Mackie Onyx 820i Owner's Manual - Page 14

1 ONYX MIC PRE 8 9 INSERT 10 18 1 LINE BAL/UNBAL LINE HI-Z 19 48V 20 2 ONYX MIC PRE 3-4 ONYX MIC PRE AUX SEND BAL/UNBAL 1 12 AUX RETURN 1 BAL/UNBAL 2 L (MONO) 13 MAIN OUT BAL/UNBAL L TAPE IN OUT L 14 15 16 2 R R R INSERT 11 L (MONO) BAL/UNBAL 2 LINE BAL/UNBAL LINE HI-Z LINE R +4dB -10dB 48V 48V LINE IN 5-6 LINE IN 7-8 L 11 (MONO) BAL/UNBAL R L 11 (MONO) BAL/UNBAL R 17 PREMIUM ANALOG MIXER w/ PERKINS EQ & FIREWIRE Connection Section This is where you plug in things such as: microphones, line-level instruments, guitars, effects, a recorder, PA system, powered monitors, powered subwoofer, etc. Check out the hookup diagrams for some connection ideas. See Appendix B (page 29) for further details and some rather lovely drawings of the connectors you can use with your mixer. 8. MIC INPUTS This is a female XLR connector, that accepts a balanced microphone input from almost any type of microphone. The microphone preamps feature our Onyx design, with higher fidelity and headroom rivaling any standalone mic preamp on the market today. The XLR inputs are wired as follows: Pin 1 = Shield or ground Pin 2 = Positive (+ or hot) Pin 3 = Negative (- or cold) PHANTOM POWER Most modern professional condenser mics require 48V phantom power, which lets the mixer send low-current DC voltage to the mic's electronics through the same wires that carry audio. (Semi-pro condenser mics often have batteries to accomplish the same thing.) "Phantom" owes its name to an ability to be "unseen" by dynamic mics (Shure SM57/SM58, for instance), which don't need external power and aren't affected by it anyway. Phantom power for each channel can be selected using that channel's phantom [20] switch. Never plug single-ended (unbalanced) microphones, or ribbon mics into the mic input jacks if phantom power is on. Do not plug instrument outputs into the mic XLR input jacks with phantom power on, unless you are certain it is safe. We use phantom-powered, balanced microphone inputs just like the big studio mega-consoles, for exactly the same reason: This kind of circuit is excellent at rejecting hum and noise. You can plug in almost any kind of mic that has a standard XLR-type male mic connector. Professional ribbon, dynamic, and condenser mics all sound excellent through these inputs. The mic inputs will handle any kind of mic level you can toss at them, without overloading. 9. INSERT (Ch. 1 and 2) These unbalanced 1/4" jacks on channels 1 and 2, are for connecting serial effects processors such as compressors, equalizers, de-essers, or filters. The insert point is after the gain control [23] and low cut filter [19], but before the channel's EQ and level [36]. The channel signal can go out of the insert jack to an external device, be processed and come back in on the same insert jack. To do this requires a standard insert cable that must be wired thusly: Microphone-level signals are passed through the mixer's splendid microphone preamplifiers to become line-level signals. The mic input of hybrid channels 3-4 is fed equally to channels 3 and 4. Tip = send (output to effects device) Ring = return (input from effects device) Sleeve = common ground ring tip sleeve (TRS plug) SEND to processor "tip" 14 Onyx 820i This plug connects to one of the mixer's Channel Insert jacks. "ring" RETURN from processor