Behringer PMP1000 Manual - Page 12
Effect Presets of EUROPOWER PMP6000
View all Behringer PMP1000 manuals
Add to My Manuals
Save this manual to your list of manuals |
Page 12 highlights
12 EUROPOWER PMP6000/PMP4000/PMP1000 User Manual Effect Presets of EUROPOWER PMP6000 No. EFFECT Description No. HALL 00-09 00 SMALL HALL 1 approx. 1.0s reverb decay 50 01 SMALL HALL 2 approx. 1.2s reverb decay 51 02 SMALL HALL 3 approx. 1.5s reverb decay 52 03 MID HALL 1 approx. 1.8s reverb decay 53 04 MID HALL 2 approx. 2.0s reverb decay 54 05 MID HALL 3 approx. 2.5s reverb decay 55 06 BIG HALL 1 approx. 2.8s reverb decay 56 07 BIG HALL 2 approx. 3.2s reverb decay 57 08 BIG HALL 3 approx. 4s reverb decay 58 09 CHURCH approx. 7s reverb decay 59 ROOM 10-19 10 SMALL ROOM 1 approx. 0.5s reverb decay 60 11 SMALL ROOM 2 approx. 0.8s reverb decay 61 12 SMALL ROOM 3 approx. 1.0s reverb decay 62 13 MID ROOM 1 approx. 1.2s reverb decay 63 14 MID ROOM 2 approx. 1.5s reverb decay 64 15 MID ROOM 3 approx. 1.8s reverb decay 65 16 BIG ROOM 1 approx. 2.0s reverb decay 66 17 BIG ROOM 2 approx. 2.2s reverb decay 67 18 BIG ROOM 3 approx. 2.5s reverb decay 68 19 CHAPEL approx. 3s reverb decay 69 PLATE 20-29 20 SHORT PLATE approx. 1.0s reverb decay 70 21 MID PLATE approx. 1.5s reverb decay 71 22 LONG PLATE approx. 2.2s reverb decay 72 23 VOCAL PLATE approx. 1.2s reverb decay 73 24 DRUMS PLATE approx. 1.0s reverb decay 74 25 GOLD PLATE 1 approx. 1.2s reverb decay 75 26 GOLD PLATE 2 approx. 2.0s reverb decay 76 27 SHORT SPRING approx. 1.0s reverb decay 77 28 MID SPRING approx. 2.0s reverb decay 78 29 LONG SPRING approx. 2.5s reverb decay 79 GATED/REVERSE 30-39 30 GATED REV SHORT approx. 0.8s gate time 80 31 GATED REV MID approx. 1.2s gate time 81 32 GATED REV LONG approx. 2.0s gate time 82 33 GATED REV XXL approx. 3.0s gate time 83 34 GATED REV DRUMS 1 approx. 0.8s gate time 84 35 GATED REV DRUMS 2 approx. 1.2s gate time 85 36 REVERSE SHORT approx. 0.8s reverb raise 86 37 REVERSE MID approx. 1.2s reverb raise 87 38 REVERSE LONG approx. 2.0s reverb raise 88 39 REVERSE XXL approx. 3.0s reverb raise 89 EARLY REFLECTIONS 40-49 40 EARLY REFLECTION 1 Short 90 41 EARLY REFLECTION 2 Medium-short 91 42 EARLY REFLECTION 3 Medium-long 92 43 EARLY REFLECTION 4 Long 93 44 SHORT AMBIENCE Short 94 45 MID AMBIENCE Medium-short 95 46 LIVE AMBIENCE Medium-short 96 47 BIG AMBIENCE Medium-long 97 48 STADIUM Long 98 49 GHOST AMBIENCE Extra-long special FX 99 EFFECT SHORT DELAY 1 SHORT DELAY 2 SHORT DELAY 3 MID DELAY 1 MID DELAY 2 MID DELAY 3 LONG DELAY 1 LONG DELAY 2 LONG DELAY 3 LONG ECHO SOFT CHORUS 1 SOFT CHORUS 2 WARM CHORUS 1 WARM CHORUS 2 PHAT CHORUS 1 PHAT CHORUS 2 CLASSIC FLANGER WARM FLANGER DEEP FLANGER HEAVY FLANGER CLASSIC PHASER WARM PHASER DEEP PHASER HEAVY PHASER PITCH SHIFT DETUNE PITCH SHIFT +3 PITCH SHIFT +4 PITCH SHIFT +7 PITCH SHIFT -5 PITCH SHIFT -12 CHORUS + REVERB 1 CHORUS + REVERB 2 FLANGER + REVERB 1 FLANGER + REVERB 2 PHASER + REVERB 1 PHASER + REVERB 2 PITCH + REVERB 1 PITCH + REVERB 2 DELAY + REVERB 1 DELAY + REVERB 2 DELAY + GATED REV DELAY + REVERSE DELAY + CHORUS 1 DELAY + CHORUS 2 DELAY + FLANGER 1 DELAY + FLANGER 2 DELAY + PHASER 1 DELAY + PHASER 2 DELAY + PITCH 1 DELAY + PITCH 2 Description DELAY 50-59 Like a short shattering 1-2 short impulse(s) 1-2 short impulse(s) Classical Delay for up-tempo music (115-125 BPM) Classical Delay for mid-tempo music (105-115 BPM) Classical Delay for slow-tempo music (95-105 BPM) Classical Delay for reggae-tempo music (85-95 BPM) Classical Delay for dub-tempo music (75-85 BPM) Extra long (nearly infinite) delay effect Extra long canyon echo effect CHORUS 60-69 Unobtrusive effect Unobtrusive effect with different color Analog sounding Analog sounding with different color Pronounced chorus effect Pronounced chorus effect with different color Standard flanger effect More analog touch Deep modulation impression Extremely pronounced effect PHASE/PITCH 70-79 Standard phaser effect More analog touch Deep modulation impression Extreme strong effect 2-3-times detune for a wider solo voice sound Minor third added voice Major third added voice Quint above added voice Fourth down added voice 1 octave down added voice MULTI 1 80-89 Soft chorus + medium-short reverb Deep chorus + medium-long reverb Soft flanger + medium-short reverb Deep flanger + medium-long reverb Soft phaser + medium-short reverb Deep phaser + medium-long reverb Soft voice detuning + medium-short reverb Fourth above interval + medium-long reverb Short delay + medium-short reverb Medium-long delay + medium-long reverb MULTI 2 90-99 Short delay + medium-long gated reverb Medium-short delay + medium-long reverse reverb Short delay + soft chorus Medium-long delay + deep chorus Short delay + soft flanger Medium-long delay + deep flanger Short delay + soft phaser Medium-long delay + deep phaser Short delay + fourth down interval Medium-long delay + minor third above interval