Yamaha PSR-S775 PSR-S975/PSR-S775 Reference Manual - Page 92

TALK PSR-S975 PITCH DETECT selected by [E] button, TALK MIXING selected by [E] button

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 (PSR-S975) PITCH DETECT (selected by [E] button) Determines how this instrument detects or recognizes the pitch of the microphone sound you input during performance. [1 ]/ VOCAL TYPE [2 ] Set this to obtain the most natural vocal harmony, depending on your voice. LOW: Setting for lower voices. This setting is also appropriate for growling and shouting. MID: Setting for mid-range voices. HIGH: Setting for higher voices. This setting is also appropriate for singing close to the microphone. FULL: Setting for vocalists having a wide range, from low to high. [3 ]/ BACKGROUND [4 ] NOISE CUT THRU, 200Hz, 300Hz, 400Hz, 500Hz This allows you to filter out low noises that would interfere with the Vocal Harmony effect. A setting of "THRU" turns the noise filter off. [5 ]/ SPEED [6 ] 1 (SLOW) - 4 (NORMAL) - 15 (FAST) Adjusts the response of the Vocal Harmony effect, or how quickly harmonies are generated in response to your voice. NOTE When the Vocal Harmony's Pitch Detect Speed of one or both parts of Lead and Harm. are set to "as Mic Setting" in the DETAIL tab (page 99), this parameter is effective. In other settings, the setting of the Vocal Harmony's Pitch Detect Speed is effective. TALK Page The settings here are for your speech or announcements (NOT your singing performance), and are active when the [F] (TALK) button is set to ON. All indications and parameters (with the exception of TALK MIXING below) are the same as in the MIC/GUITAR page. However, the settings are independent from those in the MIC/GUITAR page. 8 Microphone/Guitar Input  TALK MIXING (selected by [E] button) [1 ] VOLUME Determines the output volume of the microphone sound. [2 ] PAN Determines the stereo pan position of the microphone sound. [3 ] REVERB DEPTH Determines the depth of the reverb effects applied to the microphone sound. [4 ] CHORUS DEPTH Determines the depth of the chorus effects applied to the microphone sound. [5 ]/ REDUCTION [6 ] LEVEL Determines the amount of reduction to be applied to the overall sound (excepting the microphone input)-allowing you to effectively adjust the balance between your voice and the overall instrument sound. 92 PSR-S975/S775 Reference Manual

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92
PSR-S975/S775 Reference Manual
8
Microphone/Guitar Input
(PSR-S975) PITCH DETECT (selected by [E] button)
Determines how this instrument detects or recognizes the pitch of the microphone sound you input during
performance.
TALK Page
The settings here are for your speech or announcements (NOT your singing performance), and are active
when the [F] (TALK) button is set to ON. All indications and parameters (with the exception of TALK
MIXING below) are the same as in the MIC/GUITAR page. However, the settings are independent from
those in the MIC/GUITAR page.
TALK MIXING (selected by [E] button)
[1

]/
[2

]
VOCAL TYPE
Set this to obtain the most natural vocal harmony, depending on your
voice.
LOW:
Setting for lower voices. This setting is also appropriate for growl-
ing and shouting.
MID:
Setting for mid-range voices.
HIGH:
Setting for higher voices. This setting is also appropriate for sing-
ing close to the microphone.
FULL:
Setting for vocalists having a wide range, from low to high.
[3

]/
[4

]
BACKGROUND
NOISE CUT
THRU, 200Hz, 300Hz, 400Hz, 500Hz
This allows you to filter out low noises that would interfere with the Vocal
Harmony effect. A setting of “THRU” turns the noise filter off.
[5

]/
[6

]
SPEED
1 (SLOW) – 4 (NORMAL) – 15 (FAST)
Adjusts the response of the Vocal Harmony effect, or how quickly harmo-
nies are generated in response to your voice.
NOTE
When the Vocal Harmony’s Pitch Detect Speed of one or both parts of Lead and Harm. are set to “as
Mic Setting” in the DETAIL tab (
page 99
), this parameter is effective. In other settings, the setting of
the Vocal Harmony’s Pitch Detect Speed is effective.
[1

]
VOLUME
Determines the output volume of the microphone sound.
[2

]
PAN
Determines the stereo pan position of the microphone sound.
[3

]
REVERB
DEPTH
Determines the depth of the reverb effects applied to the microphone
sound.
[4

]
CHORUS
DEPTH
Determines the depth of the chorus effects applied to the microphone
sound.
[5

]/
[6

]
REDUCTION
LEVEL
Determines the amount of reduction to be applied to the overall sound
(excepting the microphone input)—allowing you to effectively adjust the
balance between your voice and the overall instrument sound.