Yamaha SPX900 SPX900 Owners Manual Image - Page 20

Feedback, L.F.B., Right, R.F.B., PITCH, CHANGE, Pitch, Shift, PITCH, 1st Fine, Tuning, Fine., Delay

Page 20 highlights

Left Feedback Gain (L.F.B.): -99 - +99% Right Feedback Gain (R.F.B.): -99 - +99% When this parameter is set to 0, only a single pitch-shifted sound is produced after the DELAY time has elapsed. As the value of this parameter is increased, however, more and more delayed repeats are produced, each pitch-shifted up or down from the previous repeat according to the setting of the PITCH parameter. L DLY PITCH L F.B. R DLY PITCH R F.B. • 30. PITCH CHANGE 3 PITCH CHANGE 3 offers the "thickest" and most complex sound by allowing the creation of three pitch-shifted notes in addition to the direct sound. 1st Pitch Shift (1PITCH): -24 - +24 2nd Pitch Shift (2 PITCH): -24 - +24 3rd Pitch Shift (3 PITCH): -24 - +24 Set the pitch of the first, second or third pitch-shifted note between two octaves below (-24) and two octaves above (+24) the input note. 1st Fine Tuning (1FINE): -100- +100 2nd Fine.Tuning (2 FINE): -100 - +100 3rd Fine Tuning (3 FINE): -100 - +100 Permit fine tuning of the first, second or third pitch-shifted note in 1-cent steps. 1st Delay Time (1DLY): 0.1 - 1400.0 milliseconds 2nd Delay Time (2 DLV): 0.1 - 1400.0 milliseconds 3rd Delay Time (3 DLV): 0.1 - 1400.0 milliseconds Determines the time delay between input of the original note and output of the first, second or third pitch-shifted note. 1st Level (1LEVEL): 0 - 100% 2nd Level (2 LEVEL): 0 - 100% 3rd Level (3 LEVEL): 0 - 100% These parameters determine the levels of the first, second and third pitch-shifted notes. 1 DLY PITCH 2 DLY PITCH 3 DLY PITCH • 31. MONO PITCH The MONO PITCH program produces a single pitch-shifted note. The PITCH parameter can be varied while playing (using an external controller, for example) to provide smooth, real-time pitch variation. DELAY PITCH 1 O° RL Pitch Shift (PITCH): -24 - +24 Set the pitch of the pitch-shifted note between two octaves below (-24) and two octaves above (+24) the input note. Fine Tuning (PITCH FINE): -100 - +100 Permit fine tuning of the pitch-shifted note in 1-cent steps. Delay Time (DELAY): 0.1 - 1400.0 milliseconds Determine the time delay between input of the original note and output of the pitch-shifted note. Feedback Gain (FB GAIN): -99 - +99% When this parameter is set to 0, only a single pitch-shifted sound is produced after the DELAY time has elapsed. As the "value of this parameter is increased, however, more and more delayed repeats are produced, each pitch-shifted up or down from the previous repeat according to the setting of the PITCH parameter. PARAMETERS ACCESSED BY THE INT PARAM KEY Base Key (BASE KEY): OFF, C1 - C6 This parameter sets the "BASE KEY" for an external MIDI synthesizer used to control the PITCH parameter (the MIDI OUT terminal of the synthesizer must be connected to the SPX900 MIDI IN terminal, and the SPX900 must be set to receive on the MIDI channel on which the synthesizer is transmitting). If, for example, the BASE KEY parameter is set to C4, pressing the C3 key on the synthesizer (C3 is one octave lower than C4) will set the pitch change value to -12. Pressing D4 on the keyboard would produce a pitch increase of one whole-tone (+2). When two keys are pressed, the highest note determines the pitch of the 1 PITCH or L PITCH sound, and the lower note determines the pitch of the 2 PITCH or R PITCH sound. With the STEREO PITCH program the last note pressed takes priority. If a key more than two octaves higher or lower than the BASE KEY is pressed, the resultant pitch change setting will still be within the -24 to +24 range, 18

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Left
Feedback
Gain
(L.F.B.):
-99
+99%
Right
Feedback
Gain
(R.F.B.):
-99
+99%
When
this
parameter
is
set
to
0,
only
a
single
pitch
-shifted
sound
is
produced
after
the
DELAY
time
has
elapsed.
As
the
value
of
this
parameter
is
increased,
however,
more
and
more
delayed
repeats
are
produced,
each
pitch
-shifted
up
or
down
from
the
previous
repeat
according
to
the
setting
of
the
PITCH
parameter.
L
DLY
PITCH
L
F.B.
R
DLY
PITCH
30.
PITCH
CHANGE
3
R
F.B.
PITCH
CHANGE
3
offers
the
"thickest"
and
most
complex
sound
by
allowing
the
creation
of
three
pitch
-shifted
notes
in
addition
to
the
direct
sound.
1st
Pitch
Shift
(1
PITCH):
-24
+24
2nd
Pitch
Shift
(2
PITCH):
-24
+24
3rd
Pitch
Shift
(3
PITCH):
-24
-
+24
Set
the
pitch
of
the
first,
second
or
third
pitch
-shifted
note
between
two
octaves
below
(-24)
and
two
octaves
above
(+24)
the
input
note.
1st Fine
Tuning
(1
FINE):
-100-
+100
2nd
Fine.
Tuning
(2
FINE):
-100
-
+100
3rd
Fine
Tuning
(3
FINE):
-100
-
+100
Permit
fine
tuning
of
the
first,
second
or
third
pitch
-shifted
note
in
1
-cent
steps.
1st
Delay
Time
(1
DLY):
0.1
-
1400.0
milliseconds
2nd
Delay
Time
(2
DLV):
0.1
1400.0
milliseconds
3rd
Delay
Time
(3
DLV):
0.1
-
1400.0
milliseconds
Determines
the
time
delay
between
input
of
the
original
note
and
output
of
the
first,
second
or
third
pitch
-shifted
note.
1st
Level
(1
LEVEL):
0
-
100%
2nd
Level
(2
LEVEL):
0
100%
3rd
Level
(3
LEVEL):
0
100%
These
parameters
determine
the
levels
of
the
first,
second
and
third
pitch
-shifted
notes.
1
DLY
PITCH
2
DLY
PITCH
3
DLY
PITCH
31.
MONO
PITCH
The
MONO
PITCH
program
produces
a
single
pitch
-shifted
note.
The
PITCH
parameter
can
be
varied
while
playing
(using
an
external
controller,
for
example)
to
provide
smooth,
real-time
pitch
variation.
DELAY
PITCH
1
°
L
OR
Pitch
Shift
(PITCH):
—24
+24
Set
the
pitch
of
the
pitch
-shifted
note
between
two
octaves
below
(-24)
and
two
octaves
above
(+24)
the
input
note.
Fine
Tuning
(PITCH
FINE):
-100
-
+100
Permit
fine
tuning
of
the
pitch
-shifted
note
in
1
-cent
steps.
Delay
Time
(DELAY):
0.1
-
1400.0
milliseconds
Determine
the
time
delay
between
input
of
the
original
note
and
output
of
the
pitch
-shifted
note.
Feedback
Gain
(FB
GAIN):
-99
-
+99%
When
this
parameter
is
set
to
0,
only
a
single
pitch
-shifted
sound
is
produced
after
the
DELAY
time
has
elapsed.
As
the
"value
of
this
parameter
is
increased,
however,
more
and
more
delayed
repeats
are
produced,
each
pitch
-shifted
up
or
down
from
the
previous
repeat
according
to
the
setting
of
the
PITCH
parameter.
PARAMETERS
ACCESSED
BY
THE
INT
PARAM
KEY
Base
Key
(BASE
KEY):
OFF,
C1
C6
This
parameter
sets
the
"BASE
KEY"
for
an
external
MIDI
synthesizer
used
to
control
the
PITCH
parameter
(the
MIDI
OUT
terminal
of
the
synthesizer
must
be
connected
to
the
SPX900
MIDI
IN
terminal,
and
the
SPX900
must
be
set
to
receive
on
the
MIDI
channel
on
which
the
synthesizer
is
transmitting).
If,
for
example,
the
BASE
KEY
parameter
is
set
to
C4,
pressing
the
C3
key
on
the
synthesizer
(C3
is
one
octave
lower
than
C4)
will
set
the
pitch
change
value
to
—12.
Pressing
D4
on
the
keyboard
would
produce
a
pitch
increase
of
one
whole
-tone
(+2).
When
two
keys
are
pressed,
the
highest
note
determines
the
pitch
of
the
1
PITCH
or
L
PITCH
sound,
and
the
lower
note
determines
the
pitch
of
the
2
PITCH
or
R
PITCH
sound.
With
the
STEREO
PITCH
program
the
last
note
pressed
takes
priority.
If
a
key
more
than
two
octaves
higher
or
lower
than
the
BASE
KEY
is
pressed,
the
resultant
pitch
change
setting
will
still
be
within
the
—24
to
+24
range,
18