Yamaha N12 Owners Manual - Page 38

HARDWARE MIX, 1 MIX, Setting up a musician's monitor, AUDIO TRACK, INPUT CHANNEL

Page 38 highlights

English STEREO BUS Using the n8/n12 with Cubase 4/Cubase Studio 4/Cubase AI 4 ■ HARDWARE MIX In this Work mode, the output signal from each Cubase audio track is individually input to each n8/n12 input channel, then mixed and processed via the compressor or equalizer. When this mode is selected, signals sent from the DAW (DAW inputs) will be selected as the input source for all input channels, and the DAW LED in the INPUT SELECT switch area will light up. Cubase AUDIO TRACK AUDIO TRACK AUDIO TRACK AUDIO TRACK n8/n12 INPUT CHANNEL INPUT CHANNEL INPUT CHANNEL INPUT CHANNEL C-R OUT ST OUT ■ 5.1 MIX Only In this mode, audio tracks are routed to the Cubase surround buses. The signals mixed to the surround buses can be monitored via the n12 Control Room monitor. For more information on surround monitoring, refer to page 48. NOTE • You cannot set Work mode to 5.1 MIX if you are using Cubase Studio 4 or Cubase AI 4, since neither application supports the surround environment. • Before you can begin switching Work modes, you must first create I/O buses in Cubase so that audio data can be transferred between Cubase and the n8/n12. If you create a project using one of the n8/n12 project templates, the I/O buses will be created automatically. If you wish to use Work mode, create a new project from one of the project templates. If you plan to create I/O buses manually, refer to the Appendix for information on how to set up the buses. Setting up a musician's monitor If the Work mode on the n8/n12 is set to ST MIX, Cubase audio tracks will be mixed in the Cubase mixer, then output to the n8/n12. If necessary, you can make another audio track mix independent from the main mix (the mix output to the n8/n12). This independent mix can be used as a musician's monitor. To create a musician's mix, transfer Cubase audio track output directly to the n8/n12 AUX bus by using the Cubase mixer send. In the n8/n12 project templates, each audio track send has already been assigned to the n8/n12 AUX bus. By adjusting the send level for each audio track in Cubase in the same way as when you create a musician's mix by using the n8/n12 [AUX] control, you can create a musician's mix. If you create a new audio track, or if you create a project without using the n8/n12 project templates, assign the n8/n12 AUX buses to the audio track sends in Cubase. Cubase AUDIO TRACK AUDIO TRACK MIX AUDIO TRACK AUDIO TRACK n8/n12 AUX BUS LR INPUT CHANNEL DAW TO AUX AUX OUT Only AUX PHONE To transfer signals to the n8/n12 AUX buses from Cubase, "n12 (n8) AUX L/R" must be assigned to the device (audio) port for the output buses (that are assigned to the Cubase audio track sends). The assignments in the n8/n12 project templates are as follows: Output bus n12(n8)-AUX Device (Audio) port n12(n8) AUX L/R You can adjust the volume of the entire monitoring signal either in Cubase or on the n8/n12. You can use the following controls to adjust the volume of the n8/n12's monitor signal. For the n8 [AUX PHONES] control For the n12 [AUX PHONES] control and [AUX LEVEL] control NOTE If you are using Cubase 4, disable Cubase 4's Control Room function. 38 Owner's Manual

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Using the n8/n12 with Cubase 4/Cubase Studio 4/Cubase AI 4
Owner’s Manual
38
English
HARDWARE MIX
In this Work mode, the output signal from each Cubase
audio track is individually input to each n8/n12 input
channel, then mixed and processed via the compressor
or equalizer.
When this mode is selected, signals sent from the DAW
(DAW inputs) will be selected as the input source for all
input channels, and the DAW LED in the INPUT SELECT
switch area will light up.
5.1 MIX
In this mode, audio tracks are routed to the Cubase
surround buses. The signals mixed to the surround
buses can be monitored via the n12 Control Room
monitor. For more information on surround monitoring,
refer to page 48.
You cannot set Work mode to 5.1 MIX if you are
using Cubase Studio 4 or Cubase AI 4, since
neither application supports the surround
environment.
Before you can begin switching Work modes, you
must first create I/O buses in Cubase so that
audio data can be transferred between Cubase
and the n8/n12. If you create a project using one
of the n8/n12 project templates, the I/O buses will
be created automatically. If you wish to use Work
mode, create a new project from one of the
project templates. If you plan to create I/O buses
manually, refer to the Appendix for information on
how to set up the buses.
Setting up a musician’s monitor
If the Work mode on the n8/n12 is set to ST MIX,
Cubase audio tracks will be mixed in the Cubase
mixer, then output to the n8/n12. If necessary, you
can make another audio track mix independent from
the main mix (the mix output to the n8/n12). This
independent mix can be used as a musician’s
monitor.
To create a musician’s mix, transfer Cubase audio
track output directly to the n8/n12 AUX bus by using
the Cubase mixer send.
STEREO
BUS
C-R
OUT
ST
OUT
Cubase
n8/n12
AUDIO TRACK
INPUT CHANNEL
AUDIO TRACK
INPUT CHANNEL
AUDIO TRACK
INPUT CHANNEL
AUDIO TRACK
INPUT CHANNEL
Only
NOTE
In the n8/n12 project templates, each audio track
send has already been assigned to the n8/n12 AUX
bus. By adjusting the send level for each audio track
in Cubase in the same way as when you create a
musician’s mix by using the n8/n12 [AUX] control,
you can create a musician’s mix.
If you create a new audio track, or if you create a
project without using the n8/n12 project templates,
assign the n8/n12 AUX buses to the audio track
sends in Cubase.
To transfer signals to the n8/n12 AUX buses from
Cubase, “n12 (n8) AUX L/R” must be assigned to the
device (audio) port for the output buses (that are
assigned to the Cubase audio track sends). The
assignments in the n8/n12 project templates are as
follows:
You can adjust the volume of the entire monitoring
signal either in Cubase or on the n8/n12.
You can use the following controls to adjust the
volume of the n8/n12’s monitor signal.
For the n8
[AUX PHONES] control
For the n12
[AUX PHONES] control and [AUX LEVEL] control
AUX BUS
LR
MIX
DAW TO
AUX
AUX OUT
AUX
PHONE
Cubase
n8/n12
AUDIO TRACK
AUDIO TRACK
AUDIO TRACK
AUDIO TRACK
INPUT
CHANNEL
Only
Output bus
n12(n8)-AUX
Device (Audio) port
n12(n8) AUX L/R
If you are using Cubase 4, disable Cubase 4’s
Control Room function.
NOTE