Adobe 25520388 User Guide - Page 8
Streamlined encoding with revamped Adobe Media Encoder, Canon EOS-5D Mark II
UPC - 718659493202
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USING ADOBE PREMIERE PRO 3 What's new Search, which turns spoken dialogue into searchable text for faster editing. For more information, see "Crossapplication workflows" on page 28. Editing and production efficiencies from metadata features Add intelligence to your assets using innovative metadata features. Turn spoken dialogue into searchable text faster and with higher accuracy. Synchronize content with your Adobe Story script, or by using reference scripts that are optimized for your content. Accelerate editing by marking In and Out points in the speech analysis text. Use face detection technology to locate clips containing human faces. Plus, metadata stays with the assets you create, making your content more discoverable online. For more information, see Understanding the script-to-screen workflow and "Analyze speech for text XMP metadata" on page 194. Client and team reviews made simple with CS Review CS Review is a new online service that allows you to share dailies and works in progress for review. CS Review eliminates the need for burning discs or swapping large files back and forth. Encode sequences and automatically upload them in the background for review and collaboration. Clients and teammates can comment on your video using just a web browser, and their frame-accurate comments automatically appear in the Premiere Pro sequence. Upgrading to Premiere Pro CS5 gives you a complimentary one year subscription to CS Review. The CS Review video workflows for Premiere Pro will not be available when Premiere Pro CS5 initially ships. Premiere Pro CS5 customers will automatically receive access to the CS5 Review video workflows when they become available. Simplify everyday tasks with small changes that make large differences Take advantage of the most requested editing enhancements. See large productivity gains and smoother day-to-day workflows. Use automatic scene detection to create separate clips from HDV tapes. Import assets from DVDs. Use new extend edit and find gaps keyboard shortcuts. Control keyframes with greater precision. Clean up your sequences quickly with new commands for finding and removing gaps. For more information, see "Log clips with automatic scene detection" on page 86, "Make rolling edits with the current-time indicator" on page 189, and "Find gaps in sequences and tracks" on page 203. Streamlined encoding with revamped Adobe Media Encoder Efficiently deliver your content in virtually any format with Adobe Media Encoder, now with a more intuitive user interface. Adobe Media Encoder saves you time by batch encoding multiple versions of your source files and Premiere Pro sequences. Set up multiple items for encoding, manage priorities, and control advanced settings for each item individually. Use any combination of sequences and clips as sources. Encode to a wide variety of video formats. DPX joins FLV, F4V, Windows Media (Windows only), QuickTime, MPEG-2, MPEG-4, and H.264 codecs. For more information, see the help document for Adobe Media Encoder: Using Adobe Media Encoder. Log footage from virtually any camera with Adobe OnLocation CS5 Use the powerful logging options in Adobe OnLocation when working with tapeless cameras. tell Adobe OnLocation which shot is currently recording. Then enter notes, comments, and additional metadata. When you copy clips from the tapeless camera, Adobe OnLocation automatically merges the information. For more information see help for Adobe OnLocation: Using Adobe OnLocation. Ultra Key for fast, accurate keying-even on challenging footage Key HD footage in real time with the new Ultra Key chroma keyer in Premiere Pro. Ultra Key is optimized for footage that includes uneven lighting, wrinkled backgrounds, and frizzy hair. Ultra Key preserves shadows and can achieve complex keys on smoke, liquids, and transparent objects. For more information, see "Chromakey with the Ultra Key effect" on page 380. Native support for DSLR cameras Edit video from the latest DSLR cameras. New native support means that you never waste valuable production time transcoding or rewrapping, and always have access to the original file's pristine quality. Premiere Pro supports video shot on the following DSLR cameras: • Canon EOS-1D Mark IV, • Canon EOS-5D Mark II, • Canon EOS 7D, • Nikon D90, Last updated 1/16/2012