Mackie Onyx 1220i Owner's Manual - Page 7
Hookup Diagrams - manual
View all Mackie Onyx 1220i manuals
Add to My Manuals
Save this manual to your list of manuals |
Page 7 highlights
Hookup Diagrams Acoustic Guitar and Mic Microphone Drum Machine Laptop with audio production software 1 ONYX MIC PRE 2 ONYX MIC PRE 3 ONYX MIC PRE 4 ONYX MIC PRE CTRL - RM OUT BAL/UNBAL MAIN OUT BAL/UNBAL ALT 3-4 OUT BAL/UNBAL L R L R L/3 R/4 LINE IN 5-6 LINE IN 7-8 LINE IN 9-10 LINE IN 11-12 TAPE L IN OUT R 1 LINE BAL/UNBAL LINE HI-Z 48V 2 LINE BAL/UNBAL LINE HI-Z 3 LINE BAL/UNBAL 75Hz 18dB/OCT 4 LINE BAL/UNBAL 75Hz 18dB/OCT 48V 48V 48V L (MONO) BAL/UNBAL R L (MONO) BAL/UNBAL R L (MONO) BAL/UNBAL R L (MONO) BAL/UNBAL R PREMIUM ANALOG MIXER w/ PERKINS EQ & FIREWIRE 30 U 20 40 GAIN U 60 -20dB +40dB 30 U 20 40 GAIN U 60 -20dB +40dB 30 U 20 40 GAIN U 60 -20dB +40dB 30 U 20 40 GAIN U 60 -20dB +40dB U GAIN -20dB +20dB U GAIN -20dB +20dB U GAIN -20dB +20dB U GAIN -20dB +20dB SEND PRE POST U EQ -15 +15 1k HIGH 12kHz SEND PRE POST U EQ -15 +15 1k HIGH 12kHz SEND PRE POST U EQ -15 +15 1k HIGH 12kHz SEND PRE POST U EQ -15 +15 1k HIGH 12kHz SEND PRE POST U EQ HIGH 12kHz -15 +15 SEND PRE POST U EQ HIGH 12kHz -15 +15 SEND PRE POST U EQ HIGH 12kHz -15 +15 SEND INPUT LINE U FW 1-2 HIGH 12kHz -15 +15 FREQ 100 8k U MID FREQ 100 8k U MID FREQ 100 8k U MID FREQ 100 8k U MID U MID 2.5kHz -15 +15 U MID 2.5kHz -15 +15 U MID 2.5kHz -15 +15 U MID 2.5kHz -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 U U U U U U U U LOW 80Hz -15 +15 AUX LOW 80Hz -15 +15 AUX LOW 80Hz -15 +15 AUX LOW 80Hz -15 +15 AUX LOW 80Hz -15 +15 AUX LOW 80Hz -15 +15 AUX LOW 80Hz -15 +15 AUX LOW 80Hz -15 +15 AUX CTRL ROOM/PHONES SOURCE MAIN MIX TAPE FW 1-2 ALT 3-4 ASSIGN TO MAIN MIX OO MAX CONTROL ROOM OO MAX PHONES 0dB=0dBu LR 20 CLIP 15 10 6 3 0 2 LEVEL 4 SET 7 10 20 30 RUDE SOLO AUX MASTER SEND RETURN OO OO 1 MAX 2 MAX PAN OO OO 1 MAX 2 MAX PAN OO OO 1 MAX 2 MAX PAN OO OO 1 MAX 2 MAX PAN OO OO 1 MAX 2 MAX PAN OO OO 1 MAX 2 MAX PAN OO OO 1 MAX 2 MAX PAN OO OO 1 MAX PRE POST 2 MAX PAN PRE POST OO OO 1 +15 RTN TO AUX1 2 +15 OO OO 1 +10 2 +10 L R L R L R L R L R L R L R L R POWER MUTE ALT 3/4 MUTE ALT 3/4 MUTE ALT 3/4 MUTE ALT 3/4 MUTE ALT 3/4 MUTE ALT 3/4 MUTE ALT 3/4 MUTE ALT 3/4 dB dB dB dB dB dB dB dB MIC dB 10 10 10 10 10 10 10 10 10 5 5 5 5 5 5 5 5 5 U U U U U U U U U OL OL OL OL OL OL OL OL 5 - 20 5 - 20 5 - 20 5 - 20 5 - 20 5 - 20 5 - 20 5 - 20 OO MAX LEVEL 5 10 10 10 10 10 10 10 10 10 DESTINATION 20 20 20 20 20 20 20 20 20 30 30 30 30 30 30 30 30 30 40 50 40 50 40 50 40 50 40 50 40 50 40 50 40 50 PHONES AUX 1-2 40 50 60 60 60 60 60 60 60 60 60 OO OO OO OO OO OO OO OO OO SOLO 1 SOLO 2 SOLO 3 SOLO 4 SOLO SOLO SOLO SOLO 5-6 7-8 9-10 11-12 TALKBACK TALKBACK MAIN MIX Stereo Effects Processor Aux 2 set to PRE SRM150 Powered Monitor Send Guitar Processor Return Mackie SRM450v2 Powered Speaker POWER FIREWIRE MAIN OUT BALANCED R L MAIN OUTPUT LEVEL +4dB MIC DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • MANUFACTURED IN CHINA • FABRIQUE EN CHINE "MACKIE" & "ONYX" ARE TRADEMARKS OF LOUD TECHNOLOGIES INC. • COPYRIGHT ©2008 AUX SEND 1 ( PRE-FADER / PRE EQ TIP SEND / RING RETURN ) CHANNEL INSERT 4 3 2 1 BAL/UNBAL 2 AUX RETURN R2 L BAL/UNBAL R 1 L Mackie SRM450v2 Powered Speaker This diagram shows an acoustic guitar mic'd up directly to channel 1 and a microphone connected to channel 2 for vocals. A guitar processor is connected to the insert jack of channel 1. An effects processor receives a mono input from the aux 1 send, and its stereo outputs connect to the stereo return inputs. Aux 1 is set post-fader, using the Aux 1 pre/post switch in the Aux Master section. A Mackie SRM150 powered speaker is connected to aux send 2 as a monitor for the performer(s). Aux 2 is set to pre-fader, using the Aux 2 pre/post switch in the Aux Master section. Mackie SRM450v2 powered speakers are connected to the left and right main outputs. A laptop connects to the FireWire port, and allows the 2-channel main mix of the performance to be recorded using your audio production software. Two channels of audio can also play from the computer to the main mix. For example, you can play intermission music when the call for an egg-nog decaf latté or green tea gets too strong and you have to take a break. 1-2 Man Coffeehouse Gig Owner's Manual 7