Yamaha PSR-S775 PSR-S975/PSR-S775 Reference Manual - Page 45

HIGH KEY / NOTE LIMIT, RTR Retrigger Rule, PITCH SHIFT

Page 45 highlights

3 HIGH KEY / NOTE LIMIT The settings here adjust the Octave of the notes converted from the original ones through NTT and NTR. [4 ]/ HIGH KEY [5 ] This sets the highest key (upper octave limit) of the note transposition for the chord root change. Any notes calculated to be higher than the highest key are transposed down to the next lowest octave. This setting is available only when the NTR parameter (page 43) is set to "Root Trans." Example-When the highest key is F. Root changes Notes played [6 ] NOTE LIMIT These set the note range (highest and lowest notes) for Voices recorded to LOW the Style channels. By judicious setting of this range, you can ensure that [7 ] NOTE LIMIT HIGH the Voices sound as realistic as possible-in other words, that no notes outside the natural range are sounded (e.g., high bass sounds or low piccolo sounds). 2 Styles Example-When the lowest note is C3 and the highest is D4. Root changes Notes played High Limit Low Limit 4 RTR (Retrigger Rule) These settings determine whether notes stop sounding or not and how they change pitch in response to chord changes. STOP PITCH SHIFT PITCH SHIFT TO ROOT RETRIGGER RETRIGGER TO ROOT The notes stop sounding. The pitch of the note will bend without a new attack to match the type of the new chord. The pitch of the note will bend without a new attack to match the root of the new chord. However, the octave of the new note remains the same. The note is retriggered with a new attack at a new pitch corresponding to the next chord. The note is retriggered with a new attack at the root note of the next chord. However, the octave of the new note remains the same. PSR-S975/S775 Reference Manual 45

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PSR-S975/S775 Reference Manual
45
2
Styles
3 HIGH KEY / NOTE LIMIT
The settings here adjust the Octave of the notes converted from the original ones through NTT and NTR.
4 RTR (Retrigger Rule)
These settings determine whether notes stop sounding or not and how they change pitch in response to
chord changes.
[4

]/
[5

]
HIGH KEY
This sets the highest key (upper octave limit) of the note transposition for
the chord root change. Any notes calculated to be higher than the highest
key are transposed down to the next lowest octave. This setting is avail-
able only when the NTR parameter (
page 43
) is set to “Root Trans.”
[6

]
NOTE LIMIT
LOW
These set the note range (highest and lowest notes) for Voices recorded to
the Style channels. By judicious setting of this range, you can ensure that
the Voices sound as realistic as possible—in other words, that no notes
outside the natural range are sounded (e.g., high bass sounds or low pic-
colo sounds).
[7

]
NOTE LIMIT
HIGH
STOP
The notes stop sounding.
PITCH SHIFT
The pitch of the note will bend without a new attack to match the type of the
new chord.
PITCH SHIFT TO
ROOT
The pitch of the note will bend without a new attack to match the root of the
new chord. However, the octave of the new note remains the same.
RETRIGGER
The note is retriggered with a new attack at a new pitch corresponding to the
next chord.
RETRIGGER TO
ROOT
The note is retriggered with a new attack at the root note of the next chord.
However, the octave of the new note remains the same.
Example—When the highest key is F.
Root changes
Notes played
Example—When the lowest note is C3 and the highest is D4.
Root changes
Notes played
High Limit
Low Limit