desired channel to ON or OFF. When several channels are simultaneously set to "ON," the root note is detected from merged MIDI data received over the channels. 1 2 3 4 5 6 7 8 Sets all channels to OFF. Setting Chord Channels - Chord Detect The note ON/OFF messages received at the channel(s) set to "ON" are recognized as the chord notes in the accompaniment section. The chords to be detected depend on the fingering type. The root notes will be detected regardless of the accompaniment ON/OFF and split point settings. The operation procedure is basically the same as that of the ROOT display above. PSR-2000/1000 147

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80
  • 81
  • 82
  • 83
  • 84
  • 85
  • 86
  • 87
  • 88
  • 89
  • 90
  • 91
  • 92
  • 93
  • 94
  • 95
  • 96
  • 97
  • 98
  • 99
  • 100
  • 101
  • 102
  • 103
  • 104
  • 105
  • 106
  • 107
  • 108
  • 109
  • 110
  • 111
  • 112
  • 113
  • 114
  • 115
  • 116
  • 117
  • 118
  • 119
  • 120
  • 121
  • 122
  • 123
  • 124
  • 125
  • 126
  • 127
  • 128
  • 129
  • 130
  • 131
  • 132
  • 133
  • 134
  • 135
  • 136
  • 137
  • 138
  • 139
  • 140
  • 141
  • 142
  • 143
  • 144
  • 145
  • 146
  • 147
  • 148
  • 149
  • 150
  • 151
  • 152
  • 153
  • 154
  • 155
  • 156
  • 157
  • 158
  • 159
  • 160
  • 161
  • 162
  • 163
  • 164
  • 165
  • 166
  • 167
  • 168
  • 169
  • 170
  • 171
  • 172

Making Global and Other Important Settings — Function
147
PSR-2000/1000
Receiving MIDI Data
Receive
This determines which parts will receive MIDI data and over which MIDI channel the data will be received.
MIDI Receive Parts
Setting Root Note Channels
Root
The note ON/OFF messages received at the channel(s) set to “ON” are recognized as the root notes in the accompaniment
section. The root notes will be detected regardless of the accompaniment ON/OFF and split point settings.
Setting Chord Channels
Chord Detect
The note ON/OFF messages received at the channel(s) set to “ON” are recognized as the chord notes in the
accompaniment section. The chords to be detected depend on the fingering type. The root notes will be detected
regardless of the accompaniment ON/OFF and split point settings. The operation procedure is basically the same as that
of the ROOT display above.
OFF
No MIDI data is received.
SONG
Normally, the part receiving the MIDI data corresponds to the part/voice used in playing back the song data.
Channels 1 - 16
correspond to song channels 1 - 16, respectively.
MAIN
The MAIN part is controlled by the MIDI data received on the corresponding channel.
LAYER
The LAYER part is controlled by the MIDI data received on the corresponding channel.
LEFT
The LEFT part is controlled by the MIDI data received on the corresponding channel.
KEYBOARD
MIDI note data received by the PSR-2000/1000 plays the corresponding notes in the same way as if they are played on the keyboard.
ACMP RHYTHM1-2
The received notes are used as the accompaniment RHYTHM 1 and RHYTHM 2.
ACMP BASS
The received notes are used as the accompaniment BASS.
ACMP CHORD1-2
The received notes are used as the accompaniment CHORD 1 and CHORD 2.
ACMP PAD
The received notes are used as the accompaniment PAD.
ACMP PHRASE1-2
The received notes are used as the accompaniment PHRASE 1 and PHRASE 2.
EXTRA PART1-5
There are
ve parts specially reserved for receiving and playing MIDI data.
Normally, these parts are not used by the instrument
itself.
When these
ve channels are enabled, you can use the instrument as a 32-channel multi-timbral tone generator.
D
A
E
B
C
8
1
2
3
4
5
6
7
Determines the channel for
changing receive settings.
Determines the Part for the
selected channel. See below for
details about the receive parts.
Turns reception of the speci
ed
data type on or off. See page 146
for details on the data types.
The dots corresponding to each
channel (1 - 32)
ash brie
y
whenever any data is received
on the channel(s).
The MIDI IN/OUT terminals
and Port A of the TO HOST
terminal (Port A of the CBX
driver) correspond to chan-
nels 1 - 16. Port B of the TO
HOST terminal (Port B of the
CBX driver) corresponds to
channels 17 - 32.
D
A
E
B
C
8
1
2
3
4
5
6
7
Selects the channels in groups of
eight: 1 - 8, 9 - 16, 17 - 24, and 25
- 32, respectively.
Sets the desired channel to ON or OFF.
Sets all channels to OFF.
The MIDI IN/OUT terminals
and Port A of the TO HOST
terminal (Port A of the CBX
driver) correspond to chan-
nels 1 - 16. Port B of the TO
HOST terminal (Port B of the
CBX driver) corresponds to
channels 17 - 32.
When several channels are
simultaneously set to
ON,
the root note is detected
from merged MIDI data
received over the channels.