Yamaha MD8 Owner's Manual - Page 50

Preparing for Ping-Pong, channels to assign the signals to the destination track.

Page 50 highlights

42 Recording & Mixing Techniques Track 8 Track 7 Track 6 Track 5 Track 4 Track 3 Track 2 Track 1 Source Tracks 1 GAIN 2 GAIN 3 GAIN 4 GAIN 5 GAIN 6 GAIN 7 GAIN 8 GAIN LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC PB MIC/ PB MIC/ PB MIC/ PB MIC/ PB MIC/ PB MIC/ PB MIC/ PB MIC/ LINE LINE LINE LINE LINE LINE LINE LINE FLIP FLIP FLIP FLIP FLIP FLIP FLIP FLIP CUE CUE CUE CUE CUE CUE CUE CUE P P P P P P P P A A A A A A A A N N N N N N N N L R L R L R L R L R L R L R L R 0 HIGH L E V E L 10 0 HIGH L E V E L 10 0 HIGH L E V E L 10 0 HIGH L E V E L 10 0 HIGH L E V E L 10 0 HIGH L E V E L 10 0 HIGH L E V E L 10 0 HIGH L E V E L 10 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 MID MID MID MID MID MID MID MID F F F F F F F F 250 5k 250 5k 250 5k 250 5k 250 5k 250 5k 250 5k 250 5k G G G G G G G G -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 LOW LOW LOW LOW LOW LOW LOW LOW -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 AUX AUX AUX AUX AUX AUX AUX AUX 1 1 1 1 1 1 1 1 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 2 2 2 2 2 2 2 2 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 GROUP ASSIGN GROUP ASSIGN GROUP ASSIGN GROUP ASSIGN GROUP ASSIGN GROUP ASSIGN GROUP ASSIGN GROUP ASSIGN 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 PAN PAN PAN PAN PAN PAN PAN PAN L ODD 10 9 8 7 6 5 4 3 2 1 0 R L EVEN ODD 10 9 8 7 6 5 4 3 2 1 0 R L EVEN ODD 10 9 8 7 6 5 4 3 2 1 0 R L EVEN ODD 10 9 8 7 6 5 4 3 2 1 0 R L EVEN ODD 10 9 8 7 6 5 4 3 2 1 0 R L EVEN ODD 10 9 8 7 6 5 4 3 2 1 0 R L EVEN ODD 10 9 8 7 6 5 4 3 2 1 0 R L EVEN ODD 10 9 8 7 6 5 4 3 2 1 0 R EVEN 1 2 3 4 5 6 7 8 Destination Track Track 4 Track 4 Track 4 Track 4 Track 4 Track 3 Track 2 Track 1 Preparing for Ping-Pong 1. Press the [ ] SONG SEARCH button to locate the beginning of the song. 2. Set the [FLIP] switches on the source track channels to PB. This sets the disc playback (track) signal as the source for the channels. 3. Set the faders on the source channels to the 7-8 mark. 4. Use the GROUP ASSIGN switches and PAN controls on the source track channels to assign the signals to the destination track. See GRP Method on page 18 for information about using the GROUP ASSIGN switches and PAN controls to assign signals to tracks. 5. Hold down [GROUP] while pressing the [REC SELECT] button of the destination track. A dot flashes above the corresponding track indicator. Using the GRP recording mode is necessary because the source tracks need to be connected internally to the destination track. Ping-Pong does not yield the desired result in DIR mode (direct connection between the inputs and tracks). 6. Press the MONITOR SELECT [GROUP] switch for the destination track. This sets the monitor source to the destination track. 7. Set the MONITOR LEVEL control as required. MD8-Owner's Manual

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42
Recording & Mixing Techniques
MD8—Owner’s Manual
Preparing for Ping-Pong
1.
Press the [
] SONG SEARCH button to locate the beginning of the song.
2.
Set the [FLIP] switches on the source track channels to PB.
This sets the disc playback (track) signal as the source for the channels.
3.
Set the faders on the source channels to the 7
8 mark.
4.
Use the GROUP ASSIGN switches and PAN controls on the source track
channels to assign the signals to the destination track.
See
GRP Method
on page 18 for information about using the GROUP ASSIGN switches and
PAN controls to assign signals to tracks.
5.
Hold down [GROUP] while pressing the [REC SELECT] button of the des-
tination track.
A dot flashes above the corresponding track indicator. Using the GRP recording mode is nec-
essary because the source tracks need to be connected internally to the destination track.
Ping-Pong does not yield the desired result in DIR mode (direct connection between the
inputs and tracks).
6.
Press the MONITOR SELECT [GROUP] switch for the destination track.
This sets the monitor source to the destination track.
7.
Set the MONITOR LEVEL control as required.
Destination Track
Source
Tracks
Track 4
Track 5
Track 6
Track 7
Track 8
Track 3
Track 2
Track 1
Track 4
Track 4
Track 4
Track 4
Track 4
Track 3
Track 2
Track 1
LINE
GAIN
HIGH
MID
LOW
AUX
PAN
MIC
L
R
8
8
10
9
8
7
6
5
4
3
2
1
0
–15
+15
–15
+15
–15
+15
250
5k
FLIP
CUE
0
10
F
G
1
0
10
2
0
10
1
2
3
4
GROUP ASSIGN
L
ODD
R
EVEN
LINE
GAIN
HIGH
MID
LOW
AUX
PAN
MIC
L
R
7
7
10
9
8
7
6
5
4
3
2
1
0
–15
+15
–15
+15
–15
+15
250
5k
FLIP
CUE
0
10
F
G
1
0
10
2
0
10
1
2
3
4
GROUP ASSIGN
L
ODD
R
EVEN
LINE
GAIN
HIGH
MID
LOW
AUX
PAN
MIC
L
R
6
6
10
9
8
7
6
5
4
3
2
1
0
–15
+15
–15
+15
–15
+15
250
5k
FLIP
CUE
0
10
F
G
1
0
10
2
0
10
1
2
3
4
GROUP ASSIGN
L
ODD
R
EVEN
LINE
GAIN
HIGH
MID
LOW
AUX
PAN
MIC
L
R
5
5
10
9
8
7
6
5
4
3
2
1
0
–15
+15
–15
+15
–15
+15
250
5k
FLIP
CUE
0
10
F
G
1
0
10
2
0
10
1
2
3
4
GROUP ASSIGN
L
ODD
R
EVEN
LINE
GAIN
HIGH
MID
LOW
AUX
PAN
MIC
L
R
4
4
10
9
8
7
6
5
4
3
2
1
0
–15
+15
–15
+15
–15
+15
250
5k
FLIP
CUE
0
10
F
G
1
0
10
2
0
10
1
2
3
4
GROUP ASSIGN
L
ODD
R
EVEN
LINE
GAIN
HIGH
MID
LOW
AUX
PAN
MIC
L
R
3
3
10
9
8
7
6
5
4
3
2
1
0
–15
+15
–15
+15
–15
+15
250
5k
FLIP
CUE
0
10
F
G
1
0
10
2
0
10
1
2
3
4
GROUP ASSIGN
L
ODD
R
EVEN
LINE
GAIN
HIGH
MID
LOW
AUX
PAN
MIC
L
R
2
2
10
9
8
7
6
5
4
3
2
1
0
–15
+15
–15
+15
–15
+15
250
5k
FLIP
CUE
0
10
F
G
1
0
10
2
0
10
1
2
3
4
GROUP ASSIGN
L
ODD
R
EVEN
LINE
GAIN
HIGH
MID
LOW
AUX
PAN
MIC
L
R
1
1
10
9
8
7
6
5
4
3
2
1
0
–15
+15
–15
+15
–15
+15
250
5k
FLIP
PB
MIC/
LINE
CUE
0
10
F
G
1
0
10
2
0
10
1
2
3
4
GROUP ASSIGN
L
ODD
R
EVEN
P
A
N
L
E
V
E
L
PB
MIC/
LINE
P
A
N
L
E
V
E
L
PB
MIC/
LINE
P
A
N
L
E
V
E
L
PB
MIC/
LINE
P
A
N
L
E
V
E
L
PB
MIC/
LINE
P
A
N
L
E
V
E
L
PB
MIC/
LINE
P
A
N
L
E
V
E
L
PB
MIC/
LINE
P
A
N
L
E
V
E
L
PB
MIC/
LINE
P
A
N
L
E
V
E
L