Yamaha EL-100 Owner's Manual - Page 25

Page/Section 9. Lead OBOE 10. Upper/Lower CLARINET 11. Upper/Lower SAXOPHONE 12. Upper/Lower TUTTI 13. Upper/Lower CHORUS 14. Upper HARMONICA 15. Upper/Lower ORGAN 16. Pedal ORGAN BASS 17. Upper/Lower PIANO Voice Name ● 01: Oboe 1 ● 02: Oboe 2 ● 03: English Horn ● 04: Bassoon 1 05: Bassoon 2 ● 01: Clarinet 1 ● 02: Clarinet 2 ● 03: Bass Cla. ● 04: Synth. Cla. 1 05: Synth. Cla. 2 ● 01: Saxophone 1 ● 02: Saxophone 2 ● 03: Sopra. Sax. 04: Sax. Ens. 1 05: Sax. Ens. 2 06: Synth. Sax. ● 07: Synth. Lead 1 08: Synth. Lead 2 09: Synth. Lead 3 10: Synth. Lead 4 11: Synth. Lead 5 ● 01: Tutti 1 ● 02: Tutti 2 ● 03: Tutti 3 ● 04: Tutti 4 05: Tutti 5 06: Tutti 6 07: Tutti 7 ● 01: Chorus 1 ● 02: Chorus 2 ● 03: Chorus 3 04: Chorus 4 05: Chorus 5 ● 06: Vocal ● 01: Harmonica 1 ● 02: Harmonica 2 ● 01: Organ 1 02: Organ 2 03: Organ 3 04: Organ 4 ● 05: Jazz Organ 1 06: Jazz Organ 2 07: Jazz Organ 3 08: Jazz Organ 4 ● 09: Pop Organ 1 10: Pop Organ 2 11: Theat. Organ 1 12: Theat. Organ 2 ● 13: Accordion 14: Bandoneon ● 01: Organ Bass 1 ● 02: Organ Bass 2 ● 03: Organ Bass 3 ● 04: Organ Bass 4 ● 01: Piano 1 02: Piano 2 03: Honkytonk ● 04: Elec. Piano 1 ● 05: Elec. Piano 2 06: Elec. Piano 3 ● 07: Harpsichord 08: Clavi. 09: Clavichord Preset Feet Effect 8' - 8' - 8' - U16'/L8' - U16'/L8' - 8' - 8' - 8' - 8' - 8' - U16'/L8' - U16'/L8' - 8' - U16'/L8' - U16'/L8 - 8' - 8' - 8' - 4' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 8' - 16' Chor. 16' Trem. 16' Trem. 16' Chor. 8' Chor. 8' Chor. 8' Sym. 8' - 8' - 8' - 8' - 16' - 16' - 16' - 8' - 8' - 8' - 8' Cele. 8' Cele. 8' - 8' - 16' - 8' - Comments Softer oboe. Rounder tone with characteristic tonguing. For fast phrases. Cor Anglais. For legato playing. For staccato playing. Standard clarinet. Clarinet solo for jazz and contemporary. Bass clarinet with fat and resonant sounds. Resonant synth. clarinet. Synth. reed with a unique attack sound. Alto sax. Characteristic tenor sax with strong tonguing. Standard soprano sax. Softer sounds for classicals. Saxophone section for bigband. Wind synthesizer with thick sounds in the middle and lower range. Softer analog synth. reed. Clear synth. reed with a sharp attack. Hoarse noise reed. Digital synth. reed. Synth. reed with thick fourth notes. Strings unison and wood winds ensemble. Strings unison and the brasses. The brasses for classicals and bands. Big band. Softer playing = sax only. Harder playing = 1 octave higher brasses added. Wood winds ensemble. Instruments vary depending on the register played. Wood winds quintet. Brass ensemble. Female "Ah". Male "Wh". Mixed chorus. Mixed chorus with beautiful resonance. Wh. Scat type vocal ensemble. Accentuated solo vocal, "Ah". Standard type with pitch modulated vibrato. Solo harmonica with filter and amplitude modulated vibrato. Small pipe organ. 8'. Big pipe organ with full coupler. Nasard stops. 8'+2 2/3'. Harmonium. For solo playing. 16'+8'+5 1/3'. 16'+8'+2'. For cluster playing. 16'+1 3/5'+1 1/3'+1'. Fat and noisy jazz organ. Bright sounds for jazz. 8'+4'+2 2/3'. For multi purposes. 8'+4' with slower attack. 16'+8' with slower attack. Slower attack. Attack can be controlled by initial touch. Combination organ bass. Pipe organ bass 1. Standard type. For jazz. 16'. Pipe organ bass 2. Full coupler. For multi purposes. Brighter sounds. CP80 type. Honky tonk piano. DX7 type. Old fashioned, full bodied electric piano. Electric piano with clearly brilliant but deep sounds. Standard cembalo. Funky clavi. Clavichord with stable and grave sounds. Voice Sections 2 25