Yamaha MT50 Owner's Manual - Page 35

Glossary

Page 35 highlights

Specifications 31 Glossary AUX RETURN (Auxiliary Return) - The AUX RETURN control determines the amount of signal that is fed back to the MT50 via the AUX RETURN input connectors (generally after processing by an external effects unit connected to the AUX SEND). AUX SEND (Auxiliary Send) - Each module includes an AUX SEND control, which determines the amount of signal fed to the AUX SEND output connector (generally for processing by an external effects unit). Capstan - The slender, pin-like component adjacent to the roller. The tape passes between the capstan and roller. CUE slider - Each module includes a CUE slider, which controls the amount of signal fed to the CUE signal path. The MONITOR SELECT switch includes a setting for CUE monitoring. DAT (Digital Audio Tape) - Audio tape that records a digital, as opposed to analog, signal on a magnetic recording tape. DAT machines are often used as master recording units. dbx noise reduction - Tape recording is always noisy. MT50 uses dbx noise reduction to reduce noise and keep your recordings clean and crisp. Demagnetizer - A hand-held device shaped like a small wand attached to an electric cord. The demagnetizer removes the magnetic field that routinely builds up on a recording head and is an integral part of maintaining any tape recorder. Equalization (EQ) - The process of adjusting (boosting or cutting) the high and low frequency ranges for optimal sound. Each module contains both a HIGH and LOW equalization control, which function much like the bass and treble controls on a stereo hi-fi system. Fader - Each module contains a fader, which is a large slider that controls the input level during recording and the output level during playback. FSK (Frequency Shift Keying) - A device that translates MIDI clock data into frequencies that can be recorded for synchronization purposes. GAIN switch - Various musical instruments and devices output different levels of signal. Gain is a measure of electronic input over output. Each module includes a GAIN switch that can be set to line, instrument, or microphone levels. Head - The delicate metal component that touches the magnetic recording tape, imparting the signal to be recorded. Instrument level - The level of gain output by such devices as an electric bass or guitar. Set the GAIN switch to about halfway for an instrument-level. Line level - The level of gain output by such devices as a synthesizer, drum machine, CD player, etc. The lowest setting of the GAIN switch. Master recorder - A second tape recorder used during the mixdown process. The master recorder can be any two-track stereo recorder, such as a standard cassette, reel-to-reel, or DAT recorder. MIC/LINE input - Each module includes a MIC/LINE input to connect a musical instrument or electronic device for recording. MT50 User's Guide

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Specifications
31
MT50 User’s Guide
Glossary
AUX RETURN (Auxiliary Return)
— The AUX RETURN control
determines the amount of signal that is fed back to the MT50 via the AUX
RETURN input connectors (generally after processing by an external
effects unit connected to the AUX SEND).
AUX SEND (Auxiliary Send)
— Each module includes an AUX SEND
control, which determines the amount of signal fed to the AUX SEND out-
put connector (generally for processing by an external effects unit).
Capstan
— The slender, pin-like component adjacent to the roller. The
tape passes between the capstan and roller.
CUE slider
— Each module includes a CUE slider, which controls the
amount of signal fed to the CUE signal path. The MONITOR SELECT
switch includes a setting for CUE monitoring.
DAT (Digital Audio Tape)
— Audio tape that records a digital, as
opposed to analog, signal on a magnetic recording tape. DAT machines are
often used as master recording units.
dbx noise reduction
— Tape recording is always noisy. MT50 uses dbx
noise reduction to reduce noise and keep your recordings clean and crisp.
Demagnetizer
A hand-held device shaped like a small wand attached
to an electric cord. The demagnetizer removes the magnetic field that rou-
tinely builds up on a recording head and is an integral part of maintaining
any tape recorder.
Equalization (EQ)
The process of adjusting (boosting or cutting) the
high and low frequency ranges for optimal sound. Each module contains
both a HIGH and LOW equalization control, which function much like the
bass and treble controls on a stereo hi-fi system.
Fader
— Each module contains a fader, which is a large slider that controls
the input level during recording and the output level during playback.
FSK (Frequency Shift Keying)
— A device that translates MIDI clock
data into frequencies that can be recorded for synchronization purposes.
GAIN switch
Various musical instruments and devices output differ-
ent levels of signal. Gain is a measure of electronic input over output. Each
module includes a GAIN switch that can be set to line, instrument, or
microphone levels.
Head
The delicate metal component that touches the magnetic record-
ing tape, imparting the signal to be recorded.
Instrument level
The level of gain output by such devices as an elec-
tric bass or guitar. Set the GAIN switch to about halfway for an instru-
ment-level.
Line level
— The level of gain output by such devices as a synthesizer,
drum machine, CD player, etc. The lowest setting of the GAIN switch.
Master recorder
— A second tape recorder used during the mixdown
process. The master recorder can be any two-track stereo recorder, such as
a standard cassette, reel-to-reel, or DAT recorder.
MIC/LINE input
Each module includes a MIC/LINE input to con-
nect a musical instrument or electronic device for recording.