Nikon SB-26 Instruction Manual - Page 8

Rear-Curtain Sync Flash - flash duration

Page 8 highlights

The combination of high shutter-speed range and flash sync capability provides you with more options for flash photography in day-light conditions. It enables you to use a wider aperture to blur the subject's background (create a shallow depth of field), light up shadowed areas in outdoor photography, or even create light flow for fast moving subjects. FP high-speed sync flash is only available in the SB-26's Manual flash mode when using the F5, F90X/N90s and F90Series/N90. For details, see "FP High-Speed Sync Flash - Flash Photography At Higher Shutter Speeds" on page 98. SB-26 sync flash Y Y Y Light output FR F R F R X X X 1 FP High-Speed Sync Flash 2 Front-curtain sync flash 2 Rear-curtain sync flash X: Time duration Y: Shutter curtain movement Ï: Front-curtain movement ®: Rear-curtain movement ⁄: Film surface is exposed to flash light throughout the entire duration. ¤: Film surface is exposed to flash light for only part of the time that the curtain are open. 14 Rear-Curtain Sync Flash In "normal" flash synchronization, the flash fires at an early stage of exposure (i.e., front-curtain sync). At slow shutter speeds with a moving subject, this results in unnatural light patterns. For more natural lighting, use Rear-Curtain Sync. With this method, the flash fires at a later stage of the exposure, just before the rear, or second, shutter curtain starts to close (i.e., rear-curtain sync), turning available light into a stream of light that follows the flash-illuminated moving subject. Rear-Curtain Sync is available with the F5, F90X/N90s, F90-Series/N90, F70-Series/N70, F4-Series, F-801/N8008, F-801s/N8008s, F-601/N6006 and F-601M/ N6000. For more details, see "Rear-Curtain Sync Flash - For Natural Light Flow," page 105 and "Flash Sync Mode Selector W vs. q," page 139. Chapter 1 Main Features/Functions A slow shutter speed could create light flow from a moving subject. Rear-Curtain Sync Flash catches him/her with natural-looking light stream. 15

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15
14
Rear-Curtain Sync Flash
In “normal” flash synchronization, the flash fires at an early
stage of exposure (i.e., front-curtain sync). At slow shutter
speeds with a moving subject, this results in unnatural light
patterns.
For more natural lighting, use Rear-Curtain Sync. With
this method, the flash fires at a later stage of the exposure,
just before the rear, or second, shutter curtain starts to
close (i.e., rear-curtain sync), turning available light into a
stream of light that follows the flash-illuminated moving
subject. Rear-Curtain Sync is available with the F5,
F90X/N90s, F90-Series/N90, F70-Series/N70, F4-Series,
F-801/N8008, F-801s/N8008s, F-601/N6006 and F-601
M
/
N6000.
For more details, see “Rear-Curtain Sync Flash — For
Natural Light Flow,” page 105 and “Flash Sync Mode
Selector
W
vs.
q
,” page 139.
A slow shutter speed could create light flow from a moving subject.
Rear-Curtain Sync Flash catches him/her with natural-looking light
stream.
Y
F
R
F
R
X
Y
F
R
X
Y
X
2
2
1
Chapter
1
Main Features/Functions
The combination of high shutter-speed range and flash
sync capability provides you with more options for flash
photography in day-light conditions. It enables you to use a
wider aperture to blur the subject
s background (create a
shallow depth of field), light up shadowed areas in outdoor
photography, or even create light flow for fast moving sub-
jects.
FP high-speed sync flash is only available in the SB-26
s
Manual flash mode when using the F5, F90X/N90s and F90-
Series/N90. For details, see
FP High-Speed Sync Flash
Flash Photography At Higher Shutter Speeds
on page 98.
X:
Time duration
Y:
Shutter curtain movement
Ï
:
Front-curtain movement
®
:
Rear-curtain movement
:
Film surface is exposed to
flash light throughout the
entire duration.
¤
:
Film surface is exposed to
flash light for only part of
the time that the curtain
are open.
FP High-Speed
Sync Flash
Front-curtain sync flash
Rear-curtain sync flash
SB-26 sync flash
Light output