Mackie Onyx 1640i Owner's Manual - Page 7

Hookup Diagrams iPod Docking Station Compressor (Vocals) Compressor (Vocals) Return Send Return Send Microphones Send Dynamics Processor (Bass) Return Bass Guitar Electric Guitar Keyboard Stereo Compressor Laptop Computer with audio production software press HI-Z button HD1531 Powered Speaker Main Left HD1801 Powered Subwoofer HD1531 Powered Speaker Main Right HD1801 Powered Subwoofer 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE LINE BAL/UNBAL ONYX MIC PRE HI-Z BAL/UNBAL ONYX MIC PRE HI-Z BAL/UNBAL ONYX MIC PRE Amplifier Modeler TALKBACK MIC +48v BALANCED R L MAIN OUT BAL /UNBAL L MONO MAIN INSERT (TIP=SEND RING=RTN) L TAPE IN OUT L CTRL-RM OUT BAL /UNBAL L MAIN OUTPUT LEVEL +4dB MIC POWER ON R R R R +6 OO FIREWIRE SUB OUT BAL/UNBAL 3 1 4 2 AUX RETURN BAL/UNBAL 4 3 2 1 AUX SEND BAL/UNBAL 5 3 1 L L L L (MONO) (MONO) (MONO) (MONO) 6 4 2 R R R R 9-16 RECORDING OUTS POST GAIN PRE INSERT BALANCED 1- 8 Send Send L/R Return L/R Return press FW button ( ) to receive audio playback from computer ALTERNATE FIREWIRE ASSIGNMENTS 1 2 3 4 LINE FW 1 LINE FW 2 LINE FW 3 LINE FW 4 48V 48V 48V 48V 1 5 LINE FW 5 48V SUBGROUPS 2 6 LINE FW 6 48V 3 7 LINE FW 7 48V 4 8 LINE FW 8 48V 1 9 LINE FW 9 48V AUX MASTERS MAIN MIX 2 10 LINE FW 10 48V 3 11 LINE FW 11 48V 4 12 LINE FW 12 48V 5 13 LINE FW 13 48V 6 14 LINE FW 14 48V L 15 LINE FW 15 48V R 16 LINE FW 16 48V 75Hz 18dB/OCT 75Hz 18dB/OCT 75Hz 18dB/OCT 75Hz 18dB/OCT 75Hz 18dB/OCT 75Hz 18dB/OCT 75Hz 18dB/OCT 75Hz 18dB/OCT 75Hz 18dB/OCT 75Hz 18dB/OCT 75Hz 18dB/OCT 75Hz 18dB/OCT 75Hz 18dB/OCT 75Hz 18dB/OCT GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 U U U U U U U U U U U U U U U U 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U 60 -20dB +40dB SEND PRE POST U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz U HIGH 12kHz -15 +15 2k FREQ -15 +15 2k FREQ -15 +15 2k FREQ -15 +15 2k FREQ -15 +15 2k FREQ -15 +15 2k FREQ -15 +15 2k FREQ -15 +15 2k FREQ -15 +15 2k FREQ -15 +15 2k FREQ -15 +15 2k FREQ -15 +15 2k FREQ -15 +15 2k FREQ -15 +15 2k FREQ -15 +15 2k FREQ -15 +15 2k FREQ 400 8k 400 8k 400 8k 400 8k 400 8k 400 8k 400 8k 400 8k 400 8k 400 8k 400 8k 400 8k 400 8k 400 8k 400 8k 400 8k U HIGH MID U HIGH MID U HIGH MID U HIGH MID U HIGH MID U HIGH MID U HIGH MID U HIGH MID U HIGH MID U HIGH MID U HIGH MID U HIGH MID U HIGH MID U HIGH MID U HIGH MID U HIGH MID -15 +15 400 FREQ -15 +15 400 FREQ -15 +15 400 FREQ -15 +15 400 FREQ -15 +15 400 FREQ -15 +15 400 FREQ -15 +15 400 FREQ -15 +15 400 FREQ -15 +15 400 FREQ -15 +15 400 FREQ -15 +15 400 FREQ -15 +15 400 FREQ -15 +15 400 FREQ -15 +15 400 FREQ -15 +15 400 FREQ -15 +15 400 FREQ 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID 100 2k U LOW MID PREMIUM ANALOG MIXER w/ PERKINS EQ & FIREWIRE LAMP 12V 0.5A CTRL ROOM/PHONES SOURCE MAIN MIX TAPE SUB 1-2 SUB 3-4 FW 1-2 ASSIGN TO MAIN MIX OO MAX CONTROL ROOM OO MAX PHONES 0dB=0dBu LR 20 CLIP 15 10 6 3 0 2 LEVEL 4 SET 7 10 20 30 RUDE SOLO OO OO -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 U LOW 80Hz -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN -15 +15 EQ OUT IN OO MAX TAPE IN TAPE TO MAIN MIX OO MAX SOLO LEVEL PFL AFL SOLO MODE 1 AUX 1 MAX OO 2 AUX 1 MAX OO 3 AUX 1 MAX OO 4 AUX 1 MAX OO 5 AUX 1 MAX OO 6 AUX 1 MAX OO 7 AUX 1 MAX OO 8 AUX 1 MAX OO 9 AUX 1 MAX OO 10 AUX 1 MAX OO OO 11 AUX 1 MAX 12 AUX 1 MAX OO 13 AUX 1 MAX OO 14 AUX 1 MAX OO 15 AUX 1 MAX OO 16 AUX 1 MAX OO SENDS 1-6 TO FW 9-14 SENDS 1 +15 SOLO AUX MASTER RETURNS PRE POST 1 EFX TO MON OO OO +10 +10 TO AUX 5 OO OO OO OO OO OO OO OO 2 MAX 2 MAX 2 MAX 2 MAX 2 MAX 2 MAX 2 MAX 2 MAX 2 MAX 2 MAX 2 MAX 2 MAX 2 MAX 2 MAX 2 MAX 2 MAX OO OO OO OO OO OO OO OO 2 +15 SOLO PRE POST OO 2 OO +10 +10 TO AUX 6 OO OO OO OO OO OO OO OO 3 MAX 3 MAX 3 MAX 3 MAX 3 MAX 3 MAX 3 MAX 3 MAX 3 MAX 3 MAX 3 MAX 3 MAX 3 MAX 3 MAX 3 MAX 3 MAX OO OO OO OO OO OO OO OO 3 +15 SOLO PRE POST OO 3 +10 SEND TO 4 MAX 4 MAX 4 MAX 4 MAX 4 MAX 4 MAX 4 MAX 4 MAX 4 MAX 4 MAX 4 MAX 4 MAX 4 MAX 4 MAX 4 MAX 4 MAX 4 +15 SOLO PRE POST 4 +10 MAIN SUBS OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 MAX 6 MAX PAN OO OO 5 +15 6 +15 SOLO SOLO PRE POST CR/PHONES ONLY PRE POST SUBS 1-2 3-4 POWER DESTINATION MIC OO OO OO OO L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R PHONES AUX 1-6 OO MAX LEVEL MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE TALKBACK EXTERNAL MIC SUB ASSIGN L L L L MAIN MIX MAIN MIX MAIN MIX MAIN MIX R R R R ASSIGN TO FW 15-16 SUB1 SUB2 SUB3 SUB4 dB OL OL OL OL OL OL OL OL OL OL OL OL OL OL OL OL 10 +10 +10 +10 +10 +10 +10 +10 +10 +10 +10 +10 +10 +10 +10 +10 +10 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 U -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 5 SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB SUB ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN ASSIGN 10 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 1-2 20 30 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 3-4 40 50 60 MAIN MIX MAIN MIX MAIN MIX MAIN MIX MAIN MIX MAIN MIX MAIN MIX MAIN MIX MAIN MIX MAIN MIX MAIN MIX MAIN MIX MAIN MIX MAIN MIX MAIN MIX MAIN MIX SOLO 1 SOLO 2 SOLO 3 SOLO 4 SOLO 5 SOLO 6 SOLO 7 SOLO 8 SOLO 9 SOLO SOLO SOLO SOLO SOLO SOLO SOLO SUBS 1-4 TO FW 5-8 10 11 12 13 14 15 16 SUB1 SUB2 SUB3 SUB4 MAIN MIX OO Headphones press FW button ( ) to send Auxes 1-6 to computer via FireWire channels 9-14 Set Aux 1 & 2 PRE for monitors (switch UP) Set Aux 3 & 4 POST for external processors (switch DOWN) press FW button ( ) to send main mix to computer via FireWire channels 15 and 16 Mackie SRM450v2 Powered Speakers (Stage Monitors) Aux Send 1 Reverb (Aux Send 3) Delay (Aux Send 4) SRM150 Powered Monitor for keyboard player (Aux Send 2) This diagram shows an electric guitar connected to the channel 1 line input via an amp modeler, a bass guitar connected directly to channel 2 (hi-z switch in), microphones connected to channel 3-8 mic inputs, and a keyboard connected to the channel 9 and 10 inputs. An iPod® dock connects to the tape input. Headphones are used to monitor levels. A dynamics processor is connected to the insert jack of channel 2 to work its magic on your bass. Vocal compressors are connected to the channel 7 and 8 inserts. A stereo compressor is connected to the main inserts. SRM450v2 powered speakers are used as stage monitors for the band; they are connected to the aux 1 send jack (in pre-fader mode). An SRM150 powered speaker receives a mono input from aux 2 send (in pre-fader mode), and is used as a monitor for your keyboard player. A reverb processor receives a mono input from aux 3 send (in post-fader mode), and its stereo outputs connect to the stereo aux 3 return inputs. A delay processor receives a mono input from aux 4 send (in post-fader mode), and its stereo outputs connect to the stereo aux 4 return inputs. The aux 5 and 6 sends are sent directly to the computer for processing by whatever VST plug-ins you may desire. These are then returned for playback on channels 15/16. The club is driven by connecting a pair of HD1801 powered subwoofers and a pair of HD1531 powered speakers to the main left and right outputs. Recording outputs 1-16 may be used in lieu of a splitter. All inputs fed into the monitor board may then be re-routed from these outputs into a separate front-of-house console. A laptop connects to a FireWire port, allowing the 2-channel main mix, and individual channels to be recorded. Any music (iTunes®, mp3s, or other pre-recorded audio) can be played back from the laptop. These can enter as either a source for the control room and phones, or any available channels. Typical Live Sound System Owner's Manual 7