Carvin FET1000 Instruction Manual - Page 34

Professional, Accessory, Group

Page 34 highlights

FET Series Power Amplifiers About the PET Series Amps Section 3 Professional Accessory Group The signal processors built into the FET450 and FET1000 amps are controlled by a group of DIP (Dual In-line Package) switches located on the mar panel. In order to access the DIP switches you must first remove the plastic cover. Under the cover are sixteen gold contact switches. The switches are grouped according to the channel that they control. The "Si" group of switches (switches S1-1 through S1-8) controls the functions for CH 1 and the "S2" group (switches S2-1 through S2-8) select the functions for CH 2. Switches -1 and -8 in both the "Si" and "S2" groups must be switched as a pair. Switches S1-1 and S2-1 select the input "Y" connection option while switches S1-8 and S2-8 select either the "Stereo" or "Mono bridged" mode of the amplifier. The remaining switches control the various accessories for each channel and can be operated independently of one another. Always replace the plastic cover over the switch group to assure maximum air cooling. S1-1& S2-1 Input "Y" Configuration: This feature allows the two channels of the amp to be driven from one input. The channels are driven with similar polarity i.e. "in phase". S1-2&S2-2 XLR Ground Lift: Use this switch to float the ground on the XLR input connector when you need to break a ground loop between the mixer and the power amp. This switch does not affect the 1/4" input grounding. S1-3& S2-3 The Low Cut Filter: This switch cuts the bass below 30 Hz. Use it to eliminate subsonic noise during live performances. By attenuating power wasting subsonic energy the low cut filter also helps to conserve amplifier power and reduces woofer cone excursion. We recommend that this switch always be set "ON" for concert/live performances. For studio monitoring applications, you will probably not want to use the low cut filter in order to take advantage of the wide bandwidth of the amplifier. S1-4&S2-4 The High Cut Filter: The high cut filter attenuates high frequency material above 25k Hz. Because of the wide bandwidth of the FET series amplifiers (5 Hz to 80k Hz), it may be prudent to eliminate ultra-sonic frequencies above 25k Hz in live sound situations. This helps protect horn drivers, in particular, from any ultrasonic oscillations that may be generated by gear ahead of the power amps due to "rats nest" cable connections or from less than ideal grounding. In the studio (as a control room monitor amplifier) you may wish to utilize the full bandwidth of the amplifier for the most accurate response possible. For studio monitoring we recommend that you leave both the "low cut" and "high cut" filters in the OFF position. S1- 5& S 2 - 5 The Compressor: The action of the compressor is virtually inaudible in normal operation. However, by reducing the volume of peak program levels, the compressor allows increased overall loudness before the onset of audible distortion. Setting the compressor switch (-5) set to the "ON" position with switches -6, and -7 off provides the maximum level of compression and will limit the average output of the amp to about 10% of rated power by providing up to 10 dB of gain reduction. Switching on -6 raises the compressor threshold to allow only about 6 dB of gain reduction. Switching on -7 (with -6 off) raises the compressor threshold even further and allows only about 3 dB of gain reduction. Use of the compressor is recommended for live sound reinforcement. S1-8&S2-8 Mono Bridge Mode: The FET450 and FET1000 can be switched to Mono Bridge mode to allow the two channels to operate as one power amplifier. When switched to the mono mode the FET Amps can deliver the full rated power of both channels into a single load. (see section 4 for more detail on bridging) 3-7

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FET
Series
Power
Amplifiers
About
the
PET
Series
Amps
Section
3
Professional
Accessory
Group
The
signal
processors
built
into
the
FET450
and
FET1000
amps
are
controlled
by
a
group
of
DIP
(Dual
In
-line
Package)
switches
located
on
the
mar
panel.
In
order
to
access
the
DIP
switches
you
must
first
remove
the
plastic
cover.
Under
the
cover
are
sixteen
gold
contact
switches.
The
switches
are grouped
according
to
the
channel
that
they
control.
The
"Si"
group
of
switches
(switches
S1-1
through
S1-8)
controls
the
functions
for
CH
1
and
the
"S2"
group
(switches
S2-1
through
S2-8)
select
the
functions
for
CH
2.
Switches
-1
and
-8
in
both
the
"Si"
and
"S2"
groups
must
be
switched
as
a
pair.
Switches
S1-1
and
S2-1
select
the
input
"Y"
connection
option
while
switches
S1-8
and
S2-8
select
either
the
"Stereo"
or
"Mono
bridged"
mode
of
the
amplifier.
The
remaining
switches
control
the
various
accessories
for
each
channel
and
can
be
operated
independently
of
one
another.
Always
replace
the
plastic
cover over
the
switch
group
to
assure
maximum
air
cooling.
S
1-1
&
S2-1
Input
"Y"
Configuration:
This
feature
allows
the
two
channels
of
the
amp
to
be
driven
from
one
input.
The
channels
are
driven
with
similar
polarity
i.e.
"in
phase".
S1
-2&S2-2
XLR
Ground
Lift:
Use
this
switch
to
float
the
ground
on
the
XLR
input
connector
when
you
need
to
break
a
ground
loop
between
the
mixer
and
the
power
amp.
This
switch
does
not
affect
the
1/4"
input
grounding.
S
1-3&
S2-3
The
Low
Cut
Filter:
This
switch
cuts
the
bass
below
30
Hz.
Use
it
to
eliminate
subsonic
noise
during
li
ve
performances.
By
attenuating
power
wasting
subsonic
energy
the
low
cut
filter
also
helps
to
conserve
amplifier
power
and
reduces
woofer
cone
excursion.
We
recommend
that
this
switch
always
be
set
"ON"
for
concert/live
performances.
For
studio
monitoring
applications,
you
will
probably
not
want
to
use
the
low
cut
filter
in
order
to
take
advantage
of
the
wide
bandwidth
of
the
amplifier.
S1
-4&S2-4
The
High
Cut
Filter:
The
high
cut
filter
attenuates
high
frequency
material
above
25k
Hz.
Because
of
the
wide
bandwidth
of
the
FET
series
amplifiers
(5
Hz
to
80k
Hz),
it
may
be
prudent
to
eliminate
ultra
-sonic
frequencies
above
25k
Hz
in
live
sound
situations.
This
helps
protect
horn
drivers,
in
particular,
from
any
ultrasonic
oscillations
that
may
be
generated
by
gear
ahead
of
the
power
amps
due
to
"rats
nest"
cable
connections
or
from
less
than
ideal
grounding.
In
the
studio
(as
a
control
room
monitor
amplifier)
you
may
wish
to
utilize
the
full
bandwidth
of
the
amplifier
for
the
most
accurate
response
possible.
For
studio
monitoring
we
recommend
that
you
leave
both
the
"low
cut"
and
"high
cut"
filters
in
the
OFF
position.
S
1-
5
&
S
2
-
5
The
Compressor:
The
action
of
the
compressor
is
virtually
inaudible
in
normal
operation.
However,
by
reducing
the
volume
of
peak
program
levels,
the
compressor
allows
increased
overall
loudness
before
the
onset
of
audible
distortion.
Setting
the
compressor
switch
(-5)
set
to
the
"ON"
position
with
switches
-6,
and
-7
off
provides
the
maximum
level
of
compression
and
will
limit
the
average
output
of
the
amp
to
about
10%
of
rated
power
by
providing
up
to
10
dB
of
gain
reduction.
Switching
on
-6
raises
the
compressor
threshold
to
allow
only
about
6
dB
of
gain
reduction.
Switching
on
-7
(with
-6
off)
raises
the
compressor
threshold
even
further
and
allows
only
about
3
dB
of
gain
reduction.
Use
of
the
compressor
is
recommended
for
live
sound
reinforcement.
S1
-8&S2-8
Mono
Bridge
Mode:
The
FET450
and
FET1000
can
be
switched
to
Mono
Bridge
mode
to
allow
the
two
channels
to
operate
as
one
power
amplifier.
When
switched
to
the
mono
mode
the
FET
Amps
can
deliver
the
full
rated
power
of
both
channels
into
a
single
load.
(see
section
4
for
more
detail
on
bridging)
3-7