Section |
Page |
Legal notices |
2 |
Contents |
3 |
Chapter 1: What's new |
6 |
What’s new (CS5.5) |
6 |
What’s new (CS5) |
7 |
Chapter 2: User interface |
10 |
Workspaces |
10 |
Import a workspace with a project |
10 |
Customizing workspaces |
10 |
About workspaces |
10 |
Choose a workspace |
11 |
Dock, group, or float panels |
11 |
Resize panel groups |
13 |
Open, close, and scroll to panels |
14 |
Working with multiple monitors |
15 |
Save, reset, or delete workspaces |
15 |
Brighten or darken the interface |
15 |
Working with Panels |
16 |
Navigate the panels |
16 |
Display any panel full-screen |
16 |
Display panel options |
16 |
Display context and panel menus |
16 |
Tools panel and Options panel |
17 |
Tools |
17 |
Open the Options panel |
18 |
Dock the Tools panel to the Options panel |
18 |
Undock the Tools panel from the Options panel |
18 |
Clip details in the Info panel |
18 |
Preferences |
20 |
Change preferences |
20 |
General preferences |
20 |
Appearance preferences |
21 |
Audio Preferences |
21 |
Audio Hardware preferences |
22 |
Audio Output Mapping preferences |
22 |
Change the Auto Save settings |
22 |
Capture preferences |
23 |
Device Control preferences |
23 |
Label Colors preferences |
23 |
Label Defaults preferences |
23 |
Media preferences |
24 |
Memory preferences |
24 |
Player Settings preferences |
24 |
Titler preferences |
25 |
Trim preferences |
25 |
Chapter 3: Workflows and setup |
26 |
Basic workflow |
26 |
Cross-platform workflow |
32 |
Cross-application workflows |
33 |
Edit a clip in its original application |
33 |
Working with Photoshop and Premiere Pro |
33 |
Create and edit Photoshop files |
35 |
Copy between After Effects and Adobe Premiere Pro |
35 |
Copy from After Effects to Adobe Premiere Pro |
36 |
Results of pasting into Adobe Premiere Pro |
36 |
Copy from Adobe Premiere Pro to After Effects |
37 |
Results of pasting into After Effects |
37 |
Working with Adobe Premiere Pro and Adobe Flash |
38 |
Working with Adobe Story, Adobe OnLocation, and Adobe Premiere Pro |
38 |
Import clips with In and Out points set in Adobe OnLocation |
39 |
Working with Encore and Premiere Pro |
39 |
Add Encore chapter markers |
39 |
Send to Encore or to an MPEG-2 file |
39 |
Working with Final Cut Pro and Adobe Premiere Pro |
40 |
Working with Avid Media Composer and Premiere Pro |
40 |
Adobe Dynamic Link |
41 |
About Dynamic Link (Production Premium or Master Collection only) |
41 |
Dynamic Link performance (Production Premium or Master Collection only) |
43 |
Create and link to After Effects compositions with Dynamic Link (Production Premium or Master Collection only) |
43 |
Create a composition from clips in Adobe Premiere Pro |
43 |
Create a dynamically linked composition from Adobe Premiere Pro or Encore |
44 |
Link to an existing composition |
44 |
Delete a dynamically linked composition or clip (Production Premium or Master Collection only) |
44 |
Modify a dynamically linked composition in After Effects (Production Premium or Master Collection only) |
45 |
Create an After Effects composition from clips in Premiere Pro (Production Premium only) |
45 |
Offline compositions and Dynamic Link (Production Premium or Master Collection only) |
45 |
Take a dynamically linked composition offline |
46 |
Relink a dynamically linked composition |
46 |
Setting up your system |
46 |
Premiere Pro trial versions |
47 |
Set up a DV or HDV system |
47 |
Set up an SD-SDI, HD-SDI, or component system |
48 |
Set up a file-based system |
49 |
Set up an S-Video or composite system |
50 |
Specify the default audio device |
51 |
Audio Hardware Settings (Windows only) |
51 |
Set up a USB microphone (Mac OS) |
51 |
Specify ASIO device settings (Windows only) |
52 |
Specify whether to render audio when rendering video |
52 |
Specify the duration for preroll and postroll pauses |
52 |
Specify scratch disks to improve system performance |
52 |
Specify scratch disks |
53 |
Optimizing scratch disk performance |
54 |
Online resources for improving system performance |
54 |
Move or clean the Media Cache Database |
54 |
Optimize rendering for available memory |
55 |
Chapter 4: Project setup |
56 |
Creating and changing projects |
56 |
Create a project |
57 |
Review project settings |
57 |
Project Settings dialog box |
57 |
Open a project |
58 |
Delete a project file |
59 |
Moving a project to another computer |
59 |
Archiving projects |
59 |
Trim or copy your project |
60 |
Chapter 5: Importing, transferring, capturing, and digitizing |
63 |
Transferring and importing files |
63 |
File formats supported for import |
63 |
About transferring files |
66 |
About importing files |
67 |
Import files with the Media Browser |
68 |
Import files with the Import commands |
69 |
Import files using Adobe Bridge |
69 |
Start Adobe Bridge from Adobe Premiere Pro |
69 |
Import files from Adobe Bridge |
69 |
Channel support |
70 |
Importing assets from tapeless formats |
70 |
Import assets from file-based sources with Media Browser |
71 |
About spanned clips |
72 |
Importing still images |
72 |
Preparing still images before importing |
73 |
Importing Photoshop and Illustrator files |
73 |
Import a layered Photoshop file |
74 |
Importing Illustrator images |
74 |
Import numbered still-image sequences as video clips |
75 |
Importing digital audio |
75 |
Using audio from audio CDs |
75 |
Using compressed audio formats |
75 |
Using audio from Adobe Soundbooth |
76 |
Audio sample rates supported |
76 |
Conforming audio |
76 |
Importing sequences, clip lists, libraries, and compositions |
77 |
Import clips from Adobe OnLocation projects using the Media Browser |
77 |
Importing earlier Premiere Pro projects |
78 |
Import selected sequences from Premiere Pro projects |
78 |
Import a Premiere Elements project (Windows only) |
78 |
Importing libraries (Windows only) |
78 |
Importing After Effects compositions |
79 |
Import After Effects compositions |
79 |
Import CMX3600 EDL projects |
79 |
Importing XML project files from Final Cut Pro |
79 |
Import an XML file from Final Cut Pro |
80 |
Final Cut Pro clip data |
80 |
Final Cut Pro effects and transitions |
80 |
Conversion of Final Cut Pro video effects |
81 |
Conversion of Final Cut Pro video transitions |
81 |
Conversion of Final Cut Pro audio effects |
81 |
Conversion of Final Cut Pro audio transitions |
82 |
Final Cut Pro composite modes |
82 |
Final Cut Pro Multiclips |
82 |
Capturing and digitizing |
83 |
About capturing and digitizing |
83 |
System requirements for capturing |
83 |
Set capture format, preferences, and tracks |
84 |
Specify capture settings |
85 |
Set capture preferences |
85 |
Select tracks for capture |
85 |
Capture from stereo sources to mono tracks |
85 |
File size limits |
85 |
Set up device control |
86 |
Disable device control |
89 |
Capture without device control |
89 |
Capture with device control |
89 |
Capture an entire tape or portion of a tape |
90 |
Select and capture a clip |
90 |
Determine whether your device is online |
91 |
Log clips with automatic scene detection |
91 |
Common capture issues |
92 |
Capturing DV or HDV video |
93 |
Capturing HD video |
93 |
Create clips for offline editing |
94 |
Create low-resolution clips for offline editing |
94 |
Replace low-resolution clips with high-resolution clips for online editing |
95 |
Digitizing analog video |
95 |
About capture card settings |
95 |
Digitize analog video |
96 |
Capturing content for DVD |
96 |
Batch capturing and recapturing |
97 |
About logging clips |
97 |
Log clips for batch capturing |
97 |
Log clips interactively |
98 |
Tips for logging clips interactively |
98 |
About batch capturing |
99 |
Choosing batch-capture settings |
100 |
Determine whether an offline clip has capture settings |
100 |
Change capture settings for an offline clip |
100 |
Remove capture settings from an offline clip |
100 |
Batch capture clips |
101 |
Troubleshooting batch capturing |
101 |
Import and export batch lists |
102 |
Recapture clips |
102 |
Working with timecode |
103 |
About timecode |
103 |
Choose timecode display format |
103 |
Change how timecode is displayed |
104 |
Stripe tape or replace timecode |
104 |
Stripe a tape with timecode |
104 |
Replace DV timecode |
105 |
Capturing timecode |
105 |
Set timecode manually for a clip |
105 |
Enter timecode |
106 |
View timecode as a burn-in |
106 |
View clip timecode as a burn-in |
106 |
View sequence timecode as a burn-in |
106 |
View source timecode in the Program Monitor |
107 |
Chapter 6: Managing assets |
108 |
Customizing the Project panel |
108 |
Change Project panel views |
108 |
Customize List view columns |
109 |
Edit the display of columns in the Project panels |
109 |
Rearrange columns |
109 |
Change the width of a column |
109 |
Sort by a column |
109 |
Add a column |
109 |
List view columns |
109 |
Select format for timecode display in the Project panel |
110 |
Organizing assets in the Project panel |
111 |
Work with bins |
111 |
Change bin behaviors |
112 |
Label assets |
112 |
Rename assets |
113 |
Rename a clip |
113 |
Rename an original source file |
113 |
Jump to an asset in the Project panel |
113 |
Find assets in the Project panel |
113 |
Find assets matching criteria |
114 |
Finding clips with Face Detection |
114 |
Identify clips containing faces |
114 |
Find clips containing faces |
115 |
Remove assets from a project |
115 |
Remove an asset from the Project panel |
115 |
Remove unused assets from the Project panel |
115 |
Define a different thumbnail for a clip |
115 |
Edit cells in the Project panel |
116 |
Viewing clip properties |
116 |
View the properties of a clip |
116 |
Change the frame rate of a clip |
117 |
Managing metadata |
117 |
About the Metadata panel and XMP |
117 |
About schemas and properties |
118 |
About the XMP standard |
118 |
About the Metadata panel in Premiere Pro |
118 |
About file, clip, and project XMP metadata |
119 |
Using clip metadata and file metadata |
119 |
Edit XMP metadata |
120 |
Search XMP metadata |
120 |
Show or hide XMP metadata |
121 |
Save, switch, or delete metadata sets |
121 |
Create schemas and properties |
121 |
View clip data in the Metadata panel |
121 |
Link clip data to XMP metadata |
122 |
Working with aspect ratios |
122 |
About aspect ratios |
122 |
Using assets with various aspect ratios |
124 |
Fix aspect ratio distortion |
125 |
Correct individual aspect ratio misinterpretations |
125 |
Correct recurring aspect ratio misinterpretations |
126 |
Common pixel aspect ratios |
126 |
Chapter 7: Monitoring assets |
127 |
Using the Source Monitor and Program Monitor |
127 |
Source Monitor and Program Monitor overview |
127 |
Setting display quality for the Source and Program Monitors |
127 |
Change magnification |
128 |
Open or clear a clip in the Source Monitor |
128 |
Navigate clips in the Source Monitor |
129 |
Using the Source Monitor and Program Monitor time controls |
129 |
View safe zones in the monitors |
130 |
Choose fields in the Source and Program Monitors |
131 |
Choose a display mode |
131 |
Playing assets |
132 |
Play video in the Source Monitor and Program Monitor |
132 |
Play a sequence or clip with preroll and postroll pauses |
132 |
Jog or shuttle playback |
133 |
Move to a different frame in the Source Monitor and Program Monitor |
133 |
Using the J, K, and L keys to shuttle video |
134 |
Match a frame with its source |
134 |
Using the Waveform monitors and vectorscope |
134 |
View a scope |
135 |
Vectorscope |
136 |
YC Waveform |
136 |
YCbCr Parade |
137 |
RGB Parade |
138 |
Using the Reference Monitor |
138 |
Open a Reference Monitor |
139 |
Gang the Reference Monitor and Program Monitor |
139 |
Chapter 8: Editing sequences and clips |
140 |
Creating and changing sequences |
140 |
Timeline panels |
141 |
Open additional Timeline panels |
141 |
Open a sequence in a Timeline panel |
141 |
Navigate in a sequence |
141 |
Position the current-time indicator in a Timeline panel |
142 |
Move the current-time indicator using timecode |
143 |
Snap to clip edges and markers |
143 |
Zoom into or out of a sequence in a Timeline panel |
143 |
Scroll through a sequence in a Timeline panel |
143 |
Work with tracks |
143 |
Add tracks |
144 |
Delete tracks |
144 |
Rename a track |
144 |
Specify the tracks to change with Sync Lock |
144 |
Prevent changes with Track Lock |
145 |
Exclude tracks in a sequence |
145 |
Set track display |
146 |
Expand and resize a track |
146 |
Set the display style of the video track |
146 |
Set the default keyframe display of video tracks |
146 |
Set the default keyframe display of audio tracks |
146 |
Set the display style of the audio track |
146 |
Resize the track header section |
147 |
Adjust visible area of video and audio tracks |
147 |
Create a sequence |
147 |
Sequence presets and settings |
148 |
Selecting a sequence preset |
152 |
Create a custom sequence preset |
152 |
Change sequence settings |
153 |
Change sequence preview resolution settings |
153 |
Create a widescreen sequence |
153 |
Create an HDV or HD sequence |
154 |
Create a sequence with uncompressed video playback |
155 |
Create a sequence for RED camera footage |
155 |
24p sequences |
156 |
About 24p footage and sequences |
156 |
About 3:2 and 24pA pulldown |
156 |
Create a 24p sequence |
157 |
Set 24p playback options |
157 |
Disable 24p pulldown to simulate film-video transfer |
158 |
Display 24p source timecode |
158 |
Start a mobile device sequence |
159 |
Using multiple sequences |
159 |
Nest sequences |
159 |
Nest a sequence in another sequence |
160 |
Create a nested sequence from a selection of clips |
160 |
Open the source of a nested sequence |
161 |
Reveal a source frame from a nested sequence |
161 |
Attach closed caption files (CS5.5 and later) |
161 |
Editing multi-camera sequences |
162 |
About multi-camera editing |
162 |
About the Multi-Camera Monitor |
163 |
Display the Multi-Camera Monitor |
163 |
Add clips for multi-camera editing |
163 |
Synchronize clips with markers |
163 |
Create a multi-camera target sequence |
164 |
Record multi-camera edits |
164 |
Play nested multi-camera clips in the Program Monitor |
165 |
Play clips in the Multi-Camera Monitor |
165 |
Rerecord multi-camera edits |
165 |
Adjust multi-camera edits in a Timeline panel |
165 |
Insert or overwrite clips in a multi-camera sequence |
166 |
Creating and playing clips |
166 |
Source clips, clip instances, subclips, and duplicate clips |
166 |
Duplicate a clip |
167 |
Creating subclips |
167 |
Create a subclip from the Project panel |
167 |
Create a subclip from a Timeline panel |
168 |
Adjust media start and end times of a subclip |
168 |
Convert a subclip to a master clip |
168 |
Play back a clip in the Project panel |
168 |
Synchronizing audio and video with Merge Clips (CS5.5 and later) |
169 |
Merge clips in the Project panel |
169 |
Merge clips in the Timeline panel |
170 |
Synchronize clips in the Timeline panel |
170 |
Editing with merged clips |
170 |
Editing merged clips with gaps into the Timeline |
171 |
Trimming merged clips |
171 |
Merged clips and the Metadata panel |
171 |
Merged Clips limitations |
171 |
Working with offline clips |
172 |
Create an offline clip |
172 |
Edit an offline clip |
173 |
Relink an offline clip |
173 |
Convert an online clip to an offline clip |
174 |
Modifying clip properties with Interpret Footage |
174 |
Interpret footage |
174 |
Creating special clips (synthetics) |
175 |
Create a counting leader (Windows only) |
175 |
Create color bars and a 1-kHz tone |
175 |
Create black video |
176 |
Create a color matte |
176 |
Create a transparent video clip |
176 |
Adding clips to sequences |
177 |
Adding clips to a sequence |
177 |
Open a sequence |
178 |
Targeting tracks |
178 |
Drag video and audio to a sequence |
180 |
Drag video only or audio only to a sequence |
181 |
Add a track while adding a clip |
181 |
Insert a clip into a sequence |
182 |
Overwrite a clip into a sequence |
182 |
Insert or Overwrite by dragging a clip to the Program panel |
183 |
Make three-point and four-point edits |
183 |
Make a three-point edit |
183 |
Make a four-point edit |
184 |
Add clips to a sequence automatically |
184 |
Mixing clip types in a sequence |
185 |
Replace one clip with another in a Timeline |
186 |
Replace the source footage for a clip |
186 |
Set or remove sequence In and Out points |
187 |
Set sequence In and Out points |
187 |
Set sequence In and Out points around a selection |
187 |
Remove sequence In and Out points |
187 |
Set sequence start time |
187 |
Trimming clips |
187 |
Working with In and Out points |
188 |
Scrub the waveform in the Source Monitor |
188 |
Zoom in or out on a waveform in the Source Monitor |
188 |
Return to default vertical zoom level |
189 |
Return to previous vertical zoom level |
189 |
Trim in the Source Monitor |
189 |
Open a clip in the Source Monitor |
189 |
Select a clip to view in the Source Monitor |
189 |
Set In points and Out points in the Source Monitor |
189 |
Move In point and Out point together |
189 |
View In and Out frames in the Source Monitor |
190 |
Cue to an In point or Out point |
190 |
Remove source clip In point or Out point |
190 |
Trim with Trim-in and Trim-out tools |
191 |
Trim with the current-time indicator |
191 |
Set keyboard commands to trim with the current-time indicator |
191 |
Set In and Out Points with the current-time indicator |
192 |
Trim with Speech Analysis |
192 |
Making rolling and ripple edits |
192 |
About rolling and ripple edits |
192 |
Make a rolling edit using the Rolling Edit tool |
193 |
Make a rolling edit using the Trim Monitor |
194 |
Make rolling edits with the current-time indicator |
194 |
Make a ripple edit using the Ripple Edit tool |
195 |
Make a ripple edit using the Trim Monitor |
196 |
Make slip and slide edits |
196 |
Make a slip edit |
197 |
Make a slide edit |
197 |
Making split edits |
198 |
Work in the Trim Monitor |
198 |
Open or close the Trim Monitor |
198 |
Display the edit point you want to trim |
198 |
Preview the edit in the Trim Monitor |
198 |
Cancel an edit |
198 |
Set trim preferences |
199 |
Working with clips in a sequence |
199 |
Find a clip in any sequence with Clip Usage |
199 |
View the source of a sequence clip in the Project panel |
199 |
Analyze speech for text XMP metadata |
199 |
Analyze speech to create text metadata |
200 |
Navigate to a specific word in speech metadata |
201 |
Edit speech metadata |
201 |
Copy text from speech metadata to the clipboard for use in a text editor |
201 |
Improve speech analysis with reference scripts |
201 |
Improve speech analysis with Adobe Story scripts (CS5.5 and later) |
202 |
Select one or more clips |
202 |
Enable or disable a clip |
203 |
Group clips |
203 |
Snap clips |
204 |
Enable and disable the snap feature |
204 |
Snap a clip to a clip edge, marker, or current-time indicator |
204 |
Rearranging clips in a sequence |
204 |
Move clips |
204 |
Move clips in a Timeline panel |
205 |
Move clips using the keypad |
205 |
Move clips to a different track |
206 |
Rearrange clips in a Timeline panel |
206 |
Split or cut one or more clips with the Razor tool |
206 |
Remove clips from a sequence |
206 |
Lift and paste frames |
206 |
Extract and paste frames |
207 |
Delete clips and close gaps simultaneously |
207 |
Delete gaps between clips |
208 |
Find gaps in sequences and tracks |
208 |
Copy and paste at the current-time indicator |
208 |
Delete all clips on one track |
209 |
Rendering and previewing sequences |
209 |
Define the work area for rendering |
210 |
Render a preview file for a section of a sequence |
211 |
Render audio when rendering video |
211 |
Work with preview files |
211 |
Use preview files when rendering |
212 |
Delete preview files |
212 |
Play a sequence from start to finish |
212 |
Scroll a sequence during preview |
212 |
Previewing on a television monitor |
212 |
Previewing on a television monitor via video card |
212 |
Preview on a television monitor via camcorder or deck |
213 |
Ensure that Adobe video applications use the same cached files |
213 |
Correcting mistakes |
214 |
Correct mistakes |
214 |
History panel |
214 |
Remove alerts with the Events panel |
215 |
Working with markers |
215 |
Add markers |
215 |
Add an unnumbered clip marker |
216 |
Add an unnumbered sequence marker |
216 |
Add a numbered marker |
217 |
Create markers in the Effect Controls panel |
217 |
Find, move, and delete markers |
217 |
Go to a clip marker in the Source Monitor |
217 |
Go to a clip or sequence marker in a Timeline panel |
217 |
Move a marker |
217 |
Delete a marker |
218 |
Add comments, chapters, and links to sequence markers |
218 |
Read marker comments in tool tips |
219 |
Sharing markers with After Effects, Encore, and Flash |
219 |
Add Encore chapter markers |
220 |
Chapter 9: Editing Audio |
221 |
Overview of audio and the Audio Mixer |
221 |
Audio tracks in a sequence |
221 |
Channels in audio clips |
222 |
Mixing audio tracks and clips |
222 |
Processing order for audio |
222 |
Making quick audio adjustments |
223 |
View audio data |
223 |
View audio clips |
224 |
View time in audio time units |
224 |
Audio Mixer overview |
224 |
Modify the Audio Mixer |
225 |
Monitor specific tracks in the Audio Mixer |
225 |
Open the Audio Master Meters panel |
226 |
Customize a VST effect in an options window |
226 |
Working with clips, channels, and tracks |
226 |
Mapping source and output audio channels |
226 |
Map source audio channels on import |
226 |
Change the source audio channel mapping for one or more clips |
227 |
Map P2 clip audio for export to P2 |
227 |
Map sequence audio channels to audio output device hardware channels |
228 |
Audio channel icons |
228 |
Extract audio from clips |
229 |
Render and replace audio |
229 |
Break a stereo track into mono tracks |
229 |
Break all stereo tracks into mono tracks |
230 |
Use a mono clip as stereo |
230 |
Placing sound from one channel of a stereo clip into both channels |
230 |
Linking multiple audio clips |
230 |
Link audio clips |
232 |
Edit a multi-clip link in the Source Monitor |
232 |
Editing audio in a Timeline panel |
232 |
Set sample-based audio In and Out points |
232 |
Switch a time ruler to audio units in the Source or Program Monitor |
233 |
Navigate audio in sample view |
233 |
Trim audio in sample view in a Timeline panel |
233 |
Link and unlink video and audio clips |
234 |
Link or unlink video and audio |
234 |
Edit tracks of linked clips individually |
234 |
Automatically synchronize clips that were moved out of sync |
235 |
Create split edits |
235 |
Create a split edit |
235 |
Set source In and Out points for a split edit |
236 |
Recording audio |
236 |
Capturing analog audio |
236 |
Set the location for captured audio |
237 |
Preparing the audio input channel for recording |
237 |
Record audio from a microphone or another analog source |
237 |
Mute input during recording |
239 |
Adjusting volume levels |
239 |
Monitor volume level from Timeline, or Program Monitor |
239 |
Monitor volume level while capturing |
239 |
Specify whether to play audio while scrubbing |
239 |
Adjusting gain and volume |
240 |
Normalize one or more clips |
240 |
Normalize the Master track |
241 |
Adjust volume with keyframes |
242 |
Changing volume over time with keyframes |
242 |
Apply a volume level to several clips |
243 |
Adjust volume in Effect Controls |
243 |
Set track volume in the Audio Mixer |
243 |
Mute a track in the Audio Mixer |
243 |
Mix tracks in the Audio Mixer |
244 |
Recording audio mixes |
244 |
Record changes to sound tracks |
245 |
Preserve a track property while recording an audio mix |
245 |
Audio Mixer automation modes |
245 |
Set Automatch Time for Touch mode and Read mode |
246 |
Specify automated keyframe creation |
247 |
Panning and balancing |
247 |
Panning and balancing in the Audio Mixer |
248 |
Pan or balance a stereo track |
249 |
Pan or balance a 5.1 surround track |
249 |
Pan or balance a 16-channel track |
249 |
Pan or balance a track in a Timeline panel |
250 |
Advanced mixing |
250 |
Work with submixes |
250 |
Create a submix in a Timeline panel |
250 |
Simultaneously create a submix and assign a send |
250 |
Route a track’s output to a submix |
251 |
Route tracks with sends |
251 |
Send a track to a submix |
251 |
Edit Send settings |
252 |
Work with sends |
252 |
Downmixing to fewer channels |
253 |
Change 5.1 audio to stereo or mono |
253 |
Routing track output |
253 |
Route or turn off track output |
253 |
Editing audio in Adobe Soundbooth |
254 |
Edit audio in Adobe Soundbooth |
254 |
Undoing edits made in Adobe Soundbooth |
254 |
Editing and mixing audio in Adobe Audition |
255 |
Edit audio in Adobe Audition (CS5.5) |
255 |
Export sequence tracks to Adobe Audition (CS5.5) |
255 |
Editing audio clips in Adobe Audition (CS5.5) |
256 |
Export a multitrack mix to Adobe Premiere Pro |
256 |
Chapter 10: Titling and the Titler |
257 |
Creating and editing titles |
257 |
Create new titles |
257 |
Create a title |
257 |
Create a title based on the current title |
257 |
Open, import, or export a title |
258 |
Open a title for editing |
258 |
Import a title file |
258 |
Export a title as an independent file |
258 |
About safe margins in the Titler |
258 |
Choose, create, and import title templates |
258 |
Load a template for a new title |
259 |
Import a saved title file as a template |
259 |
Set or restore a default template |
259 |
Rename or delete a template |
259 |
Create a template from an open title |
259 |
Import a title template from Resource Central |
260 |
Show video behind the title |
260 |
Creating and formatting text in titles |
260 |
Enter text in titles |
260 |
Type text without boundaries |
261 |
Wrap text automatically |
261 |
Type horizontal or vertical text in a text box |
261 |
Type text along a path |
262 |
Edit and select text |
262 |
Format text in titles |
262 |
Specify a font |
262 |
Change the letters that appear in the Font Browser |
262 |
Change the font size |
263 |
Change text orientation |
263 |
Specify text properties |
263 |
Work with paragraph text |
264 |
Change paragraph justification |
264 |
Reflow paragraph text |
264 |
Create tab stops in titles |
264 |
Set and adjust a tab stop |
264 |
Delete a tab stop |
265 |
Drawing shapes in titles |
265 |
Create shapes |
265 |
Change the shape of a graphic object or a logo |
265 |
Draw straight segments with Pen Tool |
266 |
Draw curves with Pen Tool |
266 |
Adjust object anchor points and curves |
267 |
Add an object anchor point to a path |
267 |
Delete an object anchor point |
267 |
Adjust an object anchor point |
268 |
Convert object anchor points from one type to another |
268 |
Change the curve of a segment |
268 |
Set options for open and closed Bezier shapes |
268 |
Add images to titles |
269 |
Place a logo in a title |
269 |
Place a logo in a text box |
269 |
Return a logo to its original size or aspect ratio |
269 |
Working with text and objects in titles |
269 |
Change the stacking order of objects in titles |
269 |
Align and distribute objects in titles |
270 |
Center objects in titles |
270 |
Align objects in titles |
270 |
Distribute objects in titles |
270 |
Transform objects in titles |
271 |
Adjust an object’s opacity |
271 |
Adjust the position of objects |
271 |
Scale objects |
271 |
Change the rotation angle of objects |
271 |
Distort an object or multiple objects |
272 |
Fills, strokes, and shadows in titles |
272 |
Set a fill for text and objects |
272 |
Fill type options |
272 |
Add a sheen |
273 |
Add a texture for text or object |
273 |
Add a stroke to text or object |
274 |
Change the listing order of strokes |
275 |
Delete strokes from an object or text |
275 |
Create a drop shadow |
275 |
Titler text styles |
276 |
Modify the style swatch display |
276 |
Change the default characters in swatches |
276 |
Create a style |
276 |
Apply a style to an object |
277 |
Specify the characters in the Title Styles panel |
277 |
Delete, duplicate, or rename, a style |
277 |
Manage style libraries |
277 |
Rolling and crawling titles |
277 |
Create a rolling or crawling title |
278 |
Roll/Crawl Timing options |
278 |
Convert a title to another type |
278 |
Chapter 11: Effects and transitions |
279 |
About effects |
279 |
Fixed effects |
279 |
Standard effects |
280 |
Clip-based and track-based effects |
280 |
Effect plug-ins |
280 |
GPU-accelerated effects |
281 |
Disable or enable GPU acceleration of effects |
281 |
List of GPU accelerated effects in Premiere Pro CS5 |
281 |
List of GPU accelerated effects in Premiere Pro CS5.5 and later |
282 |
High-bit-depth effects |
283 |
Applying, removing, finding, and organizing effects |
283 |
Find and group effects |
283 |
Filter effects by type |
283 |
Create bins of favorite effects |
284 |
Remove a Custom bin |
284 |
Apply effects to clips |
284 |
Copy and paste clip effects |
285 |
Remove selected effects from a clip |
285 |
Remove all effects from a clip |
286 |
Disable or enable effects in a clip |
286 |
Viewing and adjusting effects and keyframes |
286 |
View effects in the Effect Controls panel |
287 |
View keyframes for an effect property in the Timeline panel |
288 |
Adjust or reset controls in the Effect Controls panel |
288 |
Applying effects to audio |
289 |
Applying audio effects in the Audio Mixer |
289 |
Apply a track effect in the Audio Mixer |
290 |
Adjust audio track effects in a Timeline |
290 |
Copy and paste track effects |
291 |
Designate a track effect as pre-fader or post-fader |
291 |
Remove or bypass a track effect in the Audio Mixer |
291 |
Working with VST effects |
291 |
Adjust a VST effect in a VST Editor panel |
292 |
Select a preset for a VST effect |
293 |
Working with audio transitions |
293 |
Specify the default audio transition |
293 |
Set the default duration for audio transitions |
293 |
Crossfade between audio clips |
293 |
Fade in or fade out clip audio |
293 |
Adjust or customize an audio transition |
294 |
Effect presets |
294 |
Effect presets |
294 |
Create and save an effect preset |
295 |
Apply an effect preset |
295 |
Work with a custom bins and preset bins |
296 |
Creating common results |
296 |
Fade in video |
297 |
Picture-in-picture (PIP) and split screen |
297 |
Zoom and pan a still image |
297 |
Place lightning over part of a clip |
297 |
Create a Jacob’s Ladder |
297 |
Make reverb ring out |
298 |
Motion: position, scale, and rotate a clip |
298 |
Adjust position, scale, and rotation |
298 |
Scale assets |
299 |
Scale assets manually |
299 |
Scale assets to frame size |
300 |
Scale assets automatically |
300 |
Animate motion in the Program Monitor |
300 |
Animate a clip in the Program Monitor |
301 |
Change Position keyframes in a motion path |
302 |
Move a clip along a curve |
302 |
Adjust or animate clip anchor points |
302 |
Eliminate flicker |
303 |
Duration and speed |
304 |
View the total duration of selected clips |
304 |
Change the default duration for still images |
304 |
Change speed and duration for one or more clips |
304 |
Change clip speed and duration with the Rate Stretch tool |
305 |
Change clip speed and duration with Time Remapping |
306 |
Vary changes to speed or direction with Time Remapping |
306 |
Blend frames for smooth motion |
311 |
Freeze a frame |
311 |
Freeze a frame for a portion of a clip |
311 |
Freeze a video frame for the duration of a clip |
313 |
Interlacing and field order |
314 |
Interlaced video, noninterlaced video, and progressive scanning |
314 |
About field dominance and field reversal |
315 |
Create interlaced or non-interlaced clips |
315 |
Change the field order of a clip |
316 |
Color correction and adjustment |
316 |
Adjusting color and luminance |
316 |
Set up a Color Correction workspace |
317 |
Apply the Color Correction effects |
318 |
Quickly remove a color cast |
319 |
Make quick luminance corrections |
320 |
Color balance, angle, and saturation controls |
321 |
Adjust color balance and saturation |
322 |
Adjust color and luminance using curves |
323 |
Adjust luminance using levels |
325 |
Select a color with the Adobe Color Picker |
326 |
Define the tonal ranges in a clip |
328 |
Specify a color or range of colors to adjust |
329 |
Replace a color |
330 |
Remove color in a clip |
331 |
Mix color channels in a clip |
331 |
Isolate a single color using Color Pass |
332 |
Adjust edges, blurs and brightness using Convolution presets |
332 |
Add Lighting Effects |
333 |
Apply Lighting Effects textures |
335 |
Transition overview: applying transitions |
335 |
Clip handles and transitions |
336 |
Single- and double-sided transitions |
337 |
Applying transitions |
338 |
Apply a transition between two clips |
338 |
Apply a single-sided transition |
339 |
Specify and apply default transitions |
339 |
Specify a default transition |
339 |
Set the duration of the default transition |
339 |
Add the default transition between two clips |
339 |
Apply default transitions between selected clips |
340 |
Copy and paste a transition |
340 |
Replace a transition |
340 |
Modifying and customizing transitions |
340 |
Display transitions in the Effect Controls panel |
340 |
Adjust transition alignment |
341 |
Align a transition in a Timeline panel |
341 |
Align a transition using the Effect Controls panel |
342 |
Move a cut and transition together |
342 |
Change transition duration |
343 |
Change transition duration in a Timeline panel |
343 |
Change transition duration in the Effect Controls panel |
343 |
Set the default duration for transitions |
343 |
Reposition the center of a transition |
343 |
Change transition settings |
344 |
Effects and transitions reference |
344 |
Effects and transitions list |
344 |
Adjust effects |
344 |
Blur and sharpen effects |
344 |
Channel effects |
345 |
Color correction effects |
345 |
Distort effects |
346 |
Generate effects |
346 |
Image control effects |
346 |
Keying effects |
346 |
Noise and grain effects |
347 |
Perspective effects |
347 |
Stylize effects |
347 |
Time effects |
348 |
Transform effects |
348 |
Transition effects |
348 |
Utility effects |
348 |
Video effects |
348 |
Video dissolve transitions |
348 |
Adjust effects |
349 |
Auto Color, Auto Contrast, and Auto Levels effects |
349 |
Convolution Kernel effect |
349 |
Extract effect |
350 |
Levels effect |
350 |
Lighting Effects effect |
350 |
ProcAmp effect |
350 |
Shadow/Highlight effect |
351 |
Blur and Sharpen effects |
352 |
Antialias effect (Windows only) |
352 |
Camera Blur effect (Windows only) |
352 |
Channel Blur effect |
352 |
Compound Blur effect |
352 |
Directional Blur effect |
353 |
Fast Blur effect |
353 |
Gaussian Blur effect |
353 |
Ghosting effect (Windows only) |
354 |
Sharpen effect |
354 |
Unsharp Mask effect |
354 |
Channel effects |
354 |
Arithmetic effect |
354 |
Blend effect |
355 |
Calculations effect |
355 |
Compound Arithmetic effect |
356 |
Invert (video) effect |
356 |
Set Matte effect |
357 |
Solid Composite effect |
357 |
Color Correction effects |
357 |
Brightness & Contrast effect |
358 |
Broadcast Colors effect |
358 |
Change Color effect |
358 |
Change To Color effect |
359 |
Channel Mixer effect |
360 |
Color Balance effect |
360 |
Color Balance (HLS) effect |
360 |
Equalize effect |
361 |
Fast Color Corrector effect |
361 |
Leave Color effect |
362 |
Luma Corrector effect |
363 |
Luma Curve effect |
364 |
RGB Color Corrector effect |
365 |
RGB Curves effect |
366 |
Three-Way Color Corrector effect |
368 |
Tint effect |
370 |
Video Limiter effect |
370 |
Distort effects |
371 |
Bend effect (Windows only) |
371 |
Corner Pin effect |
371 |
Lens Distortion effect (Windows only) |
372 |
Magnify effect |
372 |
Mirror effect |
373 |
Offset effect |
373 |
Spherize effect |
373 |
Transform effect |
373 |
Turbulent Displace effect |
374 |
Twirl effect |
375 |
Wave Warp effect |
375 |
Generate effects |
375 |
4-Color Gradient effect |
375 |
Cell Pattern effect |
376 |
Checkerboard effect |
377 |
Circle effect |
377 |
Ellipse effect |
378 |
Eyedropper Fill effect |
378 |
Grid effect |
379 |
Lens Flare effect |
379 |
Lightning effect |
379 |
Paint Bucket effect |
380 |
Ramp effect |
382 |
Write-on effect |
382 |
Image Control effects |
383 |
Black & White effect |
383 |
Color Balance (RGB) effect |
383 |
Color Pass effect (Windows only) |
383 |
Color Replace effect (Windows only) |
383 |
Gamma Correction effect |
383 |
Keying effects |
383 |
Alpha Adjust effect |
383 |
Blue Screen Key effect (Windows only) |
384 |
Chroma Key effect (Windows only) |
384 |
Chromakey with the Ultra Key effect |
385 |
Color Key effect |
386 |
Difference Matte effect |
387 |
Eight-Point, Four-Point, and Sixteen-Point Garbage Matte effects |
388 |
Image Matte Key effect |
389 |
Luma Key effect |
390 |
Non Red Key effect |
391 |
RGB Difference Key effect (Windows only) |
391 |
Remove Matte effect |
392 |
Track Matte Key effect |
392 |
Noise & Grain effects |
394 |
Dust & Scratches effect |
394 |
Median effect |
394 |
Noise effect |
395 |
Noise Alpha effect |
395 |
Noise HLS and Noise HLS Auto effects |
396 |
Perspective effects |
396 |
Basic 3D effect |
396 |
Bevel Alpha effect |
397 |
Bevel Edges effect |
397 |
Drop Shadow effect |
397 |
Radial Shadow effect |
398 |
Stylize effects |
399 |
Alpha Glow effect |
399 |
Brush Strokes effect |
399 |
Color Emboss effect |
400 |
Emboss effect |
400 |
Find Edges effect |
400 |
Mosaic effect |
400 |
Posterize effect |
400 |
Replicate effect |
401 |
Roughen Edges effect |
401 |
Solarize effect |
402 |
Strobe Light effect |
402 |
Texturize effect |
402 |
Threshold effect |
402 |
Time effects |
403 |
Echo effect |
403 |
Posterize Time effect |
404 |
Transform effects |
404 |
Camera View effect (Windows only) |
404 |
Crop effect |
404 |
Edge Feather effect |
404 |
Horizontal Flip effect |
405 |
Horizontal Hold effect (Windows only) |
405 |
Vertical Flip effect |
405 |
Vertical Hold effect (Windows only) |
405 |
Transition effects |
405 |
Block Dissolve effect |
405 |
Gradient Wipe effect |
405 |
Linear Wipe effect |
406 |
Radial Wipe effect |
407 |
Venetian Blinds effect |
407 |
Utility effects |
407 |
Cineon Converter effect |
407 |
Video effects |
408 |
Timecode effect |
408 |
Video dissolve transitions |
408 |
Additive Dissolve transition |
408 |
Cross Dissolve transition |
409 |
Dip To Black transition |
409 |
Dip To White transition |
409 |
Dither Dissolve transition |
409 |
Film Dissolve transition(CS5.5 and later) |
409 |
Non-Additive Dissolve transition |
409 |
Random Invert transition |
409 |
Audio effects and transitions reference |
409 |
Audio effects and transitions list |
409 |
Audio effects |
409 |
Audio crossfade transitions |
410 |
Audio effects |
410 |
Balance effect |
410 |
Bandpass effect |
411 |
Bass effect |
411 |
Channel Volume effect |
411 |
Chorus effect |
411 |
DeClicker effect |
412 |
DeCrackler effect |
412 |
DeEsser effect |
412 |
DeHummer effect |
413 |
Delay effect |
413 |
DeNoiser effect |
413 |
Dynamics effect |
413 |
EQ effect |
415 |
Fill Left effect, Fill Right effect |
415 |
Flanger effect |
415 |
Highpass and Lowpass effects |
416 |
Invert (audio) effect |
416 |
MultibandCompressor effect |
416 |
Multitap Delay effect |
416 |
Notch effect |
417 |
Parametric EQ effect |
417 |
Phaser effect |
417 |
PitchShifter effect |
417 |
Reverb effect |
418 |
Spectral Noise Reduction effect |
418 |
Swap Channels effect |
418 |
Treble effect |
418 |
Volume effect |
419 |
Audio crossfade transitions |
419 |
Constant Gain transition |
419 |
Constant Power transition |
419 |
Exponential Fade transition |
419 |
Chapter 12: Animation and keyframes |
420 |
Adding, navigating, and setting keyframes |
420 |
View keyframes and graphs |
420 |
View keyframes in the Effect Controls panel |
420 |
View keyframes and properties in a Timeline panel |
421 |
Set keyframe display for a Timeline panel |
423 |
Move the current-time indicator to a keyframe |
423 |
Add, select, and delete keyframes |
424 |
Add keyframes |
424 |
Select keyframes |
425 |
Delete keyframes |
425 |
Modify keyframe values |
425 |
Edit keyframe graphs in the Effect Controls panel |
426 |
Edit keyframe graphs from a Timeline panel |
426 |
Moving and copying keyframes |
427 |
Move keyframes in time |
427 |
Determine keyframe snapping |
427 |
Copy and paste keyframes |
427 |
Copy and paste keyframes in the Effect Controls panel |
428 |
Copy and paste keyframes in a Timeline panel |
428 |
Controlling effect changes using keyframe interpolation |
429 |
About interpolation |
429 |
Change the keyframe interpolation method |
429 |
Control change using Bezier keyframe interpolation |
430 |
Create Bezier keyframes |
431 |
Adjust Bezier handles |
431 |
Fine-tune the speed of an effect |
431 |
Optimize keyframe automation |
433 |
Chapter 13: Compositing |
434 |
Compositing, alpha channels, and adjusting clip opacity |
434 |
Alpha channels and mattes |
434 |
About straight and premultiplied channels |
435 |
About keying |
435 |
Blend clips with a Garbage Matte effect |
435 |
Blend clips with a matte using the Track Matte Key effect |
436 |
Specify clip opacity in a Timeline panel |
436 |
Compositing tips |
436 |
Blending modes |
437 |
Blend mode reference |
437 |
Blending mode descriptions |
438 |
Chapter 14: Exporting |
440 |
Workflow and overview for exporting |
440 |
Types of exporting |
440 |
Adobe Media Encoder |
441 |
Workflow for exporting video and audio files |
441 |
Formats exported directly from Premiere Pro |
442 |
Export to Panasonic P2 format |
442 |
Exporting OMF files for Pro Tools |
444 |
Export an OMF file for Pro Tools |
444 |
Features supported in OMF files |
444 |
Tips for importing OMF files into Pro Tools |
445 |
Export a still image |
446 |
Exporting to DVD or Blu-ray Disc |
446 |
Choosing file formats for various discs |
446 |
Send a sequence to Encore to create a DVD, Blu-ray Disc, or SWF |
447 |
Exporting projects for other applications |
447 |
Export a project as an EDL file |
447 |
Exporting AAF files |
448 |
Export an Advanced Authoring Format (AAF) project file |
448 |
About the AAF plug-in |
448 |
Export a Final Cut Pro project XML file |
449 |
Exporting to videotape |
450 |
Prepare for exporting to DV videotape |
450 |
Export a sequence to tape with device control |
451 |
Export a sequence to tape without device control |
452 |
Exporting for the Web and mobile devices |
452 |
Moving assets between Adobe Premiere Pro and Adobe Flash |
452 |
Tips for creating FLV and F4V files |
453 |
Tips for creating video for mobile devices |
455 |
Chapter 15: Keyboard shortcuts |
456 |
Finding and customizing keyboard shortcuts |
456 |
Find keyboard shortcuts |
456 |
Customize or load keyboard shortcuts |
456 |
Remove shortcuts |
457 |
Print keyboard shortcuts |
457 |
Default keyboard shortcuts |
458 |
Selecting tools (keyboard shortcuts) |
458 |
Viewing panels (keyboard shortcuts) |
458 |
Capture panel (keyboard shortcuts) |
459 |
Multi-Camera Monitor (keyboard shortcuts) |
459 |
Project panel (keyboard shortcuts) |
460 |
Timeline panel (keyboard shortcuts) |
460 |
Titler (keyboard shortcuts) |
463 |
Trim panel (keyboard shortcuts) |
464 |