JVC GY-DV5000U GY-DV5000U 3-CCD Professional DV Camcorder 92 page instruction - Page 26

6 White Balance Adjustment, 6- 7 Audio Input Signal Selection, FULL-TIME AUTO WHITE BALANCE FAW

Page 26 highlights

6. SETTING AND ADJUSTMENTS BEFORE SHOOTING 6-6 White Balance Adjustment Since the color of light (color temperature) varies depending on the light source, it is necessary to re-adjust the white balance when the main light source illuminating the subject changes. Note When a subject illuminated by a halogen lamp with a color temperature of 3,200K is shot while the color temperature conversion filter setting is set to 5,600K, 5,600K+1/8 ND, or 5,600K+1/64 ND, a proper white balance adjustment and (FAW) Full Time Auto White balance may not be accomplishable. In this case, change the color temperature conversion filter setting to 3,200K and then carry out the white balance adjustment and (FAW) again. ● Do not adjust using any highly reflective objects, such as metal, etc., as this may result in improper white balance adjustment. WHITE BALANCE ADJUSTMENT 2. FILTER knob 1. Iris mode switch 5. AUTO WHT. /ACCU FOCUS switch 3. WHT.BAL switch 1. OUTPUT switch 1. POWER switch AUTO WHITE A OPERATION During operation AUTO WHITE A OK Result message AUTO WHITE A NG:OBJECT Improper object AUTO WHITE A ERROR:LOW LIGHT Insufficient illumination AUTO WHITE A ERROR:OVER LIGHT Excessive illumination FULL-TIME AUTO WHITE BALANCE (FAW) The FAW function adjusts the white balance value automatically as the lighting condition changes. This mode is convenient when you have no time to adjust the white balance or when the camera is moved frequently in and out of places under different lighting conditions. ■ Setting procedure The FAW function can be activated with the FAW item on the CAMERA OPERATION menu screen. The FAW function can be allocated to one of the white balance switching switches A, B, or PRESET. ☞ See "CAMERA OPERATION menu screen" on page 69. Two kinds of white balance adjustment results can be stored in memories AUTO1 and AUTO2. Ⅲ Adjustment procedure 1. Set the following switches. ● Set the POWER switch to ON. ● Set the OUTPUT switch to CAM-AUTO KNEE. ● Set the IRIS mode switch of the lens to A (Auto). 2. Set the FILTER knob according to the current lighting. 3. Set the WHT.BAL switch to A or B. 4. Place a white object near the centre of the screen under the same lighting conditions as the target subject and zoom in to fill the screen with white. 5. Tilt the AUTO WHT./ACCU FOCUS switch upward (to AUTO WHITE) once and release it. "AUTO WHITE A, B OPERATION" is displayed in the viewfinder while the auto white balance adjustment circuit operates. When correct white balance is obtained, the approximate color temperature is displayed together with "AUTO WHITE A, B OK" for about 5 seconds. Error messages If the adjustment ends abnormally, an error message, as described below, blinks for about 5 seconds. ● NG: OBJECT (Improper object) Displayed when there is not enough white color on an object or the color temperature is not suitable. Replace the color temperature conversion filter or use another white object and re-adjust the white balance. ● ERROR: LOW LIGHT (Insufficient illumination) Displayed when the illumination is dim. Increase the illumination and then re-adjust the white balance. ● ERROR: OVER LIGHT (Excessive illumination) Displayed when the light is excessively bright. Decrease the illumination and then re-adjust the white balance. CAUTION: ● The FAW (Full-time Auto White balance) function cannot provide optimum white balance with a subject outside the FAW adjustment range, for example when it contains only a single color or not enough white color. ● The accuracy of the FAW (Full-time Auto White balance) is inferior to that of the manual white balance. ● When the power is turned on with the FAW mode selected, it takes about 10 seconds for the FAW adjustment to be completed. Do not shoot within this interval. 48 6. SETTING AND ADJUSTMENTS BEFORE SHOOTING 6-7 Audio Input Signal Selection VF OFF ZEBRA ON SKIN AREA AUTO WHITE ACCU FOCUS VTR AUDIO LEVELE CH-1 5 FRONT AUDIO IN connector EDITSEARCH FILTER 1 3200K 2 5600K 1/8 ND .3 5600K .4 5600K 1/64 ND SHUTTER STATUS MONITOR MENU AUTO IRIS FULL AUTO BACK L NORMAL SPOT L BLACK LOLUX STRETCH NORMAL COMPRESS MODE VTR CAM POWER VTR ON OFF OPEN CH-1 AUDIO LEVEL CH-2 LCD BRIGHT FRONT REAR CH-1 CH-2 AUDIO INPUT AUDIO SELECT CH-1 CH-2 AUTO MANUAL DISPLAY PULL OPEN CH-1 AUDIO INPUT switch CH-2 AUDIO INPUT LCD BRIGHT DISPLAY switch AUDIO INPUT (LINE/MIC) switch CH-1 AUDIO LEVEL CH-2 MONITOR SELECT CH-1 MIX CH-2 AUDIO INPUT FRONT REAR LINE MIC +48V FRONT REAR CH-1 CH-2 AUDIO INPUT AUDIO SELECT CH-1 CH-2 AUTO MANUAL COUNTER TC UB TC GENE. REGEN FREE REC PRST PHONES DV REAR AUDIO IN DC OUT DC IN TALLY REAR AUDIO IN connector The GY-DV5000 is provided with the FRONT AUDIO IN connector and the REAR AUDIO IN connector for audio input. Two channels of sound can be recorded on the tape in digital PCM format. Using the AUDIO INPUT switch, select for each channel (CH1 and CH2) whether the sound to be recorded should be the sound from the FRONT AUDIO IN connector or the sound from the REAR AUDIO IN connector. ■ Selecting the CH-1 channel input sound Make the selection using the CH-1 AUDIO INPUT switch. FRONT : The sound from the FRONT AUDIO IN connector is recorded on the CH-1 channel. REAR : The sound from the REAR AUDIO IN connector is recorded on the CH-1 channel. ■ Selecting the CH-2 channel input sound Make the selection using the CH-2 AUDIO INPUT switch. FRONT : The sound from the FRONT AUDIO IN connector is recorded on the CH-2 channel. REAR : The sound from the REAR AUDIO IN connector is recorded on the CH-2 channel. ■ Selecting the FRONT AUDIO IN connector and REAR AUDIO IN connector Select the sound to be input to the AUDIO INPUT connector using the AUDIO INPUT (LINE/MIC) switch. The setting is made individually for both the FRONT AUDIO IN connector and the REAR AUDIO IN connector. LINE : Set to this position when connected to audio equipment, etc. The reference input level is +4 dBs. MIC : Set to this position when using a monaural microphone. The reference input level is -60 dBs. +48 V : Set to this position when a microphone (phantom microphone) requiring +48 V DC power supply is connected. CAUTION: Before connecting a component that does not require +48 V power supply, make sure that the AUDIO INPUT (LINE/ MIC) switch is not set to +48 V. Neglecting this could cause damage to the connected component. 49

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48
6. SETTING AND ADJUSTMENTS BEFORE SHOOTING
Two kinds of white balance adjustment results can be stored in
memories AUTO1 and AUTO2.
´
Adjustment procedure
1.
Set the following switches.
Set the POWER switch to ON.
Set the OUTPUT s
witch to CAM-AUTO KNEE.
Set the IRIS mode s
witch of the lens to A (A
uto).
2.
Set the FILTER knob according to the current lighting.
3.
Set the WHT.BAL switch to A or B.
4.
Place a white object near the centre of the screen under
the same lighting conditions as the target subject and z
oom
in to fill the screen with white
.
5.
Tilt the AUTO WHT./ACCU FOCUS switch upward (to AUTO
WHITE) once and release it.
“AUTO WHITE A, B OPERA
TION” is displayed in the
viewfinder while the auto white balance adjustment circuit
operates.
When correct white balance is obtained, the appro
ximate
color temperature is displayed together with
“AUTO WHITE
A, B OK” for about 5 seconds
.
Error messages
If the adjustment ends abnor
mally, an error message, as
described below, blinks for about 5 seconds
.
NG: OBJECT (Impr
oper object)
Displayed when there is not enough white color on an object
or the color temper
ature is not suitab
le.
Replace the color temper
ature conversion filter or use another
white object and re-adjust the white balance
.
ERROR: LOW LIGHT (Insufficient illumination)
Displayed when the illumination is dim.
Increase the
illumination and then re-adjust the white balance
.
ERROR: OVER LIGHT (Excessive illumination)
Displayed when the light is e
xcessively bright. Decrease the
illumination and then re-adjust the white balance
.
FULL-TIME AUTO WHITE BALANCE (FAW)
The FAW function adjusts the white balance v
alue
automatically as the lighting condition c
hanges.
This mode is con
v
enient when you have no time to adjust the
white balance or when the camer
a is moved frequently in and
out of places under diff
erent lighting conditions
.
Setting procedure
The FAW function can be activ
ated with the FAW item on the
CAMERA OPERA
TION menu screen. The FAW function can
be allocated to one of the white balance s
witching switches
A, B, or PRESET.
See “CAMERA OPERA
TION menu screen” on page 69.
6-6
White Balance Adjustment
Since the color of light (color temper
ature) varies depending on the light source
, it is necessary to re-adjust the white balance when
the main light source illuminating the subject changes
.
Note
When a subject illuminated b
y a halogen lamp with a color temper
ature of 3,200K is shot while the color temper
ature conversion
filter setting is set to 5,600K, 5,600K+1/8 ND
, or 5,600K+1/64 ND
, a proper white balance adjustment and (F
A
W) Full Time Auto
White balance ma
y not be accomplishab
le. In this case, change the color temper
ature conversion filter setting to 3,200K and
then carry out the white balance adjustment and (F
A
W) again.
Do not adjust using an
y highly reflective objects, such as metal, etc., as this ma
y result in improper white balance adjustment.
WHITE BALANCE ADJUSTMENT
1.
1.
1.
5.
3.
2.
Iris mode
switch
FILTER knob
AUTO
WHT.
/ACCU FOCUS switch
WHT.BAL
s
witch
OUTPUT
s
witch
POWER
s
witch
AUTO WHITE A
OPERATION
AUTO WHITE A
OK
<3200K>
AUTO WHITE A
NG:OBJECT
AUTO WHITE A
ERROR:LOW LIGHT
AUTO WHITE A
ERROR:OVER LIGHT
During operation
Improper object
Result message
Insufficient illumination
Excessive illumination
CAUTION:
The FAW (Full-time Auto White balance) function cannot
provide optimum white balance with a subject outside
the FAW adjustment range, for example when it contains
only a single color or not enough white color
.
The accuracy of the FAW (Full-time Auto White balance)
is inferior to that of the man
ual white balance
.
When the power is turned on with the F
AW
mode
selected, it takes about 10 seconds f
or the FAW
adjustment to be completed. Do not shoot within this
interval.
49
6. SETTING AND ADJUSTMENTS BEFORE SHOOTING
POWER
VTR
COUNTER
CH-1
AUDIO INPUT
AUDIO SELECT
CH-2
CH-1
CH-2
FRONT
REAR
AUTO
MANUAL
TC GENE.
TC
MONITOR
SELECT
AUDIO
LEVEL
AUDIO INPUT
CH-1
CH-2
CH-1
MIX
CH-2
FRONT
REAR
LINE
MIC
+48V
PRST
REGEN
FREE
REC
UB
LCD
BRIGHT
DISPLAY
6-7
Audio Input Signal Selection
REAR AUDIO IN
connector
FRONT AUDIO IN
connector
A
UDIO INPUT
(LINE/MIC) switch
CH-1 AUDIO INPUT switch
CH-2 AUDIO INPUT
s
witch
The GY-DV5000 is provided with the FR
ONT AUDIO IN
connector and the REAR A
UDIO IN connector f
or audio input.
Two channels of sound can be recorded on the tape in digital
PCM format. Using the AUDIO INPUT switch, select for each
channel (CH1 and CH2) whether the sound to be recorded
should be the sound from the FR
ONT AUDIO IN connector or
the sound from the REAR A
UDIO IN connector
.
Selecting the CH-1 channel input sound
Make the selection using the CH-1 A
UDIO INPUT switch.
FRONT :
The sound from the FR
ONT AUDIO IN connector
is recorded on the CH-1 channel.
REAR
:
The sound from the REAR A
UDIO IN connector is
recorded on the CH-1 channel.
Selecting the CH-2 channel input sound
Make the selection using the CH-2 A
UDIO INPUT switch.
FRONT :
The sound from the FR
ONT AUDIO IN connector
is recorded on the CH-2 channel.
REAR
:
The sound from the REAR A
UDIO IN connector is
recorded on the CH-2 channel.
Selecting the FR
ONT AUDIO IN connector and REAR
A
UDIO IN connector
Select the sound to be input to the A
UDIO INPUT connector
using the AUDIO INPUT (LINE/MIC) s
witch. The setting is
made individually f
or both the FRONT AUDIO IN connector
and the REAR AUDIO IN connector
.
LINE
:
Set to this position when connected to audio
equipment, etc.
The reference input level is +4 dBs.
MIC
:
Set to this position when using a monaur
al
microphone.
The reference input level is -60 dBs.
+48 V
:
Set to this position when a microphone
(phantom microphone) requir
ing +48 V DC
power supply is connected.
CAUTION:
Before connecting a component that does not require +48
V power supply, make sure that the A
UDIO INPUT (LINE/
MIC) switch is not set to +48
V.
Neglecting this could cause damage to the connected
component.