Yamaha P-200 Owner's Manual - Page 54
Channel - p200 keyboard
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PC TX BankMSB % V01=( 1/ 1) 1 MSB number LSB number q MSB/LSB (Off, 0 ~ 127) This parameter lets you designate the MSB/LSB bank select number. When set to Off (default), the P-200 will not transmit the bank select number. NOTE Pressing the [1/NO] button lets you select Off for MSB/LSB and Program Change Number. When Off is selected for MSB, LSB will also switch off, and vice-versa. Bank Select (PC Table) BANK PROGRAM MSB LSB Bank 1 1 ~ 128 1 1 Bank 2 1 ~ 128 1 2 Bank 3 1 ~ 128 1 3 Bank 4 1 ~ 128 1 4 " " " " " " " " PC TX % V01=( 1/ 1) 1 Program Change number q PROGRAM CHANGE NUMBER (Off, 1 ~ 128) This parameter lets you designate the program change number for the currently accessed [SELECT] button. When set to Off, no program change numbers will be transmitted. PROGRAM CHANGE RECEIVE The Program Change Receive function lets you assign program change receive numbers to the internal voices and Performances, according to the [SELECT] buttons. The P-200 can receive a program change message from an external MIDI device, in order to select any of the 12 voices or 24 Performances. At the factory your P-200 was preset so that each [SELECT] button will receive the program change number message corresponding to the number above the button in Voice mode (1 ~ 12), followed by subsequent numbers in Performance mode, for A and B banks (13 ~ 36). Therefore, when the P-200 is in Voice mode, when an external controller connected to the P-200 sends a program change number 1 message, the PIANO 1 voice will be selected; if it sends a program change number 2 message, the PIANO 2 voice will be selected, and so on. If it sends a program change number 13 message, Performance A01 will be selected; if it sends a program change number 25 message, Performance B01 will be selected, and so on. Whenever the P-200 receives a program change message, it will check the program change receive table to determine whether a voice or Performance has been assigned to the Received program change number. If so, the main voice will automatically switch to the voice indicated by the program change receive table. (If the P-200 is in Dual mode, this will cause it to shift to Single mode.) If the program change function has been turned off for that number the message will simply be ignored. PC RX & 1=V01 Program Change number q PROGRAM CHANGE NUMBER (1~128) This parameter lets you designate a program change receive number. As you step through each one, the SELECT assignment will appear to the right. PC RX & 1=V01 Select Assign q SELECT ASSIGN (V01~V12, A01~A12, B01~B12, Off) This parameter lets you assign which [SELECT] button to assign to the currently designated Program Change Number. NOTE You can choose a specific Voice button number by holding [VOICE] and pressing the desired [VOICE SELECT] button. You can choose a specific Performance A bank button number by holding [PERF. A] and pressing the desired [PERFORMANCE SELECT] button. You can choose a specific Performance B bank button number by holding [PERF. B] and pressing the desired [PERFORMANCE SELECT] button. NOTE Pressing the [1/NO] button lets you select Off for Program Change Number and Select Assign. s Channel The Channel function lets you assign the P-200's MIDI transmit and receive channel numbers or status. It also lets you set independent channel settings for the main and sub voices, for both transmitting and receiving. This makes it possible to apply the Split mode to the voices of a connected tone generator as well as the voices of the P-200 itself. When connecting the P-200 to an external MIDI device, such as a multitimbral tone generator or synthesizer, you will need to set the P-200's transmit channel to the same number as the external device's receive channel, in order to play the external instrument with the P-200's keyboard. Likewise, you will need to set the P-200's receive channel to the same number as an external keyboard's transmit channel in order to play the P200's internal voices from an external keyboard. (For more information, see Using MIDI, page 64.) 54