TASCAM DM-24 Application-Specific Documents DM-24 as a Live Mixer - Page 10

TWO DM-24s CASCADED, channels of ADAT I/O

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TWO DM-24s CASCADED For those who don't want to deal with fader layers and external mic preamps or for those who just need more inputs you can cascade two DM-24s. This requires two IF-CS/DM cards that go in to SLOT 1 of each DM-24. A cascade cable connects the two mixers. When cascaded, the DM-24s can share the aux sends, busses 1-8, the solo buss and the stereo buss. Cascading turns two DM-24s into one big console. When you recall a snapshot on the master, the slave will also recall. You have full access to the effect processors in both mixers via the aux sends. This means you could use two different reverbs for example. Perhaps a small room reverb on the snare drum and a hall reverb on an electric guitar. Or you could use up to 4 different effects at once. A reverb, a delay, distortion and chorus for example. Or if you wish you don't have to cascade the aux sends. This would give you six aux sends per board. Cascading two DM-24s provides: • 64 channels • 32 mic pres • 4 effect processors • 64 mono compressors and six stereo compressors • 32 gates • 64 four band, parametric Eqs • 48 channels of TDIF I/O • 16 channels of ADAT I/O • 4 S/PDIF I/O • 4 AES/EBU I/O • 2 option slots for additional I/O • 8 assignable inserts • 32 direct outputs for live recording • 32 faders All of this for about $5000

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TWO DM-24s CASCADED
For those who don’t want to deal with fader layers and external mic preamps or for those who just
need more inputs you can cascade two DM-24s.
This requires two IF-CS/DM cards that go in to
SLOT 1 of each DM-24.
A cascade cable connects the two mixers.
When cascaded, the DM-24s
can share the aux sends, busses 1-8, the solo buss and the stereo buss.
Cascading turns two
DM-24s into one big console.
When you recall a snapshot on the master, the slave will also
recall.
You have full access to the effect processors in both mixers via the aux sends.
This
means you could use two different reverbs for example.
Perhaps a small room reverb on the
snare drum and a hall reverb on an electric guitar.
Or you could use up to 4 different effects at
once.
A reverb, a delay,
distortion and chorus for example.
Or if you wish you don’t have to
cascade the aux sends.
This would give you six aux sends per board.
Cascading two DM-24s provides:
•
64 channels
•
32 mic pres
•
4 effect processors
•
64 mono compressors and six stereo compressors
•
32 gates
•
64 four band, parametric Eqs
•
48 channels of TDIF I/O
•
16 channels of ADAT I/O
•
4 S/PDIF I/O
•
4 AES/EBU I/O
•
2 option slots for additional I/O
•
8 assignable inserts
•
32 direct outputs for live recording
•
32 faders
All of this for about $5000