Behringer MS-1-BK Quick Start Guide - Page 14

MS-101 Getting Started

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26 MS-101 MS-101 Getting Started (EN) Step 3: Getting started OVERVIEW This "getting started" guide will help you set up the MS-101 analog synthesizer and briefly introduce its capabilities. CONNECTION To connect the MS-101 to your system, please consult the connection guide earlier in this document. Caution: Do not overload the 3.5 mm inputs. They can only accept the correct level of voltages as shown in the specification tables. The 3.5 mm outputs should only be connected to inputs capable of receiving the output voltages. Failure to follow these instructions may damage the MS-101 or external units. SOFTWARE SETUP The MS-101 is a USB Class Compliant MIDI device, and so no driver installation is required. The MS-101 does not require any additional drivers to work with Windows and MacOS. HARDWARE SETUP Make all the connections in your system. Apply power to the MS-101 using the supplied power adapter only. Ensure your sound system is turned down. Turn on the MS-101 power switch. WARM UP TIME We recommend leaving 15 minutes or more time for the MS-101 to warm up before recording or live performance. (Longer if it has been brought in from the cold.) This will allow the precision analog circuits time to reach their normal operating temperature and tuned performance. INITIAL SETUP The following steps will help you get started making sound with the MS-101. 1. With the power off, connect a pair of headphones, and turn down the volume knob. 2. In the Source Mixer section, turn up the sawtooth fader and turn down all the others. (If all these faders are down, then there will be no sources to listen to.) 3. In the VCF section, turn up the FREQ fader. (If the fader is down, then the cutoff frequency of the low pass filter may be too low.) 4. In the VCA section, set the switch to Gate. (If it is set to Envelope, then make sure to turn up the D (decay) fader or the S (sustain) fader.) 5. Turn on the MS-101 and play notes on the keyboard as you adjust the volume level to a comfortable listening level. 6. If you hear no sound, hold SHIFT +

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26
MS-101
Quick Start Guide
27
MS-101 Getting Started
(EN)
Step 3:
Getting started
OVERVIEW
This “getting started” guide will help you set up the
MS-101 analog synthesizer and briefly introduce
its capabilities.
CONNECTION
To connect the MS-101 to your system, please consult
the connection guide earlier in this document.
Caution:
Do not overload the 3.5 mm inputs.
They can only accept the correct level of
voltages as shown in the specification tables. The 3.5
mm outputs should only be connected to inputs
capable of receiving the output voltages. Failure to
follow these instructions may damage the MS-101 or
external units.
SOFTWARE SETUP
The MS-101 is a USB Class Compliant MIDI device,
and so no driver installation is required. The MS-101
does not require any additional drivers to work with
Windows and MacOS.
HARDWARE SETUP
Make all the connections in your system.
Apply power to the MS-101 using the supplied power
adapter only. Ensure your sound system is turned
down. Turn on the MS-101 power switch.
WARM UP TIME
We recommend leaving 15 minutes or more time
for the MS-101 to warm up before recording or live
performance. (Longer if it has been brought in from
the cold.) This will allow the precision analog circuits
time to reach their normal operating temperature
and tuned performance.
INITIAL SETUP
The following steps will help you get started making
sound with the MS-101.
1.
With the power off, connect a pair of
headphones, and turn down the volume knob.
2.
In the Source Mixer section, turn up the
sawtooth fader and turn down all the others.
(If all these faders are down, then there will
be no sources to listen to.)
3.
In the VCF section, turn up the FREQ fader.
(If the fader is down, then the cutoff
frequency of the low pass filter may be
too low.)
4.
In the VCA section, set the switch to Gate.
(If it is set to Envelope, then make sure to turn
up the D (decay) fader or the S (sustain) fader.)
5.
Turn on the MS-101 and play notes on the
keyboard as you adjust the volume level to a
comfortable listening level.
6.
If you hear no sound, hold SHIFT + <KYBD to
make sure you are in Keyboard mode and not
Step mode. Check the REC switch LED is Off.
SOURCE MIXER SECTION
The MS-101 has three waveforms, a sub oscillator,
an internal noise generator, and an external source
input. Each of these, and any combination, are used
by the MS-101 to generate sound.
The Source Mixer faders allow you to adjust the
volume of each to create an overall mix.
VCO SECTION
Adjust the Range knob and you will hear the sound
of the various octaves.
The MOD fader allows the VCO to be modulated by
the LFO. Turn up the MOD fader, and then adjust the
modulator controls such as the Rate fader, and the
Waveform selector.
The pulse width fader will adjust the pulse width if
the switch is set to MANUAL. Turn up the Pulse fader
in the Source Mixer section to hear the oscillator. If
the switch is set to LFO (or envelope) then the pulse
width is modulated by the LFO and its controls, (or
the envelope controls) and the pulse width fader
varies the amount of effect.
VCF SECTION
Play with the Frequency fader, and Resonance, and
listen to their effect on the sound.
The ENV fader will adjust the amount of effect the
ADSR envelope controls have on the VCF.
The MOD fader adjusts the amount of modulation
on the VCF. Vary the fader, and adjust the Modulator
LFO rate fader and the waveform.
The KYBD fader adjusts how much the VCF is affected
by the pitch of notes played.
Select an FM Source and then turn up the FM
Amount knob to suit. Listen to the various FM
sources and their effect.
VCA SECTION
The VCA switch allows you to select if the VCA is
affected by the envelope controls, or the keyboard
gate signal.
ENVELOPE SECTION
These faders adjust the VCA if the VCA switch is set
to ENV. In this case, their effect is on the volume
level, and its variation with time.
These faders also adjust the VCF if the VCF's ENV
fader is above minimum. In this case, their effect is
on the cutoff frequency and its variation with time.
The VCO pulse width can also be affected by the
envelope controls, if the switch in the VCO section is
set to ENV.
CONTROLLERS SECTION
The GLIDE knob and on/off switch allow you to adjust
the glide time between different played notes.
In order for the Bender and handle Bender to work,
the nearby VCO and/or VCF bender faders have to
be above minimum. The main Bender will change
the VCO pitch and VCF in both directions, while
the handle Bender wheel will only increase. Both
Benders can be used at the same time.
Press the MOD switch on the end of the handle,
or move the main unit BENDER up, to add LFO
modulation. The modulation effect depends
upon the setting of the LFO MOD fader and other
LFO controls.
ARPEGGIATOR
To use the arpeggiator, press the ARP switch in the
sequencer section:
1.
Press it once to play the arpeggiator. (It stops
when notes are released.)
2.
Press it twice to play and hold the arpeggiator.
(It continues when notes are released.)
The arpeggiator rate is set by the TEMPO/GATE
LENGTH knob.
The order in which the arpeggiator notes are played
has 8 options, and this can be changed by pressing
either <KYBD or STEP> when the arpeggiator is
playing. The LOCATION LED shows the current order
1 to 8:
1.
UP 1
5.
UP 2
2.
DOWN 1
6.
DOWN 2
3.
DOWN and UP
7.
UP 3
4.
RANDOM
8.
DOWN 3
ACCENT
To use accent while playing, press the ACCENT switch
in the sequencer:
1.
Press and hold to play the note with accent
status. (It stops when the switch is released.)
2.
Press it twice to play and hold the accent
status. (The LED flashes slowly.)
NOTE PRIORITY
If more than one note is played at the same time,
the note which is played (the note priority) depends
on the setting of the slide switch in the ENVELOPE
section:
GATE+TRIG: the Last note is played
GATE or LFO: the Lowest note is played.
SEQUENCER
The sequencer allows you to program up to 32 steps
of notes and rests, and to save them as a pattern. Up
to 64 patterns can be recorded, saved, and recalled
in 8 banks of 8 patterns.
The sequencer has two modes of operation:
KEYBOARD mode, where you can create and store
a pattern, and STEP mode, where you can interact
while composing a pattern.
Details of the Sequencer operation are shown on
page 16 and 36.
FIRMWARE UPDATE
Please check our website behringer.com regularly
for any updates to the firmware of your MS-101
synthesizer. The firmware file can be downloaded
and stored on your computer, and then used
to update the MS-101. It comes with detailed
instructions on the update procedure.
HAVE FUN
The MS-101 has various Gate and CV inputs and
outputs that allow for further experimentation
and expansion to other MS-101 units and modular
synthesizer equipment.
With all these controls, the possibilities for musical
creativity are endless. We hope that you will enjoy
your new MS-101.